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Related Music Theory Alchemy

“Love of My Life” is a stunning ballad written by Freddie Mercury of Queen. The song is written in the key of A major and is primarily played on piano. It features a sophisticated and somewhat unconventional chord progression that serves as the foundation for Mercury’s versatile vocal performance. It’s arguably one of Queen’s more classical-influenced pieces and makes use of borrowed chord techniques frequently, which are commonly associated with the band’s flirtation with different musical styles, including rock, classical, and opera.

Queen’s ‘Don’t Stop Me Now’ contains a rich mixture of chord progressions, which is typical of the band’s complex songwriting. The outro of the song makes use of the F, F7, Bb, and Gm7 chords. This progression is in the key of F Major, with F being the tonic (I), F7 being the dominant 7th (V7), Bb being the subdominant (IV) and Gm7 being the submediant 7th (vi7). The Bb chord is a borrowed chord from the parallel minor key (F Minor) and the usage of F7 serves to add a level of tension before resolving to the Bb.

“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.

Prince’s “Purple Rain” is a classic power ballad, rooted deeply in pop and rock genres. The chord progressions, with particular emphasis on the one given in Verse 3, underlines Prince’s lyricism and craft, showcasing his unique ability to blend seemingly simple chord progressions to evoke emotional and profound moods. The key of the song is G major.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

Queen – Love Of My Life – Verse 3

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Chord Progression

[‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘F#’, ‘Bm’, ‘F#m’, ‘B’, ‘Cdim’, ‘B’, ‘Em’, ‘A’, ‘D’]

Chord Progression Analysis

Bm (‘ii’), F#m (‘vi’), G (‘bIII’ – borrowed from the minor scale), D (‘I’), F# (‘V/vi’ – secondary dominant), Bm (‘ii’), F#m (‘vi’), B (‘V’), Cdim (‘viio/vi’ – secondary leading-tone chord), B (‘V’), Em (‘ii’), A (‘V’), D (‘I’)

“`Borrowed chord: G (‘bIII’)“`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles: [‘Am’, ‘Am/G’, ‘Am/F#’, ‘Am/F’, ‘Am’, ‘G’, ‘D’, ‘E’, ‘C’, ‘C#dim’, ‘Am/C’, ‘G’, ‘D’, ‘E’]
2. “Hotel California” by The Eagles: [‘Bm’, ‘F#’, ‘A’, ‘E’, ‘G’, ‘D’, ‘Em’, ‘F#’]
3. “Blackbird” by The Beatles: [‘G’, ‘G#dim’, ‘A’, ‘Am7’, ‘G/B’, ‘C’, ‘Cm’, ‘G’, ‘C’, ‘D’]

These songs also use a mix of simple and complex harmony including secondary dominants, borrowed chords, and complex chord voicings, similar to “Love Of My Life”. In particular, they all feature a change in tonal centre at some point in their progression, which is a harmonic trait shared with Queen’s composition.

Musical Analysis

The chord progression has a good mix of stability and instability. It starts in D Major, quickly shifts into the relative minor (Bm), and then uses a borrowed chord from the B minor scale (G) to lead back to D Major. This temporary ‘modulation’ into the parallel minor is indicative of Queen’s use of chromatic harmony to add color and contrast to their music. The use of secondary dominants (F# and B) and secondary leading-tone chord (Cdim) further emphasizes tension and release, creating musical interest.

Overall Analysis

“Love Of My Life” by Queen, especially Verse 3, showcases a mix of simple and complex harmony, with many secondary dominants, borrowed chords, and diminished chords contributing to varying and shifting tonal centres. This makes for an emotional and contextually appropriate progression that fits well with the song’s lyrical content.

Style Analysis

Queen often used complex harmony and secondary dominants in their music, which gives their compositions a dramatic and theatrical quality – a feature that is extremely evident in “Love of My Life”. Their use of diminished chords, borrowed chords, and frequent modulation are hallmarks of their unique, rock-based take on classical harmony.

Chords in the Verse 3 section of Love Of My Life by Queen are:

[‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘F#’, ‘Bm’, ‘F#m’, ‘B’, ‘Cdim’, ‘B’, ‘Em’, ‘A’, ‘D’]