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Related Music Theory Alchemy

The chord progression in the famous outro of Queen’s ‘Bohemian Rhapsody’ illustrates the eccentricity Queen was known for throughout their discography. This section consists of bold modulations, chromatic chord progressions, and borrowed chords, showing off Freddie Mercury’s compositional sophistication and creativity. It’s evident that Mercury’s influence for this song came from various musical genres, including progressive rock, classical, and operatic music.

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The overall use of chords highlights Queen’s blending of rock with more complex harmonic structures, moving beyond simple major & minor chords and incorporating 7th and inversions. Despite its pop/rock surface, “Somebody to Love” includes interesting modulation and chord choices that could be seen as more typical of more ‘classical’ forms of music.

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“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.

Queen – Bohemian Rhapsody – Verse 2

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Chord Progression

[‘Bb’, ‘Gm’, ‘Cm’, ‘Cm7’, ‘F7’, ‘Bb’, ‘Gm’, ‘Cm’, ‘Eb/Cb’, ‘Eb/Bb’, ‘Am7b5’, ‘Abmaj7’, ‘Eb/G’]

Chord Progression Analysis

The Chord progression is:

“`
Bb Major (I),
G minor (vi),
C minor (ii),
C minor 7 (ii7),
F7 (V7),
Bb Major (I),
G minor (vi),
C minor (ii),
Eb/Cb (Neapolitan sixth),
Eb/Bb (IV64),
A half-diminished 7 (viiø7),
Ab Major 7 (bVII7)
^ (Borrowed from parallel minor),
Eb/G (IV6)
“`

Similar Chord Progressions

Supertramp’s “School” and “Rudy” demonstrate similarly complex, genre-blending characteristics with their respective chord progressions, as do The Beatles’ “I Want You (She’s So Heavy)” and “Strawberry Fields Forever.” While these songs may not mirror Queen’s progression note for note, they employ comparable harmonic complexities, modulations, and mixtures, which suggest a comparable stylistic affinity.

Musical Analysis

The progression begins with an oscillating pattern between Bb Major and G minor (I – vi), providing a rather standard progression in pop/rock. Adding Cm and Cm7 (ii and ii7) to this pattern introduces a bit of tension and complexity, before it resolves on F7, the dominant of the key, which segues back to Bb Major (I). The Eb/Cb is a Neapolitan sixth chord, a chord borrowed from the minor key and which is often used to add tension and unpredictability. The Am7b5 is a half-diminished seventh chord leading to the surprising AbMaj7, which is borrowed from the parallel minor. The Eb/G is the IV chord in the first inversion, providing a smooth transition to the next section.

Overall Analysis

“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

Style Analysis

“Bohemian Rhapsody” is known for its eclectic mixture of styles, including progressive rock, a capella, hard rock, and opera. The chord progression you’ve highlighted is no exception and demonstrates a fusion of various stylistic elements. The harmonic twists and turns in the progression, such as the Neapolitan sixth chord and the chromatic shift to AbMaj7, are elements often associated with the progressive rock genre and more specifically, Queen’s unique blend of rock, classical, and opera. The complex voicings also add to the overall sense of flamboyance and grandeur, which reflects Queen’s “larger than life” stage presence.

Chords in the Verse 2 section of Bohemian Rhapsody by Queen are:

[‘Bb’, ‘Gm’, ‘Cm’, ‘Cm7’, ‘F7’, ‘Bb’, ‘Gm’, ‘Cm’, ‘Eb/Cb’, ‘Eb/Bb’, ‘Am7b5’, ‘Abmaj7’, ‘Eb/G’]