Music Theory Alchemy

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The chord progression in the chorus of “Nude” by Radiohead features a mix of diatonic and borrowed chords, with some added tensions for additional color. It reflects the band’s signature style of blending unexpected harmonic elements to create a unique and evocative sound. In particular, the mix of major and minor chords with added tensions lends a sense of both familiarity and unconventionality to the progression.

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

Radiohead – Nude – Verse 2

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Chord Progression

G#m, G#, A, E, C#m, B, G#, A, E, C#m, B

Chord Progression Analysis

G# minor (vi), G# Major (V/ii), A Major (IV), E Major (I), C# minor (vi), B Major (V), G# Major (V/ii), A Major (IV), E Major (I), C# minor (vi), B Major (V)

Borrowed Chords:
`G# Major (V/ii)`

Similar Chord Progressions

1. The Beatles – “Something” (key of C major but makes use of chromaticism)
Chord progression: C major (I), Cmaj7 (I7), C7 (V/IV), F major (IV), D Major (V/vi), G (V), Am (vi), Am7/G (vi6), A7 (V/IV), C (V7/vi), E (VI)

2. Jeff Buckley – “Hallelujah” (key of C major with occasional chromatic chords)
Chord progression: C (I), Am (vi), C (I), Am (vi), F (IV), G (V), C (I), G (V), Am (vi), F (IV), G (V), E (III), Am (vi)

3. Muse – “Unintended” (key of E minor, with unconventional chord progression and borrowed chords)
Chord progression: Em9 (i9), C#m7b5 (VI7b5), F#m11 (ii11), B7sus4 (V7sus4), Em9 (i9), B7/F# (V7/III), Gmaj7 (III), B7sus4 (V7sus4)

Musical Analysis

The verse begins with a G# minor chord, which is the vi chord in the key of E major. This is followed by a chromatic shift to G# Major, which functions as the V/ii, or the dominant chord of the ii (C# minor). The progression then moves to A Major (IV), a common substitute for the IV chord in a minor key, followed by E Major (I), the tonic chord.

The next sequence is a more traditional progression with vi (C# minor), V (B Major), the secondary dominant V/ii (G# Major), and a return to the IV (A Major) and I (E Major) chords. This sequence is then repeated with a slight variation at the end: vi (C# minor) and V (B Major).

Overall Analysis

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

Style Analysis

Radiohead is known for incorporating non-traditional harmony and experimentation in their music. In “Nude,” they effectively mix elements of the major key (E major) with chromatic alterations in the chords. This unsettling quality creates a sense of tension and release throughout the verse, characteristic of Radiohead’s emotive songwriting. The harmonic experimentation also enhances the introspective and melancholic nature of the track.

Chords in the Verse 2 section of Nude by Radiohead are:

G#m, G#, A, E, C#m, B, G#, A, E, C#m, B