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The chord progression in the famous outro of Queen’s ‘Bohemian Rhapsody’ illustrates the eccentricity Queen was known for throughout their discography. This section consists of bold modulations, chromatic chord progressions, and borrowed chords, showing off Freddie Mercury’s compositional sophistication and creativity. It’s evident that Mercury’s influence for this song came from various musical genres, including progressive rock, classical, and operatic music.

This chord progression is from the song, “Good Old-Fashioned Lover Boy” by Queen, which is known for its complex and intricate progressions. The song is set in the key of C major, and it features a mixture of triadic major and minor chords, dominant sevenths and the common use of borrowed and secondary dominant chords to create tension. This creates a lot of harmonic interest.

“The Sound Of Silence” by Simon & Garfunkel is written in the key of Am and follows the Verse-Chorus form common in pop and rock music. The progression consists of a beachfront of common and borrowed chords, showing the use of modal interchange and diatonic chords in creating a memorable and emotive sound.

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

“As Tears Go By” by The Rolling Stones is a popular song from the mid-60s that features a mix of major and minor chords along with modulations between closely related keys. The overall harmonic structure shares similarities with other rock and pop songs of that era, including The Beatles and Bob Dylan.

Base Key and

Queen – Bohemian Rhapsody – Verse 2

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Chord Progression

[‘Bb’, ‘Gm’, ‘Cm’, ‘Cm7’, ‘F7’, ‘Bb’, ‘Gm’, ‘Cm’, ‘Eb/Cb’, ‘Eb/Bb’, ‘Am7b5’, ‘Abmaj7’, ‘Eb/G’]

Chord Progression Analysis

The Chord progression is:

“`
Bb Major (I),
G minor (vi),
C minor (ii),
C minor 7 (ii7),
F7 (V7),
Bb Major (I),
G minor (vi),
C minor (ii),
Eb/Cb (Neapolitan sixth),
Eb/Bb (IV64),
A half-diminished 7 (viiø7),
Ab Major 7 (bVII7)
^ (Borrowed from parallel minor),
Eb/G (IV6)
“`

Similar Chord Progressions

Supertramp’s “School” and “Rudy” demonstrate similarly complex, genre-blending characteristics with their respective chord progressions, as do The Beatles’ “I Want You (She’s So Heavy)” and “Strawberry Fields Forever.” While these songs may not mirror Queen’s progression note for note, they employ comparable harmonic complexities, modulations, and mixtures, which suggest a comparable stylistic affinity.

Musical Analysis

The progression begins with an oscillating pattern between Bb Major and G minor (I – vi), providing a rather standard progression in pop/rock. Adding Cm and Cm7 (ii and ii7) to this pattern introduces a bit of tension and complexity, before it resolves on F7, the dominant of the key, which segues back to Bb Major (I). The Eb/Cb is a Neapolitan sixth chord, a chord borrowed from the minor key and which is often used to add tension and unpredictability. The Am7b5 is a half-diminished seventh chord leading to the surprising AbMaj7, which is borrowed from the parallel minor. The Eb/G is the IV chord in the first inversion, providing a smooth transition to the next section.

Overall Analysis

“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

Style Analysis

“Bohemian Rhapsody” is known for its eclectic mixture of styles, including progressive rock, a capella, hard rock, and opera. The chord progression you’ve highlighted is no exception and demonstrates a fusion of various stylistic elements. The harmonic twists and turns in the progression, such as the Neapolitan sixth chord and the chromatic shift to AbMaj7, are elements often associated with the progressive rock genre and more specifically, Queen’s unique blend of rock, classical, and opera. The complex voicings also add to the overall sense of flamboyance and grandeur, which reflects Queen’s “larger than life” stage presence.

Chords in the Verse 2 section of Bohemian Rhapsody by Queen are:

[‘Bb’, ‘Gm’, ‘Cm’, ‘Cm7’, ‘F7’, ‘Bb’, ‘Gm’, ‘Cm’, ‘Eb/Cb’, ‘Eb/Bb’, ‘Am7b5’, ‘Abmaj7’, ‘Eb/G’]