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Related Music Theory Alchemy

“Hurt” is a song written and composed by Trent Reznor, best known for its version covered by Johnny Cash in C major. The song employs a commonly used pop/rock chord progression (vi- IV- I- V), that aids the conveyance of the theme of regret and redemption. The use of the minor vi chord (Am) as the starting point of the progression provides a very melancholy feel that aligns with the overall tone of regret in the lyrics. The progression then moves to a major IV (F), suggestive of a brief glimpse of hope or relief, before settling into the home key of C. The progression rounds off with a V chord (G), propelling the sequence back to the beginning again, giving a cyclic, repeating, and enduring feel to the music.

The given chord progression is from the song “Every Day Is Exactly The Same” by Nine Inch Nails. The overall structure of the song consists of verses, choruses, and a bridge, each with distinct chord progressions that contribute to the song’s moody, melancholic atmosphere. The song is mostly in the key of E minor, with some borrowed chords from the parallel major key.

The outro of “Hey Joe” by Jimi Hendrix uses a descending circle of fifths chord progression, which is a very common progression in many styles of music, particularly in the Baroque period and in blues-based rock music. The progression features a steady descent through the Circle of Fifths that creates a strong sense of harmony and resolution. In this context, Jimi Hendrix uses the progression to create tension and momentum, which is appropriate for an outro section.

“Beast of Burden,” by The Rolling Stones, a song characterized by a typical rock-pop structure, primarily uses a IV-chord loop in the key of E major. The chord progression in the outro follows a specific sequence: E, to B, to C#m, to A. The return to the E at the end of the progression gives it a circular feel that encourages cohesion.

The song “Something” by The Beatles has a key center in C major. However, it modulates from time to time using a variety of techniques including secondary dominance and borrowed chords. It is a fine example of George Harrison’s complex songwriting and his adroitness at seamlessly weaving together uncommon chord progressions. Harrison employs an array of chords to inject a rich, nuanced musical quality to the song.

Nine Inch Nails – Hurt – Outro

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Chord Progression

D, E, Bm, D, E, Bm, D, E, Bm, D, E

Chord Progression Analysis

Outro:
– D major (IV)
– E major (V)
– B minor (i)
Repeated five times

The chords used in the outro are diatonic to the key of B minor, and none of them are borrowed chords.

Similar Chord Progressions

– Radiohead – “Exit Music (For a Film)” – Chord Progression: Am, C, D, G, Emin, C, G, D
– Johnny Cash – “I See a Darkness” – Chord Progression: Dm, C, Bb, A
– Nirvana – “Something in the Way” – Chord Progression: Em, C, G, Em

While each of these examples may not be exact matches, they share a similar mood and simplicity in the chord progressions and are representative of the melancholic and haunting theme found in the song “Hurt” by Nine Inch Nails. The chord progressions, as well as the emotional tone, can be seen through the use of minor keys and the sparse, introspective nature of the songs.

Musical Analysis

The harmonic progression used in the outro (IV-V-i) creates a sense of resolution and closure, with the subdominant (IV) moving to the dominant (V) and then resolving to the tonic (i). This progression has a strong sense of movement and tension, which contributes to the emotional impact of the song.

Overall Analysis

The song “Hurt” by Nine Inch Nails has a tonal center around the key of B minor, as it is the most prominently featured chord in both the verse and chorus sections. The verse features a simple three-chord progression (Bm-D-E), and the chorus introduces additional chords (G, A). The outro mainly repeats the chords from the verse. The style of the piece can be characterized as haunting, melancholic, and somewhat minimalistic with only a few chords creating the harmonic landscape.

Style Analysis

The style of “Hurt” by Nine Inch Nails can be described as a melancholic, haunting, and introspective, with its slow tempo and intimate vocal delivery. The harmonic structure of the song is relatively simple, with a few chords and a somber key of B minor, creating a barren sound. The minimalistic chord progression, lyrical content, and production contribute to the overall moody atmosphere and introspection.

Chords in the Outro section of Hurt by Nine Inch Nails are:

D, E, Bm, D, E, Bm, D, E, Bm, D, E