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Related Music Theory Alchemy

The chord progression in the chorus of “Exit Music (For A Film)” by Radiohead is rather unconventional and features several borrowed chords from different modes. It showcases the band’s affinity for using non-diatonic chords and contributes to the song’s somber and haunting atmosphere.

The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

“Give Me The Night” is a jazz-funk composition with a rich harmonic texture and a catchy melody. It was produced by Quincy Jones and released in 1980. The verse chord progression of this piece features a series of diatonic seventh chords, with one borrowed chord from a parallel minor key, which are common to the jazz and R&B styles.

“When I Was Your Man” by Bruno Mars is in the key of C major. It is a ballad with a piano-led instrumentation, backed by Bruno’s powerful and emotive vocals. The melody and chords are relatively simple, but the lingering tone and the poignant lyrics create an emotionally resonant track. A common feature in this piece, as well as many pop songs in general, is the use of borrowed chords.

Radiohead – Exit Music For A Film – Verse 1

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Chord Progression

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A, Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A

Chord Progression Analysis

“`
Am (i),
E (V),
C/G (VI),
Dadd9/F# (VIIadd9/1st inv),
Am (i),
E (V),
Asus4 (IVsus),
A (IV),
Am (i),
E (V),
C/G (VI),
Dadd9/F# (VIIadd9/1st inv),
Dadd9/F (VIIadd9),
Am (i),
E (V),
Asus4 (IVsus),
A (IV)
“`

Borrowed Chords:
“`
Dadd9/F# (VIIadd9/1st inv),
Dadd9/F (VIIadd9)
“`

Similar Chord Progressions

1. The Beatles – “Strawberry Fields Forever”:
“`
C (I),
G (V),
A (VI),
Am (vi),
Gm (iv),
A7 (VI7),
F (IV),
Dm (ii),
G7 (V7),
Bb7 (V7/iv),
E (III)
“`
2. Jeff Buckley – “Hallelujah”:
“`
C (I),
Am (vi),
C (I),
Am (vi),
F (IV),
G/E (V/1st inv),
C (I),
G (V),
C (I)
“`
3. Pink Floyd – “Wish You Were Here”:
“`
Em (i),
G (III),
Am (v),
Em (i),
G (III),
D (VII),
Cadd9 (♪),
G (III),
Am (v),
G (III),
D (VII),
Cadd9 (♪)
“`

These examples illustrate songs with progressions that share a similar sense of melancholy and tension release. While not identical to the progression in “Exit Music (For a Film),” they provide a context to the style and mood of the music.

Musical Analysis

The verse begins with an Am (i) chord, establishing the tonal center of the piece. It moves to E (V), creating tension through the dominant chord, and then resolves to C/G (VI), a borrowed major chord from the relative major key. The progression moves to Dadd9/F# (VIIadd9/1st inv), a non-diatonic chord that adds tension with the F# bass note. The piece returns to Am (i) before going back to E (V), and then transitions to Asus4 (IVsus) and A (IV), which provides a sense of release from the tension. The progression continues to oscillate between the original set of chords and the second set of chords, adding a Dadd9/F (VIIadd9) as a variation. The verse ends with the movement between Asus4 (IVsus) and A (IV), providing a sense of closure by resolving back to Am (i) at the start of the next section.

Overall Analysis

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

Style Analysis

Radiohead’s “Exit Music (For a Film)” features an experimental and alternative rock style. The chord progression, melody, and instrumentation are somewhat reminiscent of the Beatles’ later work, specifically songs like “Strawberry Fields Forever” and “I Want You (She’s So Heavy).” The use of chromaticism, non-diatonic chords, and added tones are all hallmarks of Radiohead’s style, which often pushes the boundaries of conventional tonality and chord progressions.

Chords in the Verse 1 section of Exit Music For A Film by Radiohead are:

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A, Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A