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Related Music Theory Alchemy

“Idioteque” by Radiohead is an experimental and atmospheric electronic song, released on the album “Kid A” in 2000. The chord progression of the chorus is fairly simple, yet features some distinctive chords which create a sense of tension and release. It incorporates modal mixture and chromatic mediants, which are typical elements found in Radiohead’s music.

The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

“Tiny Dancer” by Elton John, written in the key of C Major, is a classic example of elaborate pop song writing. The chord progression features common primary and secondary chords in the key of C Major, along with some borrowed chords to add color. This combination makes for a memorable and melodic song.

The most unique feature of the song is how it slowly changes to the key of C minor in the second half of the verse, making use of two borrowed chords. This is a powerful tool in songwriting, as it can dramatically affect the emotional tone of the song. Lastly, this song demonstrates Elton John’s use of Coloristic harmony, through chromatically altered chords.

The progression starts on the suspended II chord of the key, which anticipates resolution either to the tonic (E major) or the supertonic (F# minor). However, it instead moves to the dominant minor (C# minor), suggesting a borrowed chord from the parallel minor (E minor). The D major chord which concludes the progression is a borrowed II from E minor as well.

“Hoppipolla” by Sigur Rós is a dreamy and atmospheric piece that showcases the band’s unique style. The chord progression in the verse consists of D#m, E, D#m, and E chords, which creates a simple and elegant harmonic structure. The use of open strings and melodically moving chords in this progression reflects the ethereal nature of this piece. This progression can be found in both rock and alternative music genres, as it uses the powerful major and minor chords found throughout these styles. The repetitive nature of the chord progression mirrors the band’s tendency to use slow-building and evolving textures in their compositions.

Radiohead – Idioteque – Verse

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Chord Progression

Cadd2/B, Em, Gm/Eb, C, Cadd2/B, Em, Gm/Eb, C, Cadd2/B, Em, Gm/Eb, C, Cadd2/B, Em, Gm/Eb, C

Chord Progression Analysis

“`
Cadd2/B (‘I’),
Em (‘iii’),
Gm/Eb (‘ivº’),
C (‘I’),
Cadd2/B (‘I’),
Em (‘iii’),
Gm/Eb (‘ivº’),
C (‘I’),
Cadd2/B (‘I’),
Em (‘iii’),
Gm/Eb (‘ivº’),
C (‘I’),
Cadd2/B (‘I’),
Em (‘iii’),
Gm/Eb (‘ivº’),
C (‘I’)
“`

Borrowed Chord(s):

“`

Gm/Eb (‘ivº’)
“`

Similar Chord Progressions

While “Idioteque”‘s chord progression is quite unique, some other artists have employed similar harmonic devices.

1. “Exit Music (For a Film)” by Radiohead:
“`
Am (‘i’),
E (‘V’),
G (‘VII’),
D (‘IV’)
“`

Here, the G major chord can be seen as borrowed from the parallel major key, serving a similar purpose as the Gm/Eb chord in “Idioteque”.

2. “Space Oddity” by David Bowie:
“`
C (‘I’),
Em (‘iii’),
Am (‘vi’),
Cmaj7 (‘IM7’),
C (‘I’),
Em (‘iii’),
Am (‘vi’),
Cmaj7 (‘IM7’)
“`

This progression shares the I-iii movement found in “Idioteque” but does not have the borrowed ivº chord.

In conclusion, Radiohead’s “Idioteque” employs a creative and intriguing chord progression, effectively capturing the unique aura that has come to define the band’s style. Its innovative use of borrowed chords and harmonic movement elevates the song’s sonic landscape, making it a memorable addition to Radiohead’s discography.

Musical Analysis

The chord progression of Idioteque revolves around a repetitive cycle of the Cadd2/B, Em, Gm/Eb, and C chords. The progression starts with the Cadd2/B chord, a C major chord with an added 2nd and an alternate bass note (B), creating a sense of suspension. The progression then moves to the Em chord which is diatonic to the key, followed by the borrowed chord Gm/Eb, adding tension and intrigue.

The Gm/Eb, a first inversion G minor chord, is borrowed from the parallel minor key (C minor). It acts as a pivot chord, connecting the progression back to C major. The chord progression ends with the return to the tonic chord, C, effectively resolving the tension, before the cycle repeats.

Overall Analysis

“Idioteque” by Radiohead is a song with an alternative rock/electronic style, featuring an unusual chord progression that effectively creates a sense of tension and instability while still maintaining a familiar and consonant tonality. This can be attributed to the band’s creative use of borrowed chords and harmonic movement.

Style Analysis

Radiohead is known for their experimental approach to songwriting, and “Idioteque” is no exception, as it showcases their unique and innovative harmonic choices. The combination of the chords with the driving, syncopated rhythm creates a sonic landscape that defies expectation and adds a captivating sense of unease to the song. The electronic elements and atmospheric production enhance the chord progression’s emotions, making the song a prime example of Radiohead’s signature style.

Chords in the Verse section of Idioteque by Radiohead are:

Cadd2/B, Em, Gm/Eb, C, Cadd2/B, Em, Gm/Eb, C, Cadd2/B, Em, Gm/Eb, C, Cadd2/B, Em, Gm/Eb, C