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Related Music Theory Alchemy

The outro of Muse’s “Apocalypse Please” features a mix of power chords and triadic chords, with predominant iim7 and IV triads along with some embellishing chords. The piece has a rock-based style, with the emphasis on power chords, a driving rhythm, and intense dynamics. The chord progression borrows elements from different genres, such as pop and classical, with some interesting chromatic movement.

The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album, “The Wall.” It is known for its haunting, ethereal quality, achieved through the use of predominantly minor chords, lush harmonies, and a slow, atmospheric tempo. The song’s lyrics and melancholic mood reflect feelings of loss and desolation.

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

Muse – Apocalypse Please – Chorus

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Chord Progression

F#m, D/F#, E/G#, Eaug/G#, A, C#, A, C#

Chord Progression Analysis

F#m (i), D/F# (VI/♭), E/G# (ii), Eaug/G# (ii+), A (III), C# (V/♭), A (III), C# (V/♭)

Similar Chord Progressions

Musical Analysis

This progression starts with the tonic minor chord, F#m, which provides a stable base. The second chord, D/F#, is a borrowed chord from the parallel major key of F# major. This sets up an interesting juxtaposition of the minor and major tonalities. The progression then moves to E/G#, which is the ii chord, followed by Eaug/G# (ii+), creating tension and anticipation.

The next chord, A, serves as the III in the given progression. It acts as a pivot chord in the modulation to the key of A major, the relative major of F# minor. The subsequent C# chord is a V/♭ chord borrowed from A major’s parallel minor key, A minor. The progression then returns to A and C# to reinforce the modulation to A major (by functioning as III and V/♭ once again respectively).

Style Notes:
Muse’s signature style often consists of dramatic chord progressions and bold harmonic shifts, as can be seen in this progression. The mix of diatonic chords and borrowed chords adds to the complexity and richness of the harmonic language. Muse’s inclusion of inversion and an augmented chord also creates an interesting texture and a pull toward resolution, fitting well with the song’s apocalyptic theme.

Overall Analysis

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

Style Analysis

1. Radiohead – “Paranoid Android”
Dm (i), G (IV), C (VII), Bb (♭VI), F/A (III), A7 (V/♭)

2. The Beatles – “Strawberry Fields Forever”
A (i), C#m (iii), F#m (vi), G (VII/♭), D (IV), E (V), A (i)

These songs, just like Muse’s “Apocalypse Please,” feature a blend of diatonic and borrowed chords which create dynamic harmonic movement. They also incorporate modulation, showcasing the artists’ use of complex progressions to elicit emotional and atmospheric responses.

Chords in the Chorus section of Apocalypse Please by Muse are:

F#m, D/F#, E/G#, Eaug/G#, A, C#, A, C#