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Related Music Theory Alchemy

“Don’t Look Back in Anger” by Oasis, a popular rock ballad, is characterized by its melancholic chord progressions. Its key is major, specifically C Major, but it involves a frequent use of borrowed chords for a touch of bitterness, matching the poignant lyrics.

“Wonderwall” by Oasis is a rock song with folk roots and a melodic pop influence. It uses the alternative rock idiom of harmony, which bestows the song with a sound leaning towards traditional folk and classic pop. The band utilizes common vintage chords mixed with modern progressions to create that identifiable Oasis sound.

“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

“All My Loving” by the Beatles is a great example of their early ’60s pop style. This song’s verse chord progression is in the key of D Major with a mix of minor chords and 7th chords that add to the emotional intensity of the song. The composition blends pop simplicity with complex harmony, encapsulating the Beatles’ innovative songwriting.

Oasis – Dont Look Back In Anger – Verse 1

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Chord Progression

[‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘F’]

Chord Progression Analysis

First Phrase [‘C’, ‘G’, ‘Am’, ‘E7’]
C major (I)
G major (V)
A minor (vi)
E7 (III7)

Second Phrase [‘F’, ‘G’, ‘C’, ‘Am’, ‘G’]
F major (IV)
G major (V)
C major (I)
A minor (vi)
G major (V)

Third Phrase [‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘F’]
C major (I)
G major (V)
A minor (vi)
E7 (III7)
F major (IV)
G major (V)
C major (I)
A minor (vi)
G major (V)
F Major (IV)

“`
C major – G major is a I-V progressions in C major.
A minor – E7 is a vi-III7. E7 is a borrowed chord from the key of A minor
“`

Similar Chord Progressions

The Beatles’ “Let It Be” also uses the I-V-vi-IV progression:
C major (I)
G major (V)
A minor (vi)
F Major (IV)

Journey’s “Don’t Stop Believin’” employs the I-V-vi-IV progression in its iconic piano part:
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)

Green Day’s “When I Come Around” observes a I-V-vi-IV progression:
G Major (I)
D Major (V)
E minor (vi)
C major (IV)

“`
In the above examples, the last chord in each progression is a plain major chord (IV), unlike the III7 chord (E7) used in Oasis’s song.
“`

Musical Analysis

The first part of this progression (I – V – vi – III7) is a variation of the well-known `I – V – vi – IV` progression, replacing IV with the III7 creating a secondary dominant to the vi chord. This adds tension and interest.

The second part (IV – V – I – vi – V) is a typical pop progression. The added V after the vi provides resolution back to I.

The third part is a recapitulation of the first part, with an extended sequence leading back to IV, delaying the resolution and adding a sense of drama.

Overall Analysis

This iconic Britpop song predominantly features the use of traditional tonal harmony found in pop songs throughout the late 20th century, and the verse specifically recalls the harmonic patterns utilized in the 1950s and 60s. The defining feature of this song (as is the case with many Oasis tunes) is the use of returning, resounding repetitions of simple chord sequences.

Style Analysis

Oasis’s sound was heavily influenced by the British Invasion bands and 1960s pop rock. The use of repeated and cyclical chord progressions, often with modulations, was a common musical device of these genres. In this song, the use of classic chord progressions with an unexpected borrowed chord creates an engaging, anthemic quality that is evocative of the British pop/rock style.

Chords in the Verse 1 section of Dont Look Back In Anger by Oasis are:

[‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘F’]