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Related Music Theory Alchemy

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

This chord progression from Radiohead’s “You And Whose Army” is in the key of C# minor, and the chords are predominantly composed of diatonic chords from the C# natural minor scale with some borrowed chords from the parallel major scale. The progression follows a looped pattern, creating a hypnotic and catchy quality which is characteristic of Radiohead’s music.

“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

Radiohead – Motion Picture Soundtrack – Verse 1

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Chord Progression

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2

Chord Progression Analysis

G Major (I) – Csus2 (IVsus2) – Bmadd9 (iii(add9)) – Csus2 (IVsus2) – G Major (I) – Csus2 (IVsus2) – Bmadd9 (iii(add9)) – Csus2 (IVsus2)

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Borrowed Chord: None
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Similar Chord Progressions

1. Coldplay – “Clocks”:
D Major(add9) (IV(add9)) – Am7sus (ii7sus) – Em7(add4) (vi7(add4)) – G Major(add9) (I(add9))

2. Jeff Buckley – “Last Goodbye”:
C#m7(add11) (i7(add11)) – E(add9) (III(add9)) – A(add9) (VI(add9)) – B(add2) (VII(add2))

These artist examples also showcase their use of added extensions and suspended chords in their progressions, evoking a sense of character similar to “Motion Picture Soundtrack.”

Musical Analysis

The chord progression is largely diatonic, based in the key of G Major, and lacks any borrowed chords or modal interchange. The non-diatonic extensions and suspended chords add rich sounds to the harmony while maintaining a sense of stability. Additionally, the Bmadd9 is functioning as a mediant chord, offering a softer resolution back to the tonic G Major when paired with the Csus2.

Overall Analysis

The chord progression of Verse 1 from Radiohead’s “Motion Picture Soundtrack” features a fairly simple harmony with some unique embellishments. The common use of suspended chords and added extensions give the progression its distinctive atmosphere and modern sound.

Style Analysis

Radiohead is known for their unique approach to harmony, often blurring the lines between traditional tonality and more experimental techniques. Suspended chords and extensions like the ones found in this progression are common in alternative rock and art rock genres. The repetitive structure and use of these embellishments give the piece a dreamy atmosphere, which is characteristic not only of this song but also Radiohead’s overall style.

Chords in the Verse 1 section of Motion Picture Soundtrack by Radiohead are:

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2