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Related Music Theory Alchemy

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

“Wish You Were Here” by Pink Floyd is an iconic rock ballad from their 1975 album of the same name. The song’s verse chord progression evokes a sense of nostalgia and longing, featuring a combination of major and minor chords, as well as borrowed chords and inversions that create a unique and emotional soundscape.

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

“Since I’ve Been Loving You” by Led Zeppelin is a slow-tempo blues-rock song featuring a sophisticated and expressive chord progression that falls predominantly within the C minor key, standing out from the more traditional blues structures. The chords in the verse display a creative use of borrowed chords and chromaticism, contributing to the song’s moody and emotionally-evocative atmosphere. The progression is less common in rock music, which is what makes it characteristic of Led Zeppelin’s innovative musical explorations.

Pink Floyd – Breathe – Verse 1

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Chord Progression

Em, A7, Em, A7, Em, A7, Em, A7

Chord Progression Analysis

Em (i), A7 (IV7)

Similar Chord Progressions

1. “Stairway to Heaven” by Led Zeppelin
Am (i), G#7 (V7)

2. “Hotel California” by Eagles
Bm (i), F#7 (V7)

3. “Comfortably Numb” by Pink Floyd
Bm (i), A7 (IV7)

These songs share a similar structure, using a minor tonic and a borrowed, dominant seventh chord. This helps create a sense of tension and resolution that is common to these styles of music, and contributes to their emotional impact.

Musical Analysis

The verse consists of an 8-chord sequence that alternates between the tonic chord, Em (i), a minor chord, and a borrowed, dominant seventh chord, A7 (IV7), which is borrowed from the parallel major key (E major). This borrowed chord creates a sense of tension and expectation, which is then resolved when the progression returns to the tonic chord, Em. This alternation between tension and resolution creates a sense of movement and contributes to the dreamy atmosphere of the song.

Overall Analysis

The chord progression in “Breathe” by Pink Floyd is relatively simple, mostly alternating between two chords – Em and A7. However, this simplicity is quite effective in creating a relaxed, dreamy feel which is consistent with the overall theme of the song. This is a characteristic feature of Pink Floyd’s music, using simple chords and progressions to create a powerful emotional impact.

Style Analysis

The use of a simple and repetitive chord progression is characteristic of Pink Floyd’s relaxed, psychedelic rock style. Their music often features few chords and simple progressions, while focusing more on the arrangement, instrumentation, and emotional impact of the song. This reflects the influence of blues and folk music on their songwriting, both of which rely heavily on simple chord progressions.

Chords in the Verse 1 section of Breathe by Pink Floyd are:

Em, A7, Em, A7, Em, A7, Em, A7