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“Right Where It Belongs” by Nine Inch Nails features a melancholic and somewhat unconventional chord progression that moves between different tonal centers. The base key can be identified as F major from the frequency of F major chords in the progression.

The given chord progression is from the song “Every Day Is Exactly The Same” by Nine Inch Nails. The overall structure of the song consists of verses, choruses, and a bridge, each with distinct chord progressions that contribute to the song’s moody, melancholic atmosphere. The song is mostly in the key of E minor, with some borrowed chords from the parallel major key.

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“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

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The chord progression in Weezer’s “Perfect Situation” is a simple and repetitive progression that cycles through three chords, G, D, and Am, with D being used as a transitional or “passing” chord. This progression is based on the I – V – ii structure in the key of G major.

“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

Nine Inch Nails – Right Where It Belongs – Verse 1

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Chord Progression

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, Gm

Chord Progression Analysis

D minor (‘i’), C major (‘bVII’), Bb major (‘bVI’), F major (‘III’), G minor (‘iv’)

Similar Chord Progressions

1. Radiohead – Karma Police: Am (‘i’), G (‘bVII’), D (‘IV’), Em (‘v’)
2. Muse – Hysteria: Bm (‘i’), A (‘bVII’), E (‘IV’), G (‘bIII’)
3. Smashing Pumpkins – 1979: G#m (‘i’), F# (‘bVII’), B (‘IV’), D#m (‘vi’)

These songs feature similar non-diatonic chord progressions with borrowed chords, creating their unique sense of tension and resolution. Note that the roman numerals are labeled according to the relative minor key.

Musical Analysis

The verse chord progression emphasizes the tonic chord, D minor, and the three major chords borrowed from the parallel major key, D major. This creates a sense of contrast between the minor and major chords. The progression moves from D minor to C major, then to Bb major, which is a common movement in minor key progressions. The F major chord adds a bright resolution before returning to D minor. The G minor chord at the end of the verse serves as a gateway to the chorus.

The chorus centers around a ii – IV – I – V progression in the key of F major, which uses G minor, Bb major, F major, and C major chords. This is a classic progression in many popular songs, providing a sense of resolution and forward motion.

Overall Analysis

“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

Style Analysis

The style of “Right Where It Belongs” incorporates elements from alternative rock, electronic, and industrial genres, creating a dark and introspective mood. The use of electronic soundscapes and the haunting vocal delivery contribute to the song’s overall atmosphere.

Chords in the Verse 1 section of Right Where It Belongs by Nine Inch Nails are:

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, Gm