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Related Music Theory Alchemy

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

“Wish You Were Here” by Pink Floyd is an iconic rock ballad from their 1975 album of the same name. The song’s verse chord progression evokes a sense of nostalgia and longing, featuring a combination of major and minor chords, as well as borrowed chords and inversions that create a unique and emotional soundscape.

The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

Pink Floyd – Breathe – Verse 2

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Chord Progression

Em, A7, Em, A7, Em, A7, Em, A7

Chord Progression Analysis

Em (i) – A7 (IV7)

Similar Chord Progressions

1. The Doors – “Riders on the Storm”
Chord progression: Em9 (i9) – A7 (IV7)
2. The Beatles – “While My Guitar Gently Weeps”
Chord progression: Am (i) – G (bVII) – Am (i) – G (bVII)
3. Led Zeppelin – “Babe I’m Gonna Leave You”
Chord progression: Am (i) – C (III) – G (bVII) – Am (i) – C (III)

These examples follow a similar alternation between a minor chord (usually the tonic) and another chord, either borrowed from the parallel major (as in “Riders on the Storm”) or invoking a sense of tension and resolution (as in “While My Guitar Gently Weeps” and “Babe I’m Gonna Leave You”).

Musical Analysis

The chord progression consists of two chords: Em, which is the tonic or home chord, and A7, which is the dominant seventh chord built on the fourth scale degree in the key of E minor. The A7 chord is borrowed from the parallel major key (E major), which is why it is considered a borrowed chord in the progression. The alternation between these two chords creates a sense of movement throughout the entire verse. The dominant seventh chord (A7) brings tension and instability in the progression, making the listener eager to hear the resolution to the tonic chord (Em).

Overall Analysis

The given chord progression is from the verse of Pink Floyd’s “Breathe,” a song from their 1973 album, “The Dark Side of the Moon.” The progression consists of alternating Em and A7 chords throughout the entire verse. This creates a sense of movement and tension between the chords while also being relatively simple and repetitive. The harmonic back-and-forth between these two chords gives the song a dreamy and immersive quality that is a signature sound of Pink Floyd’s style.

Style Analysis

Pink Floyd’s music often delves into the realms of space rock, progressive rock, and psychedelic rock. The alternating Em and A7 chords in the “Breathe” verse serve as a perfect example of Pink Floyd’s ability to create an ethereal, otherworldly, and hypnotic atmosphere within their music. The simplicity and repetitiveness of the chord progression, combined with Pink Floyd’s trademark use of effects and atmospheric sounds, give “Breathe” its unique sonic character.

Chords in the Verse 2 section of Breathe by Pink Floyd are:

Em, A7, Em, A7, Em, A7, Em, A7