Music Theory Alchemy

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“In My Head” is a good example of the band’s signature style, combining elements of rock, punk, and alternative music. The usage of primary chords is fairly standard for rock music, but the inclusion of unexpected chords like G5 and D# adds a complex flavor to the progression making it notably unique amongst other songs within the genre.

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

“Maxwell’s Silver Hammer” is a Beatles song composed in the key of D Major. It’s a classic example of Paul McCartney’s knack for catchy pop songwriting. This song showcases McCartney’s affinity for borrowing chords to make his progressions more interesting.

The chord progression from the bridge of Weezer’s “Buddy Holly” is in the key of A major. The progression presents a strong sense of tonality and features common rock/pop techniques, such as diatonic chord progressions, inversions, and the use of the minor subdominant.

Queens of the Stone Age – In My Head – Bridge

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Chord Progression

[‘E’, ‘G’, ‘D’, ‘D#’]

Chord Progression Analysis

The bridge progression in ‘In My Head’ is as follows:

“`
E Major (‘I’)
G Major (‘bIII’) (Borrowed from E minor)
D Major (‘VII’) (Borrowed from E minor)
D# (‘#vii’, Diminished, not typically found in the key of E Major)
“`
This progression employs borrowed chords from the parallel minor key (E minor in this case), which is a technique often used in rock music to integrate tonal ambiguity, tension, and release.

Similar Chord Progressions

A similar chord progression can be heard in Radiohead’s “Karma Police”, specifically in the chorus. However, it is in the key of G and uses different borrowed chords:

“`
G Major (‘I’)
Bb Major (‘bIII’) (Borrowed from G minor)
F Major (‘VII’) (Borrowed from G minor)
F# Diminished (‘#vii’ – not typically found in the key of G Major)
“`
The use of borrowed chords from the parallel minor and the use of an unconventional diminished chord in a similar manner creates a comparable sense of tonal ambiguity and tension/release in “Karma Police”. This shows that the chord progression in “In My Head” and “Karma Police” share a similar alternative rock ethos and musical sensibility.

Musical Analysis

The E Major chord as a home base chord provides a bright and open sound, while the G Major and D Major are the borrowed chords from E minor, creating a tonal balance between the comfortable key home key and the unsettling borrowed chords. The D# diminished chord acts as a leading tone to guide the progression back to the root chord, E Major. It creates an unexpected tension before resolving back to the E major, giving a surprising and edgy touch to the overall progression.

Overall Analysis

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

Style Analysis

The bridge’s chord progression of ‘In My Head’ is typical of the alternative rock and hard rock genres in which Queens of the Stone Age work, with its usage of borrowed chords, thereby creating a unique, edgy, and unpredictable sound.

Chords in the Bridge section of In My Head by Queens of the Stone Age are:

[‘E’, ‘G’, ‘D’, ‘D#’]