Music Theory Alchemy

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The chord progression in the chorus of “Nude” by Radiohead features a mix of diatonic and borrowed chords, with some added tensions for additional color. It reflects the band’s signature style of blending unexpected harmonic elements to create a unique and evocative sound. In particular, the mix of major and minor chords with added tensions lends a sense of both familiarity and unconventionality to the progression.

This chord progression from Radiohead’s “You And Whose Army” is in the key of C# minor, and the chords are predominantly composed of diatonic chords from the C# natural minor scale with some borrowed chords from the parallel major scale. The progression follows a looped pattern, creating a hypnotic and catchy quality which is characteristic of Radiohead’s music.

The given chord progression is from the verse of Pink Floyd’s “Breathe,” a song from their 1973 album, “The Dark Side of the Moon.” The progression consists of alternating Em and A7 chords throughout the entire verse. This creates a sense of movement and tension between the chords while also being relatively simple and repetitive. The harmonic back-and-forth between these two chords gives the song a dreamy and immersive quality that is a signature sound of Pink Floyd’s style.

The song “Every Day Is Exactly The Same” by Nine Inch Nails has a dark and moody atmosphere, characterized by the repetitive chord progression that sets the gloomy tone. This prolific use of chords throughout snippets of the song creates a musical portrait of monotony and disillusion which is reflective of the song’s title and lyrics. Looking at the chords provided from the second verse, this mood is accomplished through the consistent use of minor tonalities and alternation between two power chords – E and C.

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“Don’t Look Back In Anger” uses simple yet effective chord progressions common in pop/rock music. It incorporates both major and minor chords, showing some classic pop sensibilities. The song is situated in the key of C Major. Embedded within this progression are instances of borrowed chords – the E7 for instance, is a secondary dominant, often used to inject a bit of tension and to give strong resolution leading into the next chord.

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Radiohead – Nude – Verse 2

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Chord Progression

G#m, G#, A, E, C#m, B, G#, A, E, C#m, B

Chord Progression Analysis

G# minor (vi), G# Major (V/ii), A Major (IV), E Major (I), C# minor (vi), B Major (V), G# Major (V/ii), A Major (IV), E Major (I), C# minor (vi), B Major (V)

Borrowed Chords:
`G# Major (V/ii)`

Similar Chord Progressions

1. The Beatles – “Something” (key of C major but makes use of chromaticism)
Chord progression: C major (I), Cmaj7 (I7), C7 (V/IV), F major (IV), D Major (V/vi), G (V), Am (vi), Am7/G (vi6), A7 (V/IV), C (V7/vi), E (VI)

2. Jeff Buckley – “Hallelujah” (key of C major with occasional chromatic chords)
Chord progression: C (I), Am (vi), C (I), Am (vi), F (IV), G (V), C (I), G (V), Am (vi), F (IV), G (V), E (III), Am (vi)

3. Muse – “Unintended” (key of E minor, with unconventional chord progression and borrowed chords)
Chord progression: Em9 (i9), C#m7b5 (VI7b5), F#m11 (ii11), B7sus4 (V7sus4), Em9 (i9), B7/F# (V7/III), Gmaj7 (III), B7sus4 (V7sus4)

Musical Analysis

The verse begins with a G# minor chord, which is the vi chord in the key of E major. This is followed by a chromatic shift to G# Major, which functions as the V/ii, or the dominant chord of the ii (C# minor). The progression then moves to A Major (IV), a common substitute for the IV chord in a minor key, followed by E Major (I), the tonic chord.

The next sequence is a more traditional progression with vi (C# minor), V (B Major), the secondary dominant V/ii (G# Major), and a return to the IV (A Major) and I (E Major) chords. This sequence is then repeated with a slight variation at the end: vi (C# minor) and V (B Major).

Overall Analysis

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

Style Analysis

Radiohead is known for incorporating non-traditional harmony and experimentation in their music. In “Nude,” they effectively mix elements of the major key (E major) with chromatic alterations in the chords. This unsettling quality creates a sense of tension and release throughout the verse, characteristic of Radiohead’s emotive songwriting. The harmonic experimentation also enhances the introspective and melancholic nature of the track.

Chords in the Verse 2 section of Nude by Radiohead are:

G#m, G#, A, E, C#m, B, G#, A, E, C#m, B