Music Theory Alchemy

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The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

The chord progression in the riff from Muse’s “New Born” is intriguing and creative, employing chromaticism and non-diatonic chords to create a unique and dramatic sound. The progression consists of four chords: C, A#dim7, Bsus4, and B. This progression doesn’t adhere to a single key, making it difficult to analyze in terms of functional harmony. However, it showcases Muse’s experimental tendencies, a quintessential aspect of their music style.

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“Landslide” by The Smashing Pumpkins, originally by Fleetwood Mac, is written in the key of G major. The song features simple, but effective, chord progressions that are common in the folk and rock genres. The progression utilizes primary chords in the key (G, D, and C), along with some modal mixture via the borrowing of the minor iv chord (C) and minor vi chord (Am) from the parallel minor key (G minor). The secondary dominant D/F# creates tension and movement towards the Em chord. There is also the use of a G6 chord which adds color to the piece.

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“Can You Feel The Love Tonight” is a pop ballad written in the key of G major. The progression makes traditional use of the G major chord scale with a notable exception of a borrowed chord A/C#.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

Muse – Apocalypse Please – Chorus

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Chord Progression

F#m, D/F#, E/G#, Eaug/G#, A, C#, A, C#

Chord Progression Analysis

F#m (i), D/F# (VI/♭), E/G# (ii), Eaug/G# (ii+), A (III), C# (V/♭), A (III), C# (V/♭)

Similar Chord Progressions

Musical Analysis

This progression starts with the tonic minor chord, F#m, which provides a stable base. The second chord, D/F#, is a borrowed chord from the parallel major key of F# major. This sets up an interesting juxtaposition of the minor and major tonalities. The progression then moves to E/G#, which is the ii chord, followed by Eaug/G# (ii+), creating tension and anticipation.

The next chord, A, serves as the III in the given progression. It acts as a pivot chord in the modulation to the key of A major, the relative major of F# minor. The subsequent C# chord is a V/♭ chord borrowed from A major’s parallel minor key, A minor. The progression then returns to A and C# to reinforce the modulation to A major (by functioning as III and V/♭ once again respectively).

Style Notes:
Muse’s signature style often consists of dramatic chord progressions and bold harmonic shifts, as can be seen in this progression. The mix of diatonic chords and borrowed chords adds to the complexity and richness of the harmonic language. Muse’s inclusion of inversion and an augmented chord also creates an interesting texture and a pull toward resolution, fitting well with the song’s apocalyptic theme.

Overall Analysis

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

Style Analysis

1. Radiohead – “Paranoid Android”
Dm (i), G (IV), C (VII), Bb (♭VI), F/A (III), A7 (V/♭)

2. The Beatles – “Strawberry Fields Forever”
A (i), C#m (iii), F#m (vi), G (VII/♭), D (IV), E (V), A (i)

These songs, just like Muse’s “Apocalypse Please,” feature a blend of diatonic and borrowed chords which create dynamic harmonic movement. They also incorporate modulation, showcasing the artists’ use of complex progressions to elicit emotional and atmospheric responses.

Chords in the Chorus section of Apocalypse Please by Muse are:

F#m, D/F#, E/G#, Eaug/G#, A, C#, A, C#