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Related Music Theory Alchemy

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

The Beach Boys’ “Good Vibrations” presents an interesting mix of major and minor chords with excellent use of chord inversions and borrowings. The song is harmonically adventurous, showcasing the band’s pop mastery with Brian Wilson’s unmatched compositional skills. This song is primarily in the key of A Major, with many borrowed chords and modulation that creates its unique feel.

Muse – Apocalypse Please – Chorus

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Chord Progression

F#m, D/F#, E/G#, Eaug/G#, A, C#, A, C#

Chord Progression Analysis

F#m (i), D/F# (VI/♭), E/G# (ii), Eaug/G# (ii+), A (III), C# (V/♭), A (III), C# (V/♭)

Similar Chord Progressions

Musical Analysis

This progression starts with the tonic minor chord, F#m, which provides a stable base. The second chord, D/F#, is a borrowed chord from the parallel major key of F# major. This sets up an interesting juxtaposition of the minor and major tonalities. The progression then moves to E/G#, which is the ii chord, followed by Eaug/G# (ii+), creating tension and anticipation.

The next chord, A, serves as the III in the given progression. It acts as a pivot chord in the modulation to the key of A major, the relative major of F# minor. The subsequent C# chord is a V/♭ chord borrowed from A major’s parallel minor key, A minor. The progression then returns to A and C# to reinforce the modulation to A major (by functioning as III and V/♭ once again respectively).

Style Notes:
Muse’s signature style often consists of dramatic chord progressions and bold harmonic shifts, as can be seen in this progression. The mix of diatonic chords and borrowed chords adds to the complexity and richness of the harmonic language. Muse’s inclusion of inversion and an augmented chord also creates an interesting texture and a pull toward resolution, fitting well with the song’s apocalyptic theme.

Overall Analysis

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

Style Analysis

1. Radiohead – “Paranoid Android”
Dm (i), G (IV), C (VII), Bb (♭VI), F/A (III), A7 (V/♭)

2. The Beatles – “Strawberry Fields Forever”
A (i), C#m (iii), F#m (vi), G (VII/♭), D (IV), E (V), A (i)

These songs, just like Muse’s “Apocalypse Please,” feature a blend of diatonic and borrowed chords which create dynamic harmonic movement. They also incorporate modulation, showcasing the artists’ use of complex progressions to elicit emotional and atmospheric responses.

Chords in the Chorus section of Apocalypse Please by Muse are:

F#m, D/F#, E/G#, Eaug/G#, A, C#, A, C#