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Related Music Theory Alchemy

“Wonderwall” is a song by Oasis, a British rock band. The song showcases the blend of rock and Britpop style. The chord progression in the verse reflects a strong pop feeling, primarily residing in the key of G major.

“Don’t Look Back in Anger” by Oasis, a popular rock ballad, is characterized by its melancholic chord progressions. Its key is major, specifically C Major, but it involves a frequent use of borrowed chords for a touch of bitterness, matching the poignant lyrics.

“Penny Lane” by The Beatles is an eclectic and elegant piece of music evident in its rhythm, harmony, melody, and lyrics. It is predominantly in the key of A Major, but it has several key changes and introduces chords that are non-diatonic, giving it a progressive and unexpected feel.

“Give Me The Night” by George Benson features a smooth jazz and funk-influenced style. The chord progression in Verse 3 demonstrates a strong use of extended and altered chords, which create a richer texture and interesting harmonic movement. This particular chord progression is reminiscent of other popular songs from the same period and genre, displaying the influence of jazz harmony on contemporary R&B and pop music.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

Oasis – Wonderwall – Verse 3

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Chord Progression

[‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’]

Chord Progression Analysis

The named chord progression for Verse 3 follows: Em, G, D, A7sus4 and is repeated four times.

Structuring this progression into full chord names and their Roman numeral analysis for the key of G major, we obtain:

“`
E minor (‘vi’),
G Major (‘I’),
D Major (‘V’),
A7sus4 (‘IV7sus4’).
“`

None of these chords are borrowed; they all naturally occur within the G major scale.

Similar Chord Progressions

1. “Let It Be” by The Beatles –
“`
C (I),
G (V),
Am (vi),
F (IV)
“`
2. “No Woman, No Cry” by Bob Marley
“`
C (I),
G (V),
Am (vi),
F (IV)
“`
3. “When I Come Around” by Green Day
“`
G (I),
D (V),
Em (vi),
C (IV)
“`

Please note that while these songs share a similar chord progression format with “Wonderwall” (four-chord loop structure), the exact chords themselves and their sequences differ.

Musical Analysis

In terms of musical theory, the Em (vi) to G (I) is a relative minor to major shift which creates an uplifting feel. The G (I) to D (V) is a perfect cadence which provides a strong sense of resolution, whilst the D (V) to A7sus4 (IV7sus4) is a reverbant suspension that adds tension before returning to the Em (vi). As a result, these chords synergize into a progression that is simultaneously melancholic yet hopeful, forming the iconic sound of “Wonderwall”.

Overall Analysis

“Wonderwall” by Oasis is in the key of G major and features an effective and memorable chord progression that repeats throughout the song. The progression falls into the indie rock and Britpop genres, highlighting simple, strong harmonies, and incorporates a repeated sequence of Em–G-D–A7sus4 throughout its composition with occasional deviations.

Style Analysis

“Wonderwall” is Oasis’s emblematic Britpop song, featuring simple yet catchy melodies and harmonies that appeal to a broad audience—which perfectly suits their indie rock style. The song’s chord progression possesses cyclical and repetitive qualities, giving it a mesmerizing and memorable nature, a common trait found in pop rock genres. The use of the 7th suspended 4th chord (A7sus4) contributes to an open, unresolved sound that fits well with the song’s nostalgic and yearning lyrical content.

Chords in the Verse 3 section of Wonderwall by Oasis are:

[‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’]