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Related Music Theory Alchemy

“Save Me” by Queen is a rock ballad that uses a complex mix of traditional popular song structures and common rock chord progressions. The song structure is largely verse-chorus, but then there’s a bridge serving as the solo section, and finally ends with repeating choruses. The chord progression for the chorus utilizes a variety of chord inversions, diatonic chords, and non-diatonic or borrowed chords, which are typical of Queen’s music style.

“Bohemian Rhapsody”, composed by Queen, is a powerful anthem that merges elements of rock, opera, and progressive music. The chord progression demonstrates a sophisticated understanding of voice leading and functional harmony, contributing to its distinctive sound. Famous for its key changes and thematic progressions, the composition is often cited as an example of Freddie Mercury’s musical genius.

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

“Landslide” by The Smashing Pumpkins is a cover of a popular folk-rock song by Fleetwood Mac. In this song, The Smashing Pumpkins show their alternative rock style, while also paying homage to the folk-rock genre and especially to the founder of Folk-Rock “Fleetwood Mac”. The chords used throughout the song are predominantly composed in the key of G major, with the occasional use of a common borrowed chord (Am) from the G minor key.

“Lord Only Knows” by Beck showcases a simple yet effective chord progression in its Verse 2. The harmonic foundation of this progression is based on the I – V – IV – I pattern, repeated four times. This pattern is common in many popular music genres, with the verse featuring a strong tonic-dominant relationship. The progression also displays an interesting mix of major and minor chords, adding a certain level of spice to the harmonic atmosphere present in the verse.

Queen – Save Me – Verse 2

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Chord Progression

[‘G’, ‘D/F#’, ‘Em’, ‘D/F#’, ‘G’, ‘C’, ‘G/B’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘C’, ‘C/E’, ‘G/D’, ‘C/E’, ‘D’]

Chord Progression Analysis

The given verse 2 chord progression is as follows:
`[‘G’, ‘D/F#’, ‘Em’, ‘D/F#’, ‘G’, ‘C’, ‘G/B’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘C’, ‘C/E’, ‘G/D’, ‘C/E’, ‘D’]`.

The chord progression can be written as follows:
“`plaintext
G Major (I),
D Major/F# (V/first inversion),
E minor (vi),
D Major/F# (V/first inversion),
G Major (I),
C Major (IV),
G Major/B (I/first inversion),
A minor (ii),
C Major (IV),
D Major (V),
G Major (I),
C Major (IV),
C Major/E (IV/first inversion),
G Major/D (I/second inversion),
C Major/E (IV/first inversion),
D Major (V)
“`
Borrowed chords: None found in this section.

3.

Similar Chord Progressions

Close examples of this progression are harder to find, as its uniqueness lies much in its execution. However, the structure of the verse shows some similarities with other rock and pop songs:

– “Let It Be” by The Beatles plays with a similar progression in the key of C Major. The progression is [‘C’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’] – which can be translated in numerical form as: I, V, vi, IV, I, V, IV, I.

– “I’m Yours” by Jason Mraz opens with a similar progression in the key of B Major. It goes [‘B’, ‘F#’, ‘G#m’, ‘E’] – corresponding to I, V, vi, IV progression.

In these examples, the exact inversions and variations may not be the same but the “I – V – vi – IV” progression structure is a common theme. It’s in the way the bands utilize and break from these structures that creates their unique sounds.

Musical Analysis

The musical style of this progression is a merging between simple diatonic structures and complex layering of inversions and roots. The grounding chords G, C, and D give a solid backing, and the variations on these chords (such as the first inversion D/F#) add variety and interest.

4.

Overall Analysis

“Save Me” by Queen is in the key of G Major and it features a number of modulations to closely related keys. It resonates a distinct rock ballad style incorporating unique variations of common chord progressions from rock and pop genres. The progression’s utilization of inverted chords also brings depth and character to the melody.

2.

Style Analysis

Queen often made use of fairly simple chord structures, but their arrangements elevated these structures to heady heights of orchestral grandeur. They’re known for their creativity in blending various genres: from rock to opera, gospel to progressive, all while sticking to basic scales and harmonies. This progression’s distinctive feature is its execution, as Queen’s distinct sound derives as much from their unique instrumentation, voicing, and orchestration, as from their chord choices.

5.

Chords in the Verse 2 section of Save Me by Queen are:

[‘G’, ‘D/F#’, ‘Em’, ‘D/F#’, ‘G’, ‘C’, ‘G/B’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘C’, ‘C/E’, ‘G/D’, ‘C/E’, ‘D’]