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The song “Hurt” by Nine Inch Nails mainly consists of a six-chord progression (Bm, G, D, A, Bm, G), repeating four times in the chorus. The sixth repetition alters the ending (Bm, G, A, B), and the key of the song is B Minor.

The song “Closer” by Nine Inch Nails is based primarily around the C minor 7 chord, giving the song its dark and moody atmosphere. The song is in the key of C minor. This chord progression is repetitive and simple, allowing other aspects of the song, such as the lyrics and production, to take center stage.

The chord progression “[‘Em’, ‘Am’, ‘D’]” from the outro of Weezer’s “The Good Life” is a simple, yet effective progression in the key of E minor. It demonstrates a melancholic feel common to alternative rock and power-pop music genres of the 1990s. The chords in this progression are borrowed from the E natural minor scale.

“Disarm” by The Smashing Pumpkins is a piece that showcases a rather common chord progression structure in pop music, but with added embellishments and variations. The featured chords include Dsus, Em7, Cadd9, G, and Dsus/F# with a key signature suggesting that the song is in the key of G major or E minor. The prominent chord in the outro is Dsus which suggests that the song might be interpreted in the D Mixolydian mode. The use of the slash chord (D/F#) diversifies the sound of the progression and adds harmonic richness. This chord progression uses both diatonic and borrowed chords creating a familiar but interesting sound.

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

Nine Inch Nails – Hurt – Outro

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Chord Progression

D, E, Bm, D, E, Bm, D, E, Bm, D, E

Chord Progression Analysis

Outro:
– D major (IV)
– E major (V)
– B minor (i)
Repeated five times

The chords used in the outro are diatonic to the key of B minor, and none of them are borrowed chords.

Similar Chord Progressions

– Radiohead – “Exit Music (For a Film)” – Chord Progression: Am, C, D, G, Emin, C, G, D
– Johnny Cash – “I See a Darkness” – Chord Progression: Dm, C, Bb, A
– Nirvana – “Something in the Way” – Chord Progression: Em, C, G, Em

While each of these examples may not be exact matches, they share a similar mood and simplicity in the chord progressions and are representative of the melancholic and haunting theme found in the song “Hurt” by Nine Inch Nails. The chord progressions, as well as the emotional tone, can be seen through the use of minor keys and the sparse, introspective nature of the songs.

Musical Analysis

The harmonic progression used in the outro (IV-V-i) creates a sense of resolution and closure, with the subdominant (IV) moving to the dominant (V) and then resolving to the tonic (i). This progression has a strong sense of movement and tension, which contributes to the emotional impact of the song.

Overall Analysis

The song “Hurt” by Nine Inch Nails has a tonal center around the key of B minor, as it is the most prominently featured chord in both the verse and chorus sections. The verse features a simple three-chord progression (Bm-D-E), and the chorus introduces additional chords (G, A). The outro mainly repeats the chords from the verse. The style of the piece can be characterized as haunting, melancholic, and somewhat minimalistic with only a few chords creating the harmonic landscape.

Style Analysis

The style of “Hurt” by Nine Inch Nails can be described as a melancholic, haunting, and introspective, with its slow tempo and intimate vocal delivery. The harmonic structure of the song is relatively simple, with a few chords and a somber key of B minor, creating a barren sound. The minimalistic chord progression, lyrical content, and production contribute to the overall moody atmosphere and introspection.

Chords in the Outro section of Hurt by Nine Inch Nails are:

D, E, Bm, D, E, Bm, D, E, Bm, D, E