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Related Music Theory Alchemy

Paranoid Android is a progressive rock song by Radiohead from their album “OK Computer.” The song features various time signature changes, complex harmonic structures, and a blend of distorted guitar tones and strings. The given chords belong to the first verse of the song. The overall tonality of the song is predominantly centered around the C minor key. However, there are some instances of borrowed chords and chromaticism in the chord progression, which adds tension and an unstable quality to the music.

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

**

“Undone – The Sweater Song” by Weezer features a chorus with a simple, yet effective chord progression that combines the use of power chords with major chords. This combination gives the song its distinctive indie rock sound and contributes to its overall catchiness. The chorus is based on a four-chord progression with three different chords, where G5 power chord is followed by two major chords, C and D.

“It’s A Fire” by Portishead is a song characterized by its frequent modulations and use of borrowed chords, making it a considerable complexity in terms of harmony. It features transition from key centers and borrowed chords from other keys, which creates tension and resolution creating the signature moody and intense atmosphere Portishead is known for.

The song “Space Oddity” by David Bowie features a complex and varied chord progression that incorporates elements of both traditional and experimental popular music. The song is in the key of C Major, and its progression is characterized by the use of modal interchange, or the borrowing of chords from parallel scales. This is indicative of Bowie’s varied musical influences, combining elements of folk, rock, and pop while also incorporating experimental techniques associated with progressive rock.

Radiohead – Paranoid Android – Chorus

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Chord Progression

Gm, Dm9, E, Gm, Gm, Dm9, E, Am, G#, C, D, Am, G#, C, D, Cm, G, Bb, A, Dm, A, Dm, Dm7, Bb, F, Gm, F, E, A

Chord Progression Analysis

“`
G minor (i),
D minor 9 (v9),
E major (VI),
G minor (i),
G minor (i),
D minor 9 (v9),
E major (VI),
A minor (ii),
G# major (I#),
C major (IV),
D major (V),
A minor (ii),
G# major (I#),
C major (IV),
D major (V),
C minor (iv),
G major (VII),
Bb major (III),
A major (V/V),
D minor (v),
A major (V/V),
D minor (v),
D minor 7 (v7),
Bb major (III),
F major (VII/base),
G minor (i),
F major (VII/base),
E major (VI),
A major (V/V)
“`

Borrowed Chords:

“`G# major (I#)“`

Similar Chord Progressions

1. The Beatles – “Happiness is a Warm Gun”:
“`Cm, G, Ab, Bb, Gm, G, E, Am, G“`

2. Muse – “Citizen Erased”:
“`Am, G, F, E, Dm, G, Fmaj7, E“`

3. Tool – “Schism”:
“`Ebm7, Bb7, Bbm7, Abm, Fm, D“`

Although not exact replicas, these examples share a similar tendency of utilizing diverse and unexpected harmonic movement in an unconventional progression. They demonstrate how artists from various genres experiment with complex harmony and chromaticism to create a unique and engaging musical experience.

Musical Analysis

Radiohead’s “Paranoid Android” chorus employs several non-diatonic chords, creating a sense of unpredictability and tension. While the predominant tonality is G minor, the piece frequently ventures into other tonal centers, including C major and D major.

The progression begins with a somewhat conventional G minor – D minor – E major progression (i – v – VI), giving a sense of the natural minor scale. However, the progression then shifts to A minor (ii), followed by the borrowed G# major (I#) chord, which provides a strong chromatic contrast.

The repeated A minor – G# major – C major – D major sequence highlights a mix of diatonic degrees and borrowed chords, keeping the listener engaged. Eventually, the progression resolves to C minor (iv), before taking another series of twists and turns, finally ending with the V/V (A major) chord, which serves as a dominant push back into the tonic upon repetition of the progression.

Overall Analysis

The chorus of Radiohead’s “Paranoid Android” features an unconventional and diverse chord progression, drawing from various scale degrees. This progression contributes to the song’s complex, shifting quality, moving through several tonal centers.

Style Analysis

“Paranoid Android” exemplifies Radiohead’s use of unconventional harmony and structure in their music. The ever-evolving, unpredictable nature of the chord progression reflects the song’s moody, atmospheric quality. It combines traditional tonal harmony with chromaticism, contributing to the song’s melodic and harmonic complexity.

Chords in the Chorus section of Paranoid Android by Radiohead are:

Gm, Dm9, E, Gm, Gm, Dm9, E, Am, G#, C, D, Am, G#, C, D, Cm, G, Bb, A, Dm, A, Dm, Dm7, Bb, F, Gm, F, E, A