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“Don’t Look Back in Anger” by Oasis, a popular rock ballad, is characterized by its melancholic chord progressions. Its key is major, specifically C Major, but it involves a frequent use of borrowed chords for a touch of bitterness, matching the poignant lyrics.

“Don’t Look Back in Anger” by Oasis is written in the key of C major. Although it largely conforms to the traditional progressions expected within this key, the song does feature some interesting variations in the form of borrowed chords coming from the parallel minor key (C minor) – a common technique used in pop and rock music.

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The overall use of chords highlights Queen’s blending of rock with more complex harmonic structures, moving beyond simple major & minor chords and incorporating 7th and inversions. Despite its pop/rock surface, “Somebody to Love” includes interesting modulation and chord choices that could be seen as more typical of more ‘classical’ forms of music.

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“Honky Tonk Women” by The Rolling Stones is a classic rock song heavily influenced by country and blues. The song is characterized by both major and minor chords, primarily G, C, A, and D. The song is in the key of G major from the verse 1 progression you provided, and it has elements of both I-IV-V and I-V-vi-IV.

Verse 1

“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

Oasis – Dont Look Back In Anger – Verse 1

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Chord Progression

[‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘F’]

Chord Progression Analysis

First Phrase [‘C’, ‘G’, ‘Am’, ‘E7’]
C major (I)
G major (V)
A minor (vi)
E7 (III7)

Second Phrase [‘F’, ‘G’, ‘C’, ‘Am’, ‘G’]
F major (IV)
G major (V)
C major (I)
A minor (vi)
G major (V)

Third Phrase [‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘F’]
C major (I)
G major (V)
A minor (vi)
E7 (III7)
F major (IV)
G major (V)
C major (I)
A minor (vi)
G major (V)
F Major (IV)

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C major – G major is a I-V progressions in C major.
A minor – E7 is a vi-III7. E7 is a borrowed chord from the key of A minor
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Similar Chord Progressions

The Beatles’ “Let It Be” also uses the I-V-vi-IV progression:
C major (I)
G major (V)
A minor (vi)
F Major (IV)

Journey’s “Don’t Stop Believin’” employs the I-V-vi-IV progression in its iconic piano part:
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)

Green Day’s “When I Come Around” observes a I-V-vi-IV progression:
G Major (I)
D Major (V)
E minor (vi)
C major (IV)

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In the above examples, the last chord in each progression is a plain major chord (IV), unlike the III7 chord (E7) used in Oasis’s song.
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Musical Analysis

The first part of this progression (I – V – vi – III7) is a variation of the well-known `I – V – vi – IV` progression, replacing IV with the III7 creating a secondary dominant to the vi chord. This adds tension and interest.

The second part (IV – V – I – vi – V) is a typical pop progression. The added V after the vi provides resolution back to I.

The third part is a recapitulation of the first part, with an extended sequence leading back to IV, delaying the resolution and adding a sense of drama.

Overall Analysis

This iconic Britpop song predominantly features the use of traditional tonal harmony found in pop songs throughout the late 20th century, and the verse specifically recalls the harmonic patterns utilized in the 1950s and 60s. The defining feature of this song (as is the case with many Oasis tunes) is the use of returning, resounding repetitions of simple chord sequences.

Style Analysis

Oasis’s sound was heavily influenced by the British Invasion bands and 1960s pop rock. The use of repeated and cyclical chord progressions, often with modulations, was a common musical device of these genres. In this song, the use of classic chord progressions with an unexpected borrowed chord creates an engaging, anthemic quality that is evocative of the British pop/rock style.

Chords in the Verse 1 section of Dont Look Back In Anger by Oasis are:

[‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘F’]