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Related Music Theory Alchemy

The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

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“Im Still Standing” by Elton John is a classic rock/pop song composed in E Major. You can see that this is a complex composition with frequent chord changes, giving it a rich musical texture. The chord progression is not diatonic, which means that it includes chords from outside of its home key of E Major.

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Radiohead – Nude – Verse 2

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Chord Progression

G#m, G#, A, E, C#m, B, G#, A, E, C#m, B

Chord Progression Analysis

G# minor (vi), G# Major (V/ii), A Major (IV), E Major (I), C# minor (vi), B Major (V), G# Major (V/ii), A Major (IV), E Major (I), C# minor (vi), B Major (V)

Borrowed Chords:
`G# Major (V/ii)`

Similar Chord Progressions

1. The Beatles – “Something” (key of C major but makes use of chromaticism)
Chord progression: C major (I), Cmaj7 (I7), C7 (V/IV), F major (IV), D Major (V/vi), G (V), Am (vi), Am7/G (vi6), A7 (V/IV), C (V7/vi), E (VI)

2. Jeff Buckley – “Hallelujah” (key of C major with occasional chromatic chords)
Chord progression: C (I), Am (vi), C (I), Am (vi), F (IV), G (V), C (I), G (V), Am (vi), F (IV), G (V), E (III), Am (vi)

3. Muse – “Unintended” (key of E minor, with unconventional chord progression and borrowed chords)
Chord progression: Em9 (i9), C#m7b5 (VI7b5), F#m11 (ii11), B7sus4 (V7sus4), Em9 (i9), B7/F# (V7/III), Gmaj7 (III), B7sus4 (V7sus4)

Musical Analysis

The verse begins with a G# minor chord, which is the vi chord in the key of E major. This is followed by a chromatic shift to G# Major, which functions as the V/ii, or the dominant chord of the ii (C# minor). The progression then moves to A Major (IV), a common substitute for the IV chord in a minor key, followed by E Major (I), the tonic chord.

The next sequence is a more traditional progression with vi (C# minor), V (B Major), the secondary dominant V/ii (G# Major), and a return to the IV (A Major) and I (E Major) chords. This sequence is then repeated with a slight variation at the end: vi (C# minor) and V (B Major).

Overall Analysis

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

Style Analysis

Radiohead is known for incorporating non-traditional harmony and experimentation in their music. In “Nude,” they effectively mix elements of the major key (E major) with chromatic alterations in the chords. This unsettling quality creates a sense of tension and release throughout the verse, characteristic of Radiohead’s emotive songwriting. The harmonic experimentation also enhances the introspective and melancholic nature of the track.

Chords in the Verse 2 section of Nude by Radiohead are:

G#m, G#, A, E, C#m, B, G#, A, E, C#m, B