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“I Sat By The Ocean” by Queens of the Stone Age is in the key of E major and utilizes a mix of diatonic chords (i.e., chords native to the key of E major) and borrowed chords (i.e., chords borrowed from parallel or related keys).

Pre-Chorus

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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The chord progression of the chorus in Beck’s “Girl Acoustic” is relatively simple and straightforward, yet effective in creating a memorable and catchy tune. The song is in the key of A major, and the progression maintains a predominantly diatonic harmony.

“Kiss” is a funk, synthpop song written, produced and performed by Prince. The song’s structure runs around a simple, repeated two-bar eight-note pattern, but what’s odd is the song’s key. Dotting between E and D, it’s hard to pin down definitively, but the song seems to be written in the ambiguous key of E Mixolydian/D major.

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

Queens of the Stone Age – I Sat By The Ocean – Chorus

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Chord Progression

[‘C#m’, ‘F#’, ‘G#7’, ‘E’]

Chord Progression Analysis

The chords in the given progression are: C# minor (vi), F# Major (II), G#7 Dominant Seventh (III7), E Major (I)

“`
C# minor (vi)
F# Major (II)
G#7 Dominant Seventh (III7)
E Major (I)
“`

Similar Chord Progressions

A similar chord progression, albeit in a different key, can be seen in Nirvana’s “In Bloom”. The chord progression is [‘Bm’, ‘E’, ‘F#7’, ‘A’] translates to B minor (ii), E Major (V), F#7 Dominant Seventh (VI7), and A Major (I) in the key of A Major:

“`
B minor (ii)
E Major (V)
F#7 Dominant Seventh (VI7)
A Major (I)
“`

Musical Analysis

This progression begins with the relative minor (vi) which helps to set a melancholic mood at the onset. However, it soon resolves to a major chord, the dominant major (II), which provides a level of tension. The tension climbs further as it escalates to the III7 chord, a luminous major dominant seventh chord that is not typically found in the E Major scale.
This unexpected movement introduces a foreign note (F natural) into the mix, thus creating an instance of borrowed harmony. Finally, the progression resolves on the tonic (I), the E Major chord, which brings an uplifting release of the tension built up from the preceding chords.

Overall Analysis

“I Sat By The Ocean” by Queens of The Stone Age is written in E Major key.

Style Analysis

The chord progression is a classic example of the band’s stylistic influences from hard rock, alternative rock, and stoner rock genres. While the use of borrowed chords isn’t uncommon in popular music and rock, it is a classic Queens of the Stone Age move to use a borrowed VII chord, which is more common in jazz, and subtly adds a touch of dissonance and surprise to their harmonies.

Chords in the Chorus section of I Sat By The Ocean by Queens of the Stone Age are:

[‘C#m’, ‘F#’, ‘G#7’, ‘E’]