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Related Music Theory Alchemy

“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

Radiohead’s “Fake Plastic Trees” is an alternative rock ballad from their 1995 album, “The Bends.” The moody and atmospheric track is characterized by its emotive vocal delivery, contrasting dynamics, rich arrangement, and engaging chord progression. This progression, in particular, features an interesting mixture of diatonic and borrowed chords that create a sense of tension and resolution throughout the piece.

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“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

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The chord progression for the verse of “Electric Feel” by MGMT is based in the key of C major. The progression mainly revolves around the use of i, v, VI, and VII chords. The song has a hypnotic, cyclic feel that is characteristic of the neo-psychedelic genre, with touches of funk and dance music elements.

The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.

Radiohead – Exit Music For A Film – Verse 1

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Chord Progression

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A, Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A

Chord Progression Analysis

“`
Am (i),
E (V),
C/G (VI),
Dadd9/F# (VIIadd9/1st inv),
Am (i),
E (V),
Asus4 (IVsus),
A (IV),
Am (i),
E (V),
C/G (VI),
Dadd9/F# (VIIadd9/1st inv),
Dadd9/F (VIIadd9),
Am (i),
E (V),
Asus4 (IVsus),
A (IV)
“`

Borrowed Chords:
“`
Dadd9/F# (VIIadd9/1st inv),
Dadd9/F (VIIadd9)
“`

Similar Chord Progressions

1. The Beatles – “Strawberry Fields Forever”:
“`
C (I),
G (V),
A (VI),
Am (vi),
Gm (iv),
A7 (VI7),
F (IV),
Dm (ii),
G7 (V7),
Bb7 (V7/iv),
E (III)
“`
2. Jeff Buckley – “Hallelujah”:
“`
C (I),
Am (vi),
C (I),
Am (vi),
F (IV),
G/E (V/1st inv),
C (I),
G (V),
C (I)
“`
3. Pink Floyd – “Wish You Were Here”:
“`
Em (i),
G (III),
Am (v),
Em (i),
G (III),
D (VII),
Cadd9 (♪),
G (III),
Am (v),
G (III),
D (VII),
Cadd9 (♪)
“`

These examples illustrate songs with progressions that share a similar sense of melancholy and tension release. While not identical to the progression in “Exit Music (For a Film),” they provide a context to the style and mood of the music.

Musical Analysis

The verse begins with an Am (i) chord, establishing the tonal center of the piece. It moves to E (V), creating tension through the dominant chord, and then resolves to C/G (VI), a borrowed major chord from the relative major key. The progression moves to Dadd9/F# (VIIadd9/1st inv), a non-diatonic chord that adds tension with the F# bass note. The piece returns to Am (i) before going back to E (V), and then transitions to Asus4 (IVsus) and A (IV), which provides a sense of release from the tension. The progression continues to oscillate between the original set of chords and the second set of chords, adding a Dadd9/F (VIIadd9) as a variation. The verse ends with the movement between Asus4 (IVsus) and A (IV), providing a sense of closure by resolving back to Am (i) at the start of the next section.

Overall Analysis

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

Style Analysis

Radiohead’s “Exit Music (For a Film)” features an experimental and alternative rock style. The chord progression, melody, and instrumentation are somewhat reminiscent of the Beatles’ later work, specifically songs like “Strawberry Fields Forever” and “I Want You (She’s So Heavy).” The use of chromaticism, non-diatonic chords, and added tones are all hallmarks of Radiohead’s style, which often pushes the boundaries of conventional tonality and chord progressions.

Chords in the Verse 1 section of Exit Music For A Film by Radiohead are:

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A, Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A