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Nine Inch Nails

The song “Closer” by Nine Inch Nails is written in C minor key, and the overall structure of the song consists of a verse, pre-chorus, and a chorus. The progression is simple yet effective in creating a dark and moody atmosphere, consistent with the industrial rock genre that characterizes Nine Inch Nails’ music.

Pre-Chorus 1 –

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Nine Inch Nails

The chord progression in “Closer” by Nine Inch Nails is primarily centered around the Cm7 chord throughout the verses and pre-choruses, with the chorus briefly moving to the F major chord before returning back to Cm7. The song is in the key of C minor, and the chords used are mostly diatonic to the key, creating a dark and somewhat haunting atmosphere. The progression is simplistic but effective, establishing a strong sense of forward motion and tension that is fitting for the industrial rock style of the song.

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A Perfect Circle

The song “The Outsider” by A Perfect Circle has a main key signature of E major, as indicated by the repeated occurrences of the chords B, A, and E. The overall structure is tonal, using chords common in Western music. Some elements of modality are observable though, with the use of the C chord, which in traditional music theory would be considered a borrowed chord from the parallel E minor scale. A sense of tension and release is created through the use of these non-diatonic chords, which ultimately helps to maintain the listener’s interest.

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Vance Joy

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Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.

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Elton John

“Tiny Dancer” is an iconic song by Elton John from his 1971 album Madman Across the Water. Written in the key of C Major, it genre-wise fits the mold of pop music from the early 1970s. Structurally, the song displays unique nuances, especially in its pre-chorus, which shifts the tonal center and incorporates some borrowed chords from parallel minor scales.

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Nine Inch Nails – Closer – Pre-Chorus

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Chord Progression

B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#

Chord Progression Analysis

The pre-chorus features a repeating back and forth between the I (B major) and II (C# major) chords, which are not typical chords used consecutively in a diatonic chord progression. This toggling between I and II chords creates a driving, unresolved tension in the music. The introduction of the borrowed G major (bVI) chord briefly breaks this tension and adds another layer of color to the chord progression. This progression is unconventional and helps create a distinct sound for the song.

Similar Chord Progressions

Musical Analysis

The piece is characterized by its industrial rock style, with heavy use of electronic sounds, percussion, and aggressive guitar work. The use of unconventional chord progressions contributes to this industrial sound, creating a darker and more ambiguous tonality.

Overall Analysis

The song “Closer” by Nine Inch Nails is in the key of B major. The primary chords used throughout the song are: B major (I), C# major (II), G major (bVI), E major (IV), F# major (V), and C (bII). The chords progression is unconventional when compared to traditional music theory. This unconventional use of chords and progressions creates a unique and distinct sound that characterizes the song.

Chord Analysis (Pre-Chorus):

The chord progression in the pre-chorus, which is also found in the verse, would be:
B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II)

Borrowed Chord:

G major (bVI) is a borrowed chord from B minor, the parallel minor of B major in this song.

Style Analysis

1. Depeche Mode – “Personal Jesus”
Chord Progression: E major (I) – G major (bIII) – A major (IV) – B major (V)

2. Radiohead – “Paranoid Android”
Chord Progression: G# minor (i) – B major (III) – A major (bIII) – C# minor (v)

These two examples also utilize unconventional chord progressions, with borrowed chords from parallel minor or major keys, as well as the mixing of both conventional diatonic chords and non-diatonic chords in their progressions.

Chords in the Pre-chorus section of Closer by Nine Inch Nails are:

B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#

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