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Related Music Theory Alchemy

“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

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“Let It Be” is one of The Beatles’ most popular songs and features a primarily major tonality (C Major), giving it its iconic uplifting and inspiring quality. The song’s chord progression is quite standard in terms of pop/rock music, yet it does include some interesting elements like inversions and a 7th chord to add variety and emotional depth.

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Radiohead – Creep – Chorus

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Chord Progression

G, B, C, Cm, G

Chord Progression Analysis

“`
G major (I)
B major (III)
C major (IV)
C minor (iv)
G major (I)
“`

Similar Chord Progressions

1. “All I Want” by Joni Mitchell
“`
D major (I)
F# major (III)
G major (IV)
G minor (iv)
D major (I)
“`

2. “Space Oddity” by David Bowie (in the verses)
“`
C major (I)
E major (III)
F major (IV)
F minor (iv)
C major (I)
“`

These examples show the same chord progression structure as “Creep,” highlighting the tonal shift from major to minor on the (IV) chord – an unexpected and distinct harmonic feature in these songs.

Musical Analysis

The chorus of “Creep” utilizes a simple rise and fall of chord progressions to create a sense of tension that is finally resolved at the end of the progression. The G major chord acts as the home key or tonic, establishing the listener’s sense of safety and stability.

The B major, a borrowed chord from the parallel key of G Lydian, adds tension as the III chord, with the C major chord acting as the subdominant (IV). The C minor chord is the most striking part of this progression, as it is borrowed from the parallel minor key of G minor, adding dissonance and a feeling of uncertainty when contrasted with the preceding C major chord. This technique of borrowing chords is known as modal interchange or modal mixture. Finally, the progression returns back to the tonic G major, providing a resolution and closing the progression.

Overall Analysis

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

Style Analysis

The use of borrowed chords in “Creep” is characteristic of not just Radiohead’s style, but also of the broader alternative rock genre. This approach to harmony adds complexity, depth, and emotional resonance to the music. The chord progression in “Creep” is particularly memorable due to the resolution from the unexpected C minor back to the G major.

Chords in the Chorus section of Creep by Radiohead are:

G, B, C, Cm, G