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“Welcome to the Machine” by Pink Floyd is a progressive rock piece that features a rather minimalistic chord progression, with only one chord during the outro. The piece is characterized by its lush soundscape, synthesizer layering, and the use of sound effects to create an atmosphere of a mechanized world.

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

“Hallelujah” is a song by singer-songwriter Jeff Buckley and is a cover of a song originally written by Leonard Cohen. The song is in the key of C major and features a moderate tempo with a 6/8 time signature. This particular chord progression, taken from the second verse, consists mainly of diatonic chords found within the key, but also includes a few borrowed chords and a secondary dominant, giving the song a sense of tension and release.

“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

Pink Floyd – Welcome To The Machine – Verse 2

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Chord Progression

Em, Cmaj7, Emadd9, C, A, Em, Cmaj7, Emadd9, Cmaj7, Emadd9, Cmaj7, Em(add9)

Chord Progression Analysis

Em (i) – Cmaj7 (VI) – Emadd9 (iadd9) – C (VI) – A (iv, borrowed from E major) – Em (i) – Cmaj7 (VI) – Emadd9 (iadd9) – Cmaj7 (VI) – Emadd9 (iadd9) – Cmaj7 (VI) – Em(add9)(iadd9)

Borrowed chord: A (iv)

Similar Chord Progressions

1. Radiohead – “Paranoid Android”
Em9 (im9) – A (IV, borrowed from E major) – Cmaj7 (VI) – Abmaj7 (bV)

2. King Crimson – “Starless”
C#m (i) – G#m (ivm) – E (I, borrowed from C# Major) – F# (V/iv) – G#m (ivm)

These examples showcase similar elements found in the “Welcome to the Machine” progression, such as modal mixture, extended chords (specifically major 7ths), and unconventional chord sequences. While the exact progression may not be the same, the techniques employed by these artists contribute to similar musical landscapes and a shared sense of harmonic sophistication.

Musical Analysis

This progression starts with an Em chord, establishing the tonal center. The next chord, Cmaj7, serves as a stark contrast, with its major 7th creating a sense of tension that resolves once the progression returns to Em.

The incorporation of the Emadd9 and Em(add9) chords adds an element of color and emotional depth to the otherwise straightforward minor harmony. The use of the borrowed A major chord adds a brief moment of brightness to the progression before returning to the darker, more melancholic tone.

Throughout this verse, Pink Floyd weaves in and out of tense harmonic moments using modal mixture (borrowing chords from parallel major/minor scales), creating an emotionally engaging journey for the listener.

Overall Analysis

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

Style Analysis

This chord progression is typical of Pink Floyd’s progressive rock/psychedelic rock style. The combination of modal mixture, extended chord voicings (such as the maj7 and add9 chords), and unconventional harmonic movement contributes to their distinctive sound. The chords blend well with their signature use of ambient synthesizers, lush electric guitar textures, and introspective lyrics.

Chords in the Verse 2 section of Welcome To The Machine by Pink Floyd are:

Em, Cmaj7, Emadd9, C, A, Em, Cmaj7, Emadd9, Cmaj7, Emadd9, Cmaj7, Em(add9)