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Related Music Theory Alchemy

The given chord progression is from the verse of Pink Floyd’s “Breathe,” a song from their 1973 album, “The Dark Side of the Moon.” The progression consists of alternating Em and A7 chords throughout the entire verse. This creates a sense of movement and tension between the chords while also being relatively simple and repetitive. The harmonic back-and-forth between these two chords gives the song a dreamy and immersive quality that is a signature sound of Pink Floyd’s style.

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

“Brown Sugar” by The Rolling Stones is based in the key of C major. The verse has a simple and catchy chord progression that primarily revolves around the I and IV chords in the key, with brief excursions to the dominant and a borrowed chord from the parallel minor key. This structure contributes to the song’s bluesy and rock’n’roll sound.

Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.

Pink Floyd – Breathe – Verse 1

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Chord Progression

Em, A7, Em, A7, Em, A7, Em, A7

Chord Progression Analysis

Em (i), A7 (IV7)

Similar Chord Progressions

1. “Stairway to Heaven” by Led Zeppelin
Am (i), G#7 (V7)

2. “Hotel California” by Eagles
Bm (i), F#7 (V7)

3. “Comfortably Numb” by Pink Floyd
Bm (i), A7 (IV7)

These songs share a similar structure, using a minor tonic and a borrowed, dominant seventh chord. This helps create a sense of tension and resolution that is common to these styles of music, and contributes to their emotional impact.

Musical Analysis

The verse consists of an 8-chord sequence that alternates between the tonic chord, Em (i), a minor chord, and a borrowed, dominant seventh chord, A7 (IV7), which is borrowed from the parallel major key (E major). This borrowed chord creates a sense of tension and expectation, which is then resolved when the progression returns to the tonic chord, Em. This alternation between tension and resolution creates a sense of movement and contributes to the dreamy atmosphere of the song.

Overall Analysis

The chord progression in “Breathe” by Pink Floyd is relatively simple, mostly alternating between two chords – Em and A7. However, this simplicity is quite effective in creating a relaxed, dreamy feel which is consistent with the overall theme of the song. This is a characteristic feature of Pink Floyd’s music, using simple chords and progressions to create a powerful emotional impact.

Style Analysis

The use of a simple and repetitive chord progression is characteristic of Pink Floyd’s relaxed, psychedelic rock style. Their music often features few chords and simple progressions, while focusing more on the arrangement, instrumentation, and emotional impact of the song. This reflects the influence of blues and folk music on their songwriting, both of which rely heavily on simple chord progressions.

Chords in the Verse 1 section of Breathe by Pink Floyd are:

Em, A7, Em, A7, Em, A7, Em, A7