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Related Music Theory Alchemy

“Fake Plastic Trees” by Radiohead is a melancholic song with an emotional chord progression. The song is in the key of A Major and features a mixture of diatonic chords, suspended chords, and extended chords that create a sense of yearning and tension. The verse is characterized by a cyclical progression that begins and ends on the tonic (A), providing a sense of unresolved tension. This helps to support the song’s themes of artificiality and dissatisfaction.

The chord progression in the outro of “Fake Plastic Trees” by Radiohead utilizes some common and some less common harmonic devices. The piece employs diatonic chords with some added extensions, giving a sense of tension and release. Furthermore, the progression is in the key of A major, which contributes to the overall tonality and harmonic structure.

Jimi Hendrix’s “Castles Made of Sand” is an interesting and unique composition with an innovative chord progression. The song is in the key of G major and is characterized by an engaging and complex harmonic structure that showcases Hendrix’s skill as a songwriter and performer. The chord progression, though relatively simple, creates a sense of depth and movement uncommon during that time period.

“My Name Is Jonas” by Weezer is a 90’s alternative rock song that features a catchy and memorable chord progression during its chorus. The harmony is simple and combines both major and minor chords, giving it a balanced and well-rounded sound. It is worth noting that this progression is fairly common in popular music, particularly in rock and indie genres.

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
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E major (V/vi)
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Radiohead – Fake Plastic Trees – Chorus 2

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Chord Progression

Bm7add11, A, Bm7add11, Asus4, A

Chord Progression Analysis

Bm7add11 (vii7add11), A (IV), Bm7add11 (vii7add11), Asus4 (IVsus4), A (IV)

Borrowed Chord:
None

Similar Chord Progressions

1. Coldplay – “The Scientist”: Dm(add9) (iadd9), Bb (VI), F (III), C (VII)
2. Nirvana – “Polly”: Em (i), G (III), D (VII), C (VI)
3. Oasis – “Wonderwall”: Em7 (ii7), G (IV), Dsus4 (I5sus4), A7sus4 (V7sus4)

These songs, like “Fake Plastic Trees,” showcase the use of unconventional chords and progressions in their respective genres. Each song displays an attention to inventive harmony and emotional depth, making them excellent examples of creative chord progressions in contemporary music.

Musical Analysis

The chord progression can be analyzed in the key of D major. It starts with a Bm7add11, a vii7add11 chord that adds tension before resolving to the IV (A) chord. The progression then returns to the vii7add11 (Bm7add11) before moving to the IVsus4 (Asus4) which adds further tension by suspending the 4th scale degree, and finally resolving back to the IV (A) chord again.

This progression is notable for its use of the vii7add11 and IVsus4 chords, which give it a uniquely tense and atmospheric quality. The mixture of these chords with the more typical IV (A) contributes to the overall melancholic and earnest feel of the song.

Overall Analysis

Radiohead’s “Fake Plastic Trees” is an alternative rock ballad from their 1995 album, “The Bends.” The moody and atmospheric track is characterized by its emotive vocal delivery, contrasting dynamics, rich arrangement, and engaging chord progression. This progression, in particular, features an interesting mixture of diatonic and borrowed chords that create a sense of tension and resolution throughout the piece.

Style Analysis

Radiohead’s “Fake Plastic Trees” is a prime example of the band’s innovative and influential approach to alternative rock songwriting. It showcases the band’s penchant for blending traditional rock instrumentation with unconventional song structures and harmonic choices. The emotional intensity of the vocal delivery, combined with the intricate arrangement and dynamic contrasts, has made the song one of Radiohead’s most recognizable and enduring works.

Chords in the Chorus 2 section of Fake Plastic Trees by Radiohead are:

Bm7add11, A, Bm7add11, Asus4, A