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Related Music Theory Alchemy

The song “Hurt” by Nine Inch Nails is in the key of B minor. The verse has a simple yet effective chord progression that revolves mainly around the i, III, and IV chords with a slight deviation towards the end. The chorus is characterized by a i-VII-III-VI progression with a slight extension. The outro mostly repeats the verse progression but is shorter.

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“Closer” by Nine Inch Nails is a repetitive, hypnotic song that relies on a dark tonality and electronic elements to create its unique sound. This is achieved with the use of only two chords: Cm7 and F. Notably, a distinctive feature of this song is the lack of chordal diversity which aids in creating a minimal, industrial vibe.

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“Welcome to the Machine” by Pink Floyd is a progressive rock piece that features a rather minimalistic chord progression, with only one chord during the outro. The piece is characterized by its lush soundscape, synthesizer layering, and the use of sound effects to create an atmosphere of a mechanized world.

The outro of George Benson’s “Give Me The Night” features a smooth, soulful chord progression that is common to jazz, R&B, and pop music. The progression has a descending movement with alternating minor 7th and major 7th chords. This repetition creates a sense of ambience and resolution, making it an ideal conclusion to the song.

The chord progression of MGMT’s “Electric Feel” outro is in E Minor, and it features a combination of diatonic chords and a borrowed chord from the parallel major key. The progression creates a sense of tension and resolution, giving the outro a captivating and memorable quality. The song itself is a psychedelic, funk-infused electro-pop track, which enhances the trippy, mesmerizing vibe of the progression.

Nine Inch Nails – Hurt – Outro

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Chord Progression

[‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’]

Chord Progression Analysis

The outro of this piece follows a three-chord progression for the most part, with a repetition of the sequence D, E, Bm. This would be an IV-v-i progression in the key of B Minor. Translates to:
“`bash
D Major (‘IV’)
E Major (‘v’)
B Minor (‘i’)
“`
For reference, the v chord is actually a borrowed chord from the parallel major key of B Major, as the natural state in a minor key would have been E minor.

Similar Chord Progressions

Many songs utilize similar chord progressions. The IV-v-i progression finds a close relative in the IV-V-I progression, synonymous with songs like “Let it Be” by the Beatles. The difference lies in the final chord being major instead of minor. Another song demonstrating a chromatic mediants relationship similar to D, E, Bm would be “Creep” by Radiohead.

“Let it Be” by The Beatles:
“`bash
C Major (IV)
G Major (V)
F Major (I)
“`
“Creep” by Radiohead:
“`bash
G Major (‘I’)
B Major (‘III’)
C Major (‘IV’)
C Minor (‘iv’)
“`

This IV-v-i progression used in “Hurt” is fairly unique in the sense that it uses the major V instead of the expected minor v in a minor key. The borrowed chord combined with the melancholic B minor allows Nine Inch Nails to craft a hauntingly beautiful soundscape, characteristic of their music.

Musical Analysis

The D major and E major chords lend a sense of uplifting resolve since both chords are principals in the parent scale of B minor. This, coupled with the heavy use of B minor creates a deep, melancholic mood that is typical for Nine Inch Nails and their dark alternative brand of rock music. The progression doesn’t leave the tonic B Minor too far behind, giving the song a somber atmosphere.

Overall Analysis

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

Style Analysis

“Hurt” encapsulates the industrial rock style of Nine Inch Nails, which combines elements of rock with electronic music. The simple, repetitive chord progression gives room for the haunting lyrics and intense, emotional vocals. The use of the borrowed chord helps create an unexpected shift in the tonality, adding to the unsettling nature of the music.

Chords in the Outro section of Hurt by Nine Inch Nails are:

[‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’]