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The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

Radiohead – Nude – Verse 2

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Chord Progression

G#m, G#, A, E, C#m, B, G#, A, E, C#m, B

Chord Progression Analysis

G# minor (vi), G# Major (V/ii), A Major (IV), E Major (I), C# minor (vi), B Major (V), G# Major (V/ii), A Major (IV), E Major (I), C# minor (vi), B Major (V)

Borrowed Chords:
`G# Major (V/ii)`

Similar Chord Progressions

1. The Beatles – “Something” (key of C major but makes use of chromaticism)
Chord progression: C major (I), Cmaj7 (I7), C7 (V/IV), F major (IV), D Major (V/vi), G (V), Am (vi), Am7/G (vi6), A7 (V/IV), C (V7/vi), E (VI)

2. Jeff Buckley – “Hallelujah” (key of C major with occasional chromatic chords)
Chord progression: C (I), Am (vi), C (I), Am (vi), F (IV), G (V), C (I), G (V), Am (vi), F (IV), G (V), E (III), Am (vi)

3. Muse – “Unintended” (key of E minor, with unconventional chord progression and borrowed chords)
Chord progression: Em9 (i9), C#m7b5 (VI7b5), F#m11 (ii11), B7sus4 (V7sus4), Em9 (i9), B7/F# (V7/III), Gmaj7 (III), B7sus4 (V7sus4)

Musical Analysis

The verse begins with a G# minor chord, which is the vi chord in the key of E major. This is followed by a chromatic shift to G# Major, which functions as the V/ii, or the dominant chord of the ii (C# minor). The progression then moves to A Major (IV), a common substitute for the IV chord in a minor key, followed by E Major (I), the tonic chord.

The next sequence is a more traditional progression with vi (C# minor), V (B Major), the secondary dominant V/ii (G# Major), and a return to the IV (A Major) and I (E Major) chords. This sequence is then repeated with a slight variation at the end: vi (C# minor) and V (B Major).

Overall Analysis

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

Style Analysis

Radiohead is known for incorporating non-traditional harmony and experimentation in their music. In “Nude,” they effectively mix elements of the major key (E major) with chromatic alterations in the chords. This unsettling quality creates a sense of tension and release throughout the verse, characteristic of Radiohead’s emotive songwriting. The harmonic experimentation also enhances the introspective and melancholic nature of the track.

Chords in the Verse 2 section of Nude by Radiohead are:

G#m, G#, A, E, C#m, B, G#, A, E, C#m, B