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Related Music Theory Alchemy

The second guitar solo in “Comfortably Numb” by Pink Floyd is based on a simple five-chord progression, spanning two diatonic tonalities (i.e., B minor and G major). This progression heavily relies on the B Aeolian mode (or natural minor scale) and showcases the band’s affinity for modal interchange and progressive rock elements.

“Time” by Pink Floyd is a progressive rock piece characterized by its reflective lyrics, syncopated rhythms, and distinctive use of chromaticism and modality. This chord progression takes place in the third verse of the song, where the harmonic structure is more complex and features borrowed chords, creating a sense of tension and resolution, reflecting the lyrics and conveying emotions of nostalgia and regret.

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

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“Don’t Look Back In Anger” uses simple yet effective chord progressions common in pop/rock music. It incorporates both major and minor chords, showing some classic pop sensibilities. The song is situated in the key of C Major. Embedded within this progression are instances of borrowed chords – the E7 for instance, is a secondary dominant, often used to inject a bit of tension and to give strong resolution leading into the next chord.

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“All My Loving” by The Beatles is a mid-tempo pop song written in the key of E minor for the verse and D Major for the bridge and outro, featuring a distinct, upbeat walking bassline. The grey, almost mournful verses, along with the brighter, major-toned bridges and chorus, create a juxtaposition of feelings within the piece. The bridge also highlights The Beatles’ use of secondary dominants and chromaticism. Concluding in the tonic key of D Major, the song has an interesting interplay between Em and D Major throughout, which could be perceived as a Em: i, VI, III, II and D: vi, V7, I, vi, IV, ii, I progression.

Pink Floyd – Comfortably Numb – Verse 2

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Chord Progression

Bsus2, Bm, A, G, Em, Bm, Bsus2, Bm, A, G, Em, Bm

Chord Progression Analysis

| Bsus2 (IVsus2) | Bm (iv) | A (‘V) | G (IV) |
| Em (ii) | Bm (iv) | Bsus2 (IVsus2) | Bm (iv) |
| A (‘V) | G (IV) | Em (ii) | Bm (iv) |

The chord progression features both borrowed chords and substitutions. Specifically, Bsus2 (the suspended chord) is an embellishment of the Bm which is borrowed from the parallel key (D minor). The borrowed chords are as follows:

“`
Bm (iv)
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”: [‘C (I)’, ‘G (V)’, ‘Am (vi)’, ‘F (IV)’, ‘C (I)’, ‘G (V)’, ‘F (IV)’, ‘C (I)’]
2. Radiohead – “Karma Police”: [‘Am (i)’, ‘Em (v)’, ‘G (III)’, ‘Am (i)’, ‘F (VI)’, ‘G (VII)’, ‘Am (i)’, ‘Em (v)’]

While these chord progressions are not exactly the same, they share similarities in terms of blending major and minor chords to create a sense of melancholy, as seen in “Comfortably Numb”.

Musical Analysis

The progression begins with Bsus2, which then resolves down to the Bm chord. This creates an initial sense of tension and release, effectively introducing the melancholy tone of the verse. Then, the progression moves to A, the dominant chord. This progression from Bm to A helps connect the listener to the home key, D major.

Following this, there is a change from the major tonality to a more minor feel with the progression of G to Em. This shift contributes to the melancholic atmosphere, emphasizing a feeling of longing or nostalgia. The progression then moves back to Bm, creating a loop that maintains the overall tone of the song while also giving it a sense of continuity and structure.

Overall Analysis

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

Style Analysis

Pink Floyd’s “Comfortably Numb” is heavily influenced by progressive rock and concept album styles, which are marked by experimental and innovative uses of harmony, structure, and instrumentation. The unique chord progression in the second verse of the song, characterized by its blend of major and minor chords and the inclusion of the borrowed Bm chord, is an example of Pink Floyd’s unique approach to harmony, which sets them apart from other artists.

Chords in the Verse 2 section of Comfortably Numb by Pink Floyd are:

Bsus2, Bm, A, G, Em, Bm, Bsus2, Bm, A, G, Em, Bm