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Related Music Theory Alchemy

“Don’t Look Back in Anger” by Oasis, a popular rock ballad, is characterized by its melancholic chord progressions. Its key is major, specifically C Major, but it involves a frequent use of borrowed chords for a touch of bitterness, matching the poignant lyrics.

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The Sound Of Silence by Simon & Garfunkel, released in 1964, is a solid example of folk rock genre transitioning into what we now know as classic rock. The chord progression is straightforward yet powerful, and it perfectly complements the beautifully written lyrics and evocative vocal harmonies. Furthermore, the song is written in A minor, a key that is often associated with sadness, which enhances the melancholic and introspective feelings conveyed by the lyrics.

“Comfortably Numb” by Pink Floyd is a classic progressive rock song from their 1979 concept album “The Wall”. It features unique chord progressions, ambient guitar tones, and an atmospheric vocal performance. This particular verse progression is inspired by the Dorian mode, contributing to its melancholic and introspective atmosphere.

“I Am The Walrus” is a distinctive composition by the Beatles from their 1967 album “Magical Mystery Tour”. Known for its surreal lyrics and creative chord progression, the song displays the Beatles’ mastery of composition and their innovative use of harmony. The song features elements from psychedelic rock, a genre that the Beatles helped popularize during the mid-1960s.

Oasis – Dont Look Back In Anger – Verse 1

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Chord Progression

[‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘F’]

Chord Progression Analysis

First Phrase [‘C’, ‘G’, ‘Am’, ‘E7’]
C major (I)
G major (V)
A minor (vi)
E7 (III7)

Second Phrase [‘F’, ‘G’, ‘C’, ‘Am’, ‘G’]
F major (IV)
G major (V)
C major (I)
A minor (vi)
G major (V)

Third Phrase [‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘F’]
C major (I)
G major (V)
A minor (vi)
E7 (III7)
F major (IV)
G major (V)
C major (I)
A minor (vi)
G major (V)
F Major (IV)

“`
C major – G major is a I-V progressions in C major.
A minor – E7 is a vi-III7. E7 is a borrowed chord from the key of A minor
“`

Similar Chord Progressions

The Beatles’ “Let It Be” also uses the I-V-vi-IV progression:
C major (I)
G major (V)
A minor (vi)
F Major (IV)

Journey’s “Don’t Stop Believin’” employs the I-V-vi-IV progression in its iconic piano part:
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)

Green Day’s “When I Come Around” observes a I-V-vi-IV progression:
G Major (I)
D Major (V)
E minor (vi)
C major (IV)

“`
In the above examples, the last chord in each progression is a plain major chord (IV), unlike the III7 chord (E7) used in Oasis’s song.
“`

Musical Analysis

The first part of this progression (I – V – vi – III7) is a variation of the well-known `I – V – vi – IV` progression, replacing IV with the III7 creating a secondary dominant to the vi chord. This adds tension and interest.

The second part (IV – V – I – vi – V) is a typical pop progression. The added V after the vi provides resolution back to I.

The third part is a recapitulation of the first part, with an extended sequence leading back to IV, delaying the resolution and adding a sense of drama.

Overall Analysis

This iconic Britpop song predominantly features the use of traditional tonal harmony found in pop songs throughout the late 20th century, and the verse specifically recalls the harmonic patterns utilized in the 1950s and 60s. The defining feature of this song (as is the case with many Oasis tunes) is the use of returning, resounding repetitions of simple chord sequences.

Style Analysis

Oasis’s sound was heavily influenced by the British Invasion bands and 1960s pop rock. The use of repeated and cyclical chord progressions, often with modulations, was a common musical device of these genres. In this song, the use of classic chord progressions with an unexpected borrowed chord creates an engaging, anthemic quality that is evocative of the British pop/rock style.

Chords in the Verse 1 section of Dont Look Back In Anger by Oasis are:

[‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘F’]