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The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.

The song “Ceilings” by Lizzy McAlpine is in the key of G Major, employing a mixture of major, minor, and additive chords to create a progression that lends itself to a pop/folk atmosphere. The song is largely composed of diatonic chords in the key of G Major, with an occasional use of a B7, which can be seen as a secondary dominant to Em.

The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.

Portishead – Its A Fire – Chorus

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Chord Progression

[‘F#’, ‘C#’, ‘B’, ‘F#’, ‘C#’, ‘B’, ‘F#’, ‘C#’, ‘B’, ‘F#’, ‘C#’]

Chord Progression Analysis

We can say the song is in the key of F# Major, but the presence of chromatically foreign chords suggest a modal interchange behavior, where chords are borrowed from the parallel minor key. Here is the analysis of the chorus:

Chord progression: F# Major (I), C# Major (V), B Major (IV), repeated three times.

By examining the rest of the chords listed in the song, it seems that the verses and bridge sections may incorporate elements of modal interchange, borrowing chords from various modes.

Here is the processed chord progression in Roman Numerals formatted as requested:

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Similar Chord Progressions

In terms of style, the chord progression is a characteristic of Portishead’s affinity for blending elements of electronica, trip-hop, and jazz. Their unique blend of these oh-so-different styles creates an eerie, yet beautiful soundscape. The repeated chord progression in the chorus allows for the vocalist’s melody to weave in and out of the harmony, giving a spectral and ethereal quality to the piece.

Musical Analysis

F# Major (I)
C# Major (V)
B Major (IV)
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Overall Analysis

“It’s A Fire” by Portishead is a song characterized by its frequent modulations and use of borrowed chords, making it a considerable complexity in terms of harmony. It features transition from key centers and borrowed chords from other keys, which creates tension and resolution creating the signature moody and intense atmosphere Portishead is known for.

Style Analysis

The chord progression F# – C# – B is peculiar and rich, with a traditional sense of movement. The I-V-IV progression provides a strong, familiar sound, with a bit of uniqueness due to the interesting ending on the IV chord.

Together, the chords provide a melancholic and soulful atmosphere. The C# Major chord is particularly striking, demonstrating a modulation or accidental borrowing that heightens the emotive quality of the song. The song makes use of diatonic and non-diatonic chords, creating a rich harmonic landscape.

Chords in the Chorus section of Its A Fire by Portishead are:

[‘F#’, ‘C#’, ‘B’, ‘F#’, ‘C#’, ‘B’, ‘F#’, ‘C#’, ‘B’, ‘F#’, ‘C#’]