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“I Sat By The Ocean” by Queens of the Stone Age is in the key of E major and utilizes a mix of diatonic chords (i.e., chords native to the key of E major) and borrowed chords (i.e., chords borrowed from parallel or related keys).

Pre-Chorus

The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

The chord progression in the chorus of Weezer’s “Buddy Holly” is in the key of A major and has a mix of diatonic and borrowed chords. Overall, it has a distinct and memorable pop-rock feel, with a strong hook and melodic quality. Through its use of secondary dominants, the progression creates tension and release, pushing the harmony forward in a compelling manner.

The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

The chorus of Weezer’s song “Say It Ain’t So” can be analyzed as a simple and memorable chord progression in the key of C major. The progression features a repeating pattern of four chords: Am, E, F, and C.

Queens of the Stone Age – I Sat By The Ocean – Chorus

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Chord Progression

[‘C#m’, ‘F#’, ‘G#7’, ‘E’]

Chord Progression Analysis

The chords in the given progression are: C# minor (vi), F# Major (II), G#7 Dominant Seventh (III7), E Major (I)

“`
C# minor (vi)
F# Major (II)
G#7 Dominant Seventh (III7)
E Major (I)
“`

Similar Chord Progressions

A similar chord progression, albeit in a different key, can be seen in Nirvana’s “In Bloom”. The chord progression is [‘Bm’, ‘E’, ‘F#7’, ‘A’] translates to B minor (ii), E Major (V), F#7 Dominant Seventh (VI7), and A Major (I) in the key of A Major:

“`
B minor (ii)
E Major (V)
F#7 Dominant Seventh (VI7)
A Major (I)
“`

Musical Analysis

This progression begins with the relative minor (vi) which helps to set a melancholic mood at the onset. However, it soon resolves to a major chord, the dominant major (II), which provides a level of tension. The tension climbs further as it escalates to the III7 chord, a luminous major dominant seventh chord that is not typically found in the E Major scale.
This unexpected movement introduces a foreign note (F natural) into the mix, thus creating an instance of borrowed harmony. Finally, the progression resolves on the tonic (I), the E Major chord, which brings an uplifting release of the tension built up from the preceding chords.

Overall Analysis

“I Sat By The Ocean” by Queens of The Stone Age is written in E Major key.

Style Analysis

The chord progression is a classic example of the band’s stylistic influences from hard rock, alternative rock, and stoner rock genres. While the use of borrowed chords isn’t uncommon in popular music and rock, it is a classic Queens of the Stone Age move to use a borrowed VII chord, which is more common in jazz, and subtly adds a touch of dissonance and surprise to their harmonies.

Chords in the Chorus section of I Sat By The Ocean by Queens of the Stone Age are:

[‘C#m’, ‘F#’, ‘G#7’, ‘E’]