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Related Music Theory Alchemy

The chord progression in the chorus of “Endlessly” by Muse is an interesting mix of chords from related keys and chromatic alterations. The overall key of the piece is D minor, but there are some unexpected twists and turns that keep the harmonic journey unique and engaging.

The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.

“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

Muse – Endlessly – Verse 2

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Chord Progression

Asus4, Am, Asus4, Am, Bm, E7, Asus4, Am, Asus4, Am, Bm, E7

Chord Progression Analysis

Asus4 (IVsus4) – Am (i) – Asus4 (IVsus4) – Am (i) – Bm (ii) – E7 (V7) – Asus4 (IVsus4) – Am (i) – Asus4 (IVsus4) – Am (i) – Bm (ii) – E7 (V7)

“`Borrowed Chord: Bm (ii) from the parallel major key“`

Similar Chord Progressions

1. Radiohead – “Exit Music (For a Film)”
Cmaj7 (I) – Bm (ii) – Em (iii) – G (V) – Fmaj7 (IV) – Am (vi)
2. Coldplay – “Trouble”
Am (i) – Asus4 (IVsus4) – Am (i) – G (III) – F (VI) – G (III)

Both of these examples feature a mix of major and minor chords, along with the use of borrowed and suspended chords to create a more emotionally complex sound. Moreover, the cyclical nature of the chord progressions and the use of tension and release create a sense of anticipation, drawing listeners in and evoking an emotional response.

Musical Analysis

The chord progression starts with alternating between Asus4 and Am, creating tension and release within the music. This back and forth movement gives the chords an unsettled feeling, which contributes to the overall melancholic character of the piece. The Bm chord, which is borrowed from the parallel major key, adds an element of surprise and contributes to the harmonic richness of the progression. The E7 chord acts as a dominant, leading the listener back to the tonic, Am. This cyclical nature of the progression makes it quite catchy and memorable.

Overall Analysis

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

Style Analysis

Muse is known for their progressive rock style, often blending elements of classical music, electronic music, and heavy rock. The use of suspended chords, borrowed chords, and the minor key contributes to the atmospheric and intense sound often associated with the band’s music. This progression in “Endlessly” showcases their ability to craft harmonically rich and emotive music.

Chords in the Verse 2 section of Endlessly by Muse are:

Asus4, Am, Asus4, Am, Bm, E7, Asus4, Am, Asus4, Am, Bm, E7