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Related Music Theory Alchemy

“Idioteque” by Radiohead is an experimental and atmospheric electronic song, released on the album “Kid A” in 2000. The chord progression of the chorus is fairly simple, yet features some distinctive chords which create a sense of tension and release. It incorporates modal mixture and chromatic mediants, which are typical elements found in Radiohead’s music.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

The Verse of “Us and Them” by Pink Floyd showcases a unique and non-diatonic chord progression that focuses on D mixolydian mode with added sus2 chords and an augmented chord. It deviates from traditional harmony patterns and creates a spacious, floating feel. The chords occur in a consistent pattern and are mostly slash chords with the constant presence of the D note in the bass, which further strengthens the D tonality.

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

“Anti-Hero,” a standout track from Taylor Swift, exemplifies her mature songwriting style that merges introspective lyrics with intricate harmonies. This song’s verse utilizes a chord progression that creates a rich emotional landscape, perfectly complementing the themes of self-reflection and personal imperfection. The progression, while rooted in the traditional pop structure, employs extended chords to enhance its lyrical narrative, adding layers of complexity that resonate with listeners.

Radiohead – Idioteque – Verse

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Chord Progression

Cadd2/B, Em, Gm/Eb, C, Cadd2/B, Em, Gm/Eb, C, Cadd2/B, Em, Gm/Eb, C, Cadd2/B, Em, Gm/Eb, C

Chord Progression Analysis

“`
Cadd2/B (‘I’),
Em (‘iii’),
Gm/Eb (‘ivº’),
C (‘I’),
Cadd2/B (‘I’),
Em (‘iii’),
Gm/Eb (‘ivº’),
C (‘I’),
Cadd2/B (‘I’),
Em (‘iii’),
Gm/Eb (‘ivº’),
C (‘I’),
Cadd2/B (‘I’),
Em (‘iii’),
Gm/Eb (‘ivº’),
C (‘I’)
“`

Borrowed Chord(s):

“`

Gm/Eb (‘ivº’)
“`

Similar Chord Progressions

While “Idioteque”‘s chord progression is quite unique, some other artists have employed similar harmonic devices.

1. “Exit Music (For a Film)” by Radiohead:
“`
Am (‘i’),
E (‘V’),
G (‘VII’),
D (‘IV’)
“`

Here, the G major chord can be seen as borrowed from the parallel major key, serving a similar purpose as the Gm/Eb chord in “Idioteque”.

2. “Space Oddity” by David Bowie:
“`
C (‘I’),
Em (‘iii’),
Am (‘vi’),
Cmaj7 (‘IM7’),
C (‘I’),
Em (‘iii’),
Am (‘vi’),
Cmaj7 (‘IM7’)
“`

This progression shares the I-iii movement found in “Idioteque” but does not have the borrowed ivº chord.

In conclusion, Radiohead’s “Idioteque” employs a creative and intriguing chord progression, effectively capturing the unique aura that has come to define the band’s style. Its innovative use of borrowed chords and harmonic movement elevates the song’s sonic landscape, making it a memorable addition to Radiohead’s discography.

Musical Analysis

The chord progression of Idioteque revolves around a repetitive cycle of the Cadd2/B, Em, Gm/Eb, and C chords. The progression starts with the Cadd2/B chord, a C major chord with an added 2nd and an alternate bass note (B), creating a sense of suspension. The progression then moves to the Em chord which is diatonic to the key, followed by the borrowed chord Gm/Eb, adding tension and intrigue.

The Gm/Eb, a first inversion G minor chord, is borrowed from the parallel minor key (C minor). It acts as a pivot chord, connecting the progression back to C major. The chord progression ends with the return to the tonic chord, C, effectively resolving the tension, before the cycle repeats.

Overall Analysis

“Idioteque” by Radiohead is a song with an alternative rock/electronic style, featuring an unusual chord progression that effectively creates a sense of tension and instability while still maintaining a familiar and consonant tonality. This can be attributed to the band’s creative use of borrowed chords and harmonic movement.

Style Analysis

Radiohead is known for their experimental approach to songwriting, and “Idioteque” is no exception, as it showcases their unique and innovative harmonic choices. The combination of the chords with the driving, syncopated rhythm creates a sonic landscape that defies expectation and adds a captivating sense of unease to the song. The electronic elements and atmospheric production enhance the chord progression’s emotions, making the song a prime example of Radiohead’s signature style.

Chords in the Verse section of Idioteque by Radiohead are:

Cadd2/B, Em, Gm/Eb, C, Cadd2/B, Em, Gm/Eb, C, Cadd2/B, Em, Gm/Eb, C, Cadd2/B, Em, Gm/Eb, C