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Related Music Theory Alchemy

“Welcome to the Machine” by Pink Floyd is a progressive rock piece that features a rather minimalistic chord progression, with only one chord during the outro. The piece is characterized by its lush soundscape, synthesizer layering, and the use of sound effects to create an atmosphere of a mechanized world.

The chord progression in “Breathe” by Pink Floyd is relatively simple, mostly alternating between two chords – Em and A7. However, this simplicity is quite effective in creating a relaxed, dreamy feel which is consistent with the overall theme of the song. This is a characteristic feature of Pink Floyd’s music, using simple chords and progressions to create a powerful emotional impact.

“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

“Dead Flowers” by The Rolling Stones, from their album “Sticky Fingers” (1971), features a fairly straightforward repetitive chord progression of D, A, G, D in the verse. The key here is D Major. This common progression falls into a I-V-IV-I pattern known as a “plagal cadence”. It’s a progression which consists of a major key followed by its dominant (V), then its subdominant (IV), taking us back to the tonic (I).

Across the Universe by The Beatles is a melancholic, introspective piece set in the key of D major, imbuing an overall sound spectrum that’s somber with a hint of hopeful resolution. The chord progression utilizes both diatonic and borrowed chords, making it both unusual and interesting.

Pink Floyd – Welcome To The Machine – Verse 2

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Chord Progression

Em, Cmaj7, Emadd9, C, A, Em, Cmaj7, Emadd9, Cmaj7, Emadd9, Cmaj7, Em(add9)

Chord Progression Analysis

Em (i) – Cmaj7 (VI) – Emadd9 (iadd9) – C (VI) – A (iv, borrowed from E major) – Em (i) – Cmaj7 (VI) – Emadd9 (iadd9) – Cmaj7 (VI) – Emadd9 (iadd9) – Cmaj7 (VI) – Em(add9)(iadd9)

Borrowed chord: A (iv)

Similar Chord Progressions

1. Radiohead – “Paranoid Android”
Em9 (im9) – A (IV, borrowed from E major) – Cmaj7 (VI) – Abmaj7 (bV)

2. King Crimson – “Starless”
C#m (i) – G#m (ivm) – E (I, borrowed from C# Major) – F# (V/iv) – G#m (ivm)

These examples showcase similar elements found in the “Welcome to the Machine” progression, such as modal mixture, extended chords (specifically major 7ths), and unconventional chord sequences. While the exact progression may not be the same, the techniques employed by these artists contribute to similar musical landscapes and a shared sense of harmonic sophistication.

Musical Analysis

This progression starts with an Em chord, establishing the tonal center. The next chord, Cmaj7, serves as a stark contrast, with its major 7th creating a sense of tension that resolves once the progression returns to Em.

The incorporation of the Emadd9 and Em(add9) chords adds an element of color and emotional depth to the otherwise straightforward minor harmony. The use of the borrowed A major chord adds a brief moment of brightness to the progression before returning to the darker, more melancholic tone.

Throughout this verse, Pink Floyd weaves in and out of tense harmonic moments using modal mixture (borrowing chords from parallel major/minor scales), creating an emotionally engaging journey for the listener.

Overall Analysis

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

Style Analysis

This chord progression is typical of Pink Floyd’s progressive rock/psychedelic rock style. The combination of modal mixture, extended chord voicings (such as the maj7 and add9 chords), and unconventional harmonic movement contributes to their distinctive sound. The chords blend well with their signature use of ambient synthesizers, lush electric guitar textures, and introspective lyrics.

Chords in the Verse 2 section of Welcome To The Machine by Pink Floyd are:

Em, Cmaj7, Emadd9, C, A, Em, Cmaj7, Emadd9, Cmaj7, Emadd9, Cmaj7, Em(add9)