Search

Related Music Theory Alchemy

The Outro of “Exit Music (For a Film)” by Radiohead features a striking and emotive chord progression that showcases their innovative approach to harmony. It is characterized by the use of irregular modal interchanges, sustained chords, and slight variations on repeating patterns.

“Fake Plastic Trees” by Radiohead is a melancholic song with an emotional chord progression. The song is in the key of A Major and features a mixture of diatonic chords, suspended chords, and extended chords that create a sense of yearning and tension. The verse is characterized by a cyclical progression that begins and ends on the tonic (A), providing a sense of unresolved tension. This helps to support the song’s themes of artificiality and dissatisfaction.

**
The overall use of chords highlights Queen’s blending of rock with more complex harmonic structures, moving beyond simple major & minor chords and incorporating 7th and inversions. Despite its pop/rock surface, “Somebody to Love” includes interesting modulation and chord choices that could be seen as more typical of more ‘classical’ forms of music.

**

“Ceilings” by Lizzy McAlpine, draws its magic from a mix of interesting chord progressions and different rhythms. The use of added notes in several chords (Cadd9, Emadd9) introduces additional color into the mix, creating a rich and thoughtful atmosphere. The tonality of the song is in G Major, despite the liberal use of the Cadd9 in the progression. We’ll use this tonality for the Roman numerals.

The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

Radiohead – Exit Music For A Film – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A, Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A

Chord Progression Analysis

“`
Am (i),
E (V),
C/G (VI),
Dadd9/F# (VIIadd9/1st inv),
Am (i),
E (V),
Asus4 (IVsus),
A (IV),
Am (i),
E (V),
C/G (VI),
Dadd9/F# (VIIadd9/1st inv),
Dadd9/F (VIIadd9),
Am (i),
E (V),
Asus4 (IVsus),
A (IV)
“`

Borrowed Chords:
“`
Dadd9/F# (VIIadd9/1st inv),
Dadd9/F (VIIadd9)
“`

Similar Chord Progressions

1. The Beatles – “Strawberry Fields Forever”:
“`
C (I),
G (V),
A (VI),
Am (vi),
Gm (iv),
A7 (VI7),
F (IV),
Dm (ii),
G7 (V7),
Bb7 (V7/iv),
E (III)
“`
2. Jeff Buckley – “Hallelujah”:
“`
C (I),
Am (vi),
C (I),
Am (vi),
F (IV),
G/E (V/1st inv),
C (I),
G (V),
C (I)
“`
3. Pink Floyd – “Wish You Were Here”:
“`
Em (i),
G (III),
Am (v),
Em (i),
G (III),
D (VII),
Cadd9 (♪),
G (III),
Am (v),
G (III),
D (VII),
Cadd9 (♪)
“`

These examples illustrate songs with progressions that share a similar sense of melancholy and tension release. While not identical to the progression in “Exit Music (For a Film),” they provide a context to the style and mood of the music.

Musical Analysis

The verse begins with an Am (i) chord, establishing the tonal center of the piece. It moves to E (V), creating tension through the dominant chord, and then resolves to C/G (VI), a borrowed major chord from the relative major key. The progression moves to Dadd9/F# (VIIadd9/1st inv), a non-diatonic chord that adds tension with the F# bass note. The piece returns to Am (i) before going back to E (V), and then transitions to Asus4 (IVsus) and A (IV), which provides a sense of release from the tension. The progression continues to oscillate between the original set of chords and the second set of chords, adding a Dadd9/F (VIIadd9) as a variation. The verse ends with the movement between Asus4 (IVsus) and A (IV), providing a sense of closure by resolving back to Am (i) at the start of the next section.

Overall Analysis

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

Style Analysis

Radiohead’s “Exit Music (For a Film)” features an experimental and alternative rock style. The chord progression, melody, and instrumentation are somewhat reminiscent of the Beatles’ later work, specifically songs like “Strawberry Fields Forever” and “I Want You (She’s So Heavy).” The use of chromaticism, non-diatonic chords, and added tones are all hallmarks of Radiohead’s style, which often pushes the boundaries of conventional tonality and chord progressions.

Chords in the Verse 1 section of Exit Music For A Film by Radiohead are:

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A, Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A