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The chord progression in the chorus of “Endlessly” by Muse is an interesting mix of chords from related keys and chromatic alterations. The overall key of the piece is D minor, but there are some unexpected twists and turns that keep the harmonic journey unique and engaging.

The chord progression in Muse’s “Feeling Good” is in the key of G minor and showcases an interesting and creative use of borrowed chords and inversions. The progression follows a cyclical pattern that creates tension and release throughout the verse. The style is reminiscent of soul and jazz influences with a hint of rock elements, which is a common characteristic in Muse’s music.

The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

Across the Universe by The Beatles is a melancholic, introspective piece set in the key of D major, imbuing an overall sound spectrum that’s somber with a hint of hopeful resolution. The chord progression utilizes both diatonic and borrowed chords, making it both unusual and interesting.

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

Muse – Endlessly – Verse 2

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Chord Progression

Asus4, Am, Asus4, Am, Bm, E7, Asus4, Am, Asus4, Am, Bm, E7

Chord Progression Analysis

Asus4 (IVsus4) – Am (i) – Asus4 (IVsus4) – Am (i) – Bm (ii) – E7 (V7) – Asus4 (IVsus4) – Am (i) – Asus4 (IVsus4) – Am (i) – Bm (ii) – E7 (V7)

“`Borrowed Chord: Bm (ii) from the parallel major key“`

Similar Chord Progressions

1. Radiohead – “Exit Music (For a Film)”
Cmaj7 (I) – Bm (ii) – Em (iii) – G (V) – Fmaj7 (IV) – Am (vi)
2. Coldplay – “Trouble”
Am (i) – Asus4 (IVsus4) – Am (i) – G (III) – F (VI) – G (III)

Both of these examples feature a mix of major and minor chords, along with the use of borrowed and suspended chords to create a more emotionally complex sound. Moreover, the cyclical nature of the chord progressions and the use of tension and release create a sense of anticipation, drawing listeners in and evoking an emotional response.

Musical Analysis

The chord progression starts with alternating between Asus4 and Am, creating tension and release within the music. This back and forth movement gives the chords an unsettled feeling, which contributes to the overall melancholic character of the piece. The Bm chord, which is borrowed from the parallel major key, adds an element of surprise and contributes to the harmonic richness of the progression. The E7 chord acts as a dominant, leading the listener back to the tonic, Am. This cyclical nature of the progression makes it quite catchy and memorable.

Overall Analysis

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

Style Analysis

Muse is known for their progressive rock style, often blending elements of classical music, electronic music, and heavy rock. The use of suspended chords, borrowed chords, and the minor key contributes to the atmospheric and intense sound often associated with the band’s music. This progression in “Endlessly” showcases their ability to craft harmonically rich and emotive music.

Chords in the Verse 2 section of Endlessly by Muse are:

Asus4, Am, Asus4, Am, Bm, E7, Asus4, Am, Asus4, Am, Bm, E7