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Related Music Theory Alchemy

“Closer” by Nine Inch Nails, released in 1994, is a well-known song distinguished by its catchy synth lines, explosive percussion, and provocative lyricism. Hinged on a distinct, repeating synth bassline, the song employs a fundamental chord progression epitomizing the alternative rock and industrial genres. Its tonal centre revolves around the key of C# minor.

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“Closer” by Nine Inch Nails is a repetitive, hypnotic song that relies on a dark tonality and electronic elements to create its unique sound. This is achieved with the use of only two chords: Cm7 and F. Notably, a distinctive feature of this song is the lack of chordal diversity which aids in creating a minimal, industrial vibe.

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“Sour Times” by Portishead is largely written in the key of C# minor, with elements of modal interchange and chromaticism that contribute to its haunting, dark sound. The song exhibits a remarkable amount of harmonic complexity and non-diatonic harmony, which is a defining characteristic of the trip-hop genre. The piece makes use of intricate inversions and chromatic voice leading, along with a frequent use of sevenths and diminished chords for added tension.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

Across the Universe by The Beatles is a melancholic, introspective piece set in the key of D major, imbuing an overall sound spectrum that’s somber with a hint of hopeful resolution. The chord progression utilizes both diatonic and borrowed chords, making it both unusual and interesting.

Nine Inch Nails – Closer – Verse 2

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Chord Progression

[‘Cm7’, ‘Cm7’, ‘Cm7’, ‘Cm7’]

Chord Progression Analysis

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The chord progression for Verse 2 is:
– Cm7 (‘i7)
– Cm7 (‘i7)
– Cm7 (‘i7)
– Cm7 (‘i7)

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No borrowed chords are present in this progression.
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Similar Chord Progressions

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One song with a somewhat similar chord progression is “Rock + Roll” by EDEN. This song also uses a constant, singular chord through the verse, creating a similar atmospheric quality, though it operates in a major key. The verse chord progression is:
– D (‘I)
– D (‘I)
– D (‘I)
– D (‘I)

Another equivalent progression occurs in The Beatles’ song “I Want You (She’s So Heavy)”, which also settles on a single repeated chord (Am) in the primary verse section. This is another example of how a monotonous chord progression can generate a hypnotic, immersive soundscape. The verse chord progression here is:
– Am (‘i)
– Am (‘i)
– Am (‘i)
– Am (‘i)

Musical Analysis

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The Cm7 (‘i7) chord is the tonic of the C minor key. It serves as the home base and provides a sense of resolution to the musical tension. The repetitive usage of the same chord gives the track a hypnotic, drone-like quality, creating an introspective and somber atmosphere. This monotonous progression underlines the lyrics and vocal melody, contributing to the emotional intensity of the song.

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Overall Analysis

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“Closer” by Nine Inch Nails utilizes a relatively simple chord structure, which allows the song to establish a pervasive atmosphere and direct the listener’s focus on the lyrics and melodies. This piece is in the key of C minor, and the chord progression is cyclical in nature, with Verse 2 consisting of the repetition of Cm7 chord throughout.

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Style Analysis

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Nine Inch Nails, known for their industrial rock style, often employ simplistic chord progressions to emphasize their complex rhythmic instrumentation and introspective, often dark, lyrics. The repetition of the Cm7 chord in “Closer” is representative of this approach, as it helps to maintain the gloomy and introspective atmosphere throughout the song.

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Chords in the Verse 2 section of Closer by Nine Inch Nails are:

[‘Cm7’, ‘Cm7’, ‘Cm7’, ‘Cm7’]