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The second guitar solo in “Comfortably Numb” by Pink Floyd is based on a simple five-chord progression, spanning two diatonic tonalities (i.e., B minor and G major). This progression heavily relies on the B Aeolian mode (or natural minor scale) and showcases the band’s affinity for modal interchange and progressive rock elements.

“Time” by Pink Floyd is a progressive rock piece characterized by its reflective lyrics, syncopated rhythms, and distinctive use of chromaticism and modality. This chord progression takes place in the third verse of the song, where the harmonic structure is more complex and features borrowed chords, creating a sense of tension and resolution, reflecting the lyrics and conveying emotions of nostalgia and regret.

The chord progression in the verse 2 of Megalomania by Muse is predominantly in the key of E minor, with several chromatic and borrowed chords that give the progression a unique character. This progression consists of 16 chords and features an interesting mix of diatonic chords, secondary dominants, and borrowed chords that contribute to the dramatic and dark atmosphere of the piece.

“Hallelujah” is a song by singer-songwriter Jeff Buckley and is a cover of a song originally written by Leonard Cohen. The song is in the key of C major and features a moderate tempo with a 6/8 time signature. This particular chord progression, taken from the second verse, consists mainly of diatonic chords found within the key, but also includes a few borrowed chords and a secondary dominant, giving the song a sense of tension and release.

“Dead Flowers” by The Rolling Stones, from their album “Sticky Fingers” (1971), features a fairly straightforward repetitive chord progression of D, A, G, D in the verse. The key here is D Major. This common progression falls into a I-V-IV-I pattern known as a “plagal cadence”. It’s a progression which consists of a major key followed by its dominant (V), then its subdominant (IV), taking us back to the tonic (I).

Pink Floyd – Comfortably Numb – Verse 2

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Chord Progression

Bsus2, Bm, A, G, Em, Bm, Bsus2, Bm, A, G, Em, Bm

Chord Progression Analysis

| Bsus2 (IVsus2) | Bm (iv) | A (‘V) | G (IV) |
| Em (ii) | Bm (iv) | Bsus2 (IVsus2) | Bm (iv) |
| A (‘V) | G (IV) | Em (ii) | Bm (iv) |

The chord progression features both borrowed chords and substitutions. Specifically, Bsus2 (the suspended chord) is an embellishment of the Bm which is borrowed from the parallel key (D minor). The borrowed chords are as follows:

“`
Bm (iv)
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”: [‘C (I)’, ‘G (V)’, ‘Am (vi)’, ‘F (IV)’, ‘C (I)’, ‘G (V)’, ‘F (IV)’, ‘C (I)’]
2. Radiohead – “Karma Police”: [‘Am (i)’, ‘Em (v)’, ‘G (III)’, ‘Am (i)’, ‘F (VI)’, ‘G (VII)’, ‘Am (i)’, ‘Em (v)’]

While these chord progressions are not exactly the same, they share similarities in terms of blending major and minor chords to create a sense of melancholy, as seen in “Comfortably Numb”.

Musical Analysis

The progression begins with Bsus2, which then resolves down to the Bm chord. This creates an initial sense of tension and release, effectively introducing the melancholy tone of the verse. Then, the progression moves to A, the dominant chord. This progression from Bm to A helps connect the listener to the home key, D major.

Following this, there is a change from the major tonality to a more minor feel with the progression of G to Em. This shift contributes to the melancholic atmosphere, emphasizing a feeling of longing or nostalgia. The progression then moves back to Bm, creating a loop that maintains the overall tone of the song while also giving it a sense of continuity and structure.

Overall Analysis

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

Style Analysis

Pink Floyd’s “Comfortably Numb” is heavily influenced by progressive rock and concept album styles, which are marked by experimental and innovative uses of harmony, structure, and instrumentation. The unique chord progression in the second verse of the song, characterized by its blend of major and minor chords and the inclusion of the borrowed Bm chord, is an example of Pink Floyd’s unique approach to harmony, which sets them apart from other artists.

Chords in the Verse 2 section of Comfortably Numb by Pink Floyd are:

Bsus2, Bm, A, G, Em, Bm, Bsus2, Bm, A, G, Em, Bm