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Related Music Theory Alchemy

“Creep” by Radiohead is a song that features a well-known four-chord progression throughout the verses. This progression is G – B – C – Cm, which is often considered one of the factors that contribute to the song’s memorable and emotional quality. The chord progression helps create a melancholic and haunting atmosphere in the song. This song is notably influenced by alternative rock and grunge styles from the early 90s.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album, “The Wall.” It is known for its haunting, ethereal quality, achieved through the use of predominantly minor chords, lush harmonies, and a slow, atmospheric tempo. The song’s lyrics and melancholic mood reflect feelings of loss and desolation.

“Maxwell’s Silver Hammer,” composed by Paul McCartney, is a pop song that sits in the key of D Major throughout. However, it does borrow chords from the parallel minor. This technique, known as modal interchange or borrowed chords, is common in popular music and especially in classical compositions by iconic bands like The Beatles.

The given chord progression is from the chorus of “Earfquake” by Tyler, The Creator, a contemporary hip-hop and neo-soul artist. The progression features a smooth and mellow tonality, characterized by the use of 7th chords. The chord progression is in the key of Bb Major and showcases the use of mostly diatonic chords with a repetition that contributes to the song’s catchy nature.

Radiohead – Creep – Chorus

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Chord Progression

G, B, C, Cm, G

Chord Progression Analysis

“`
G major (I)
B major (III)
C major (IV)
C minor (iv)
G major (I)
“`

Similar Chord Progressions

1. “All I Want” by Joni Mitchell
“`
D major (I)
F# major (III)
G major (IV)
G minor (iv)
D major (I)
“`

2. “Space Oddity” by David Bowie (in the verses)
“`
C major (I)
E major (III)
F major (IV)
F minor (iv)
C major (I)
“`

These examples show the same chord progression structure as “Creep,” highlighting the tonal shift from major to minor on the (IV) chord – an unexpected and distinct harmonic feature in these songs.

Musical Analysis

The chorus of “Creep” utilizes a simple rise and fall of chord progressions to create a sense of tension that is finally resolved at the end of the progression. The G major chord acts as the home key or tonic, establishing the listener’s sense of safety and stability.

The B major, a borrowed chord from the parallel key of G Lydian, adds tension as the III chord, with the C major chord acting as the subdominant (IV). The C minor chord is the most striking part of this progression, as it is borrowed from the parallel minor key of G minor, adding dissonance and a feeling of uncertainty when contrasted with the preceding C major chord. This technique of borrowing chords is known as modal interchange or modal mixture. Finally, the progression returns back to the tonic G major, providing a resolution and closing the progression.

Overall Analysis

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

Style Analysis

The use of borrowed chords in “Creep” is characteristic of not just Radiohead’s style, but also of the broader alternative rock genre. This approach to harmony adds complexity, depth, and emotional resonance to the music. The chord progression in “Creep” is particularly memorable due to the resolution from the unexpected C minor back to the G major.

Chords in the Chorus section of Creep by Radiohead are:

G, B, C, Cm, G