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Related Music Theory Alchemy

The chord progression in Welcome To The Machine by Pink Floyd features a combination of diatonic chords and some extensions to create a lush, ethereal sound. The progression mainly circulates around the key of E minor, with added color tones and an emotional center created by the interplay of chords such as the major 7th and the addition of the 9th degree to certain chords.

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album, “The Wall.” It is known for its haunting, ethereal quality, achieved through the use of predominantly minor chords, lush harmonies, and a slow, atmospheric tempo. The song’s lyrics and melancholic mood reflect feelings of loss and desolation.

This chord progression is in the key of C Major, but incorporates a variety of borrowed chords and slash chords that add complexity and color to the song. It’s a good example of how Elton John takes popularly-used chord progressions and puts his own unique spin on them.

“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

Pink Floyd – Welcome To The Machine – Verse 2

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Chord Progression

Em, Cmaj7, Emadd9, C, A, Em, Cmaj7, Emadd9, Cmaj7, Emadd9, Cmaj7, Em(add9)

Chord Progression Analysis

Em (i) – Cmaj7 (VI) – Emadd9 (iadd9) – C (VI) – A (iv, borrowed from E major) – Em (i) – Cmaj7 (VI) – Emadd9 (iadd9) – Cmaj7 (VI) – Emadd9 (iadd9) – Cmaj7 (VI) – Em(add9)(iadd9)

Borrowed chord: A (iv)

Similar Chord Progressions

1. Radiohead – “Paranoid Android”
Em9 (im9) – A (IV, borrowed from E major) – Cmaj7 (VI) – Abmaj7 (bV)

2. King Crimson – “Starless”
C#m (i) – G#m (ivm) – E (I, borrowed from C# Major) – F# (V/iv) – G#m (ivm)

These examples showcase similar elements found in the “Welcome to the Machine” progression, such as modal mixture, extended chords (specifically major 7ths), and unconventional chord sequences. While the exact progression may not be the same, the techniques employed by these artists contribute to similar musical landscapes and a shared sense of harmonic sophistication.

Musical Analysis

This progression starts with an Em chord, establishing the tonal center. The next chord, Cmaj7, serves as a stark contrast, with its major 7th creating a sense of tension that resolves once the progression returns to Em.

The incorporation of the Emadd9 and Em(add9) chords adds an element of color and emotional depth to the otherwise straightforward minor harmony. The use of the borrowed A major chord adds a brief moment of brightness to the progression before returning to the darker, more melancholic tone.

Throughout this verse, Pink Floyd weaves in and out of tense harmonic moments using modal mixture (borrowing chords from parallel major/minor scales), creating an emotionally engaging journey for the listener.

Overall Analysis

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

Style Analysis

This chord progression is typical of Pink Floyd’s progressive rock/psychedelic rock style. The combination of modal mixture, extended chord voicings (such as the maj7 and add9 chords), and unconventional harmonic movement contributes to their distinctive sound. The chords blend well with their signature use of ambient synthesizers, lush electric guitar textures, and introspective lyrics.

Chords in the Verse 2 section of Welcome To The Machine by Pink Floyd are:

Em, Cmaj7, Emadd9, C, A, Em, Cmaj7, Emadd9, Cmaj7, Emadd9, Cmaj7, Em(add9)