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Related Music Theory Alchemy

“Creep” by Radiohead is a song that features a well-known four-chord progression throughout the verses. This progression is G – B – C – Cm, which is often considered one of the factors that contribute to the song’s memorable and emotional quality. The chord progression helps create a melancholic and haunting atmosphere in the song. This song is notably influenced by alternative rock and grunge styles from the early 90s.

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

This is a beautiful chorus from “Rocket Man,” a song by Elton John. The overall vibe of the song is nostalgic and melancholy, largely due to the combination of key changes, chord progression, and Elton John’s vocal melody. The song appears to be in the key of G major.

Radiohead – Creep – Chorus

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Chord Progression

G, B, C, Cm, G

Chord Progression Analysis

“`
G major (I)
B major (III)
C major (IV)
C minor (iv)
G major (I)
“`

Similar Chord Progressions

1. “All I Want” by Joni Mitchell
“`
D major (I)
F# major (III)
G major (IV)
G minor (iv)
D major (I)
“`

2. “Space Oddity” by David Bowie (in the verses)
“`
C major (I)
E major (III)
F major (IV)
F minor (iv)
C major (I)
“`

These examples show the same chord progression structure as “Creep,” highlighting the tonal shift from major to minor on the (IV) chord – an unexpected and distinct harmonic feature in these songs.

Musical Analysis

The chorus of “Creep” utilizes a simple rise and fall of chord progressions to create a sense of tension that is finally resolved at the end of the progression. The G major chord acts as the home key or tonic, establishing the listener’s sense of safety and stability.

The B major, a borrowed chord from the parallel key of G Lydian, adds tension as the III chord, with the C major chord acting as the subdominant (IV). The C minor chord is the most striking part of this progression, as it is borrowed from the parallel minor key of G minor, adding dissonance and a feeling of uncertainty when contrasted with the preceding C major chord. This technique of borrowing chords is known as modal interchange or modal mixture. Finally, the progression returns back to the tonic G major, providing a resolution and closing the progression.

Overall Analysis

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

Style Analysis

The use of borrowed chords in “Creep” is characteristic of not just Radiohead’s style, but also of the broader alternative rock genre. This approach to harmony adds complexity, depth, and emotional resonance to the music. The chord progression in “Creep” is particularly memorable due to the resolution from the unexpected C minor back to the G major.

Chords in the Chorus section of Creep by Radiohead are:

G, B, C, Cm, G