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Related Music Theory Alchemy

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“Little Sister” by Queens of the Stone Age is based in the rock genre, featuring a simple melody with strong rhythmic components, built on a mix of power, suspended and major chords. The use of the C#5 and G#5/D# chords in the verses and the F#sus4-E-G#sus4 repetition in the chorus indicate an overall key signature of F# minor.

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The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

The chord progression of the verse in Weezer’s “If You’re Wondering If I Want You To I Want You To” uses a combination of diatonic and borrowed chords in the key of D Major. The use of the borrowed chord from the parallel minor key contributes to the unique sound of the progression.

“Two Weeks” by Grizzly Bear exhibits a common pop chord progression and harmonic rhythm. The chords are primarily in root position, which contributes to the song’s straightforward and accessible sound. Stylistically, the track shows the band’s indie-rock influences and features a prominent piano part that drives the harmony.

Queens of the Stone Age – Little Sister – Verse

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Chord Progression

[‘C#5’, ‘G#5/D#’, ‘E5’, ‘G#5’, ‘C#5’, ‘G#5/D#’, ‘E5’, ‘G#5’, ‘C#5’, ‘G#5/D#’, ‘E5’, ‘G#5’, ‘F#5’, ‘E5’, ‘C#5’, ‘G#5/D#’, ‘E5’, ‘G#5’, ‘C#5’, ‘G#5/D#’, ‘E5’, ‘G#5’, ‘C#5’, ‘G#5/D#’, ‘E5’, ‘G#5’, ‘F#5’, ‘E5’]

Chord Progression Analysis

Here is the breakdown of chords with their Roman numerals:

“`
C#5 (I)
G#5/D# (V/v)
E5 (III)
G#5 (V)
“`
`G#5/D#` is a borrowed chord, working as a secondary dominant to the `E5`. It ultimately creates this lovely tension before resolving to the `E5` or `III`.

Similar Chord Progressions

The I – V/v – III – V progression isn’t quite standard, but power-chord-heavy songs that lean on the I – III – V progression are common in the rock genre. One similar song in structure and progression is “Back in Black” by AC/DC. Here’s how the chords break down:

“`
E5 (I)
G5 (III)
A5 (IV)
“`
Another song that comes close—especially to the I – V/v – III part—is “Last Nite” by The Strokes:

“`
F (I)
C/E (V/v)
Dm (vi)
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Just remember, it’s the way these chords are used within the context of each song that truly makes the similarity standout. Still, analyzing these elements can develop our understanding of the language of music.

Musical Analysis

The four-chord progression features repetitive thematic transformation typical of many rock music without relying on traditional functional progression. The constant transition between chords introduces a certain level of tension and release that makes this piece so compelling. The verse starts on the tonic, moves to secondary dominant, resolves to III and then to the dominant V.

Overall Analysis

“Little Sister” by Queens of the Stone Age is in C# minor and features an interesting blend of simple cycle of power chords, articulating a I – V/v – III – V progression during verses. The track is heavy but also melodic, built from a four-chord pattern that creates a mesmerizing tonality within the rock genre.

Style Analysis

“Little Sister” leans on the raw power of distorted power chords (5 chords) and is driven by a consistent, pulsating rhythm section. The steady progression fits well within the post-grunge, stoner rock genre. It’s a minimal style filled with hard, heavy sounds, but the band also injects a good amount of melody, making it palatable for a broader audience.

Chords in the Verse section of Little Sister by Queens of the Stone Age are:

[‘C#5’, ‘G#5/D#’, ‘E5’, ‘G#5’, ‘C#5’, ‘G#5/D#’, ‘E5’, ‘G#5’, ‘C#5’, ‘G#5/D#’, ‘E5’, ‘G#5’, ‘F#5’, ‘E5’, ‘C#5’, ‘G#5/D#’, ‘E5’, ‘G#5’, ‘C#5’, ‘G#5/D#’, ‘E5’, ‘G#5’, ‘C#5’, ‘G#5/D#’, ‘E5’, ‘G#5’, ‘F#5’, ‘E5’]