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“Motion Picture Soundtrack” is an alternative rock song by Radiohead from their album “Kid A” released in 2000. The chord progression in the hook features a mixture of harmonic choices from both diatonic and non-diatonic sources, with borrowed chords and chromatic notes. The style displays a unique blend of rock, electronic, and experimental music elements, which is characteristic of the art/pop-rock genre of the time.

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

This is simply a repetition of the F major chord, played four times. This does not provide much variety or harmonic interest, but it might create a sense of stability and could be used to produce a strong tonal center.

“Hallelujah” by Jeff Buckley is a popular and iconic song that showcases Jeff Buckley’s unique vocal talent and emotional delivery. The song is in the key of C major and features a simple yet effective chord progression. The song’s memorable melody is accompanied by guitar, which uses arpeggiated fingerpicking. This adds to its musical depth and also creates dynamic rhythmic interest. The song builds in intensity as it progresses, and this, along with the powerful lyrics, contributes to the overall emotional impact of the piece.

“Brown Sugar” by The Rolling Stones is a rock and roll song prominently featuring electric guitar and piano, characterized by its driving groove and catchy chorus. The base key for the song is C Major. The harmonic progression is fairly simple and stays mainly within the diatonic chords, with some occasional borrowing from other modes.

Radiohead – Motion Picture Soundtrack – Verse 3

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Chord Progression

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2

Chord Progression Analysis

1. G major (I)
2. Csus2 (IVsus2 / borrowed from G Mixolydian)
3. Bmadd9 (iii(add9))
4. Csus2 (IVsus2 / borrowed from G Mixolydian)
5. G major (I)
6. Csus2 (IVsus2 / borrowed from G Mixolydian)
7. Bmadd9 (iii(add9))
8. Csus2 (IVsus2 / borrowed from G Mixolydian)

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Borrowed Chord: Csus2 (IVsus2 / borrowed from G Mixolydian)
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Similar Chord Progressions

1. Coldplay – “Clocks”
Chord Progression: [‘Dmaj9’, ‘Aadd9’, ‘Eadd9’]

2. U2 – “With or Without You”
Chord Progression: [‘D’, ‘Asus4’, ‘Bsus4’, ‘Gsus2’]

3. Oasis – “Wonderwall”
Chord Progression: [‘Em7’, ‘G’, ‘Dsus4’, ‘Asus4’, ‘Cadd9’]

These chord progressions feature similar use of suspended and extended chords, creating a distinctive sound that is found in many alternative rock songs. While not exactly the same as Radiohead’s Motion Picture Soundtrack, these chord progressions demonstrate similar non-functional and expressive harmonic techniques.

Musical Analysis

The G major (I) chords serve as a melodic anchor in this progression, giving a sense of resolution amidst the surrounding harmonic tension. The Csus2 is a borrowed chord from the G Mixolydian mode, and it adds some harmonic ambiguity to the progression, since it features the 2nd scale degree suspended above the major 3rd. The Bmadd9 chord accentuates the minor modality and adds tension, which resolves back to the Csus2 chord before returning to the G major (I) chord.

Overall Analysis

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

Style Analysis

Motion Picture Soundtrack’s chord progression can be interpreted as a fusion of modal and alternative rock styles. Radiohead’s frequent use of unconventional chord voicings can be seen here, with the incorporation of sus2 and add9 chord extensions. The melancholic yet emotional progression is characteristic of alternative rock’s tendency to evoke introspection and strong emotional responses.

Chords in the Verse 3 section of Motion Picture Soundtrack by Radiohead are:

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2