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Related Music Theory Alchemy

The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

The chord progression in the verse of “Congratulations” by MGMT is an interesting blend of conventional pop and classical harmonies with some use of borrowed chords. The progression features mostly diatonic chords in the key of G major, but there are moments of modal interchange and suspensions that add color and tension to the progression.

Verse 2 of Grizzly Bear’s “Yet Again” presents a straightforward harmonic progression that is common in pop and indie rock music. This series of chords is mainly built around the key of A minor, and uses diatonic chords (those that naturally occur within the key) of this key. The recurring sequence (Am, G, C, F, F, Em, C, Dm) indicates a strong sense of familiarity and predictability, characteristic of many pop/rock anthologies.

“Zombie” by The Cranberries is in the key of E minor. Its structure is generally pop and rock, with the power of distorted guitars and a heavy drumbeat complemented by Dolores O’Riordan’s haunting vocals. It utilizes a four-chord progression, which is common in many pop and rock tracks and has been a popular choice amongst songwriters for its simplicity and versatility.

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

MGMT – When You Die – Verse 2

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Chord Progression

G, Em, F#m, Bm, G, F#m, Bm, E, A

Chord Progression Analysis

G Major (I)
E Minor (vi)
F# Minor (ii♭)
B Minor (v)
G Major (I)
F# Minor (ii♭)
B Minor (v)
E Major (IV/vi)
A Major (VII)

“`F# Minor (ii♭) and A Major (VII) are borrowed chords from G Major’s parallel minor (G minor).“`

Similar Chord Progressions

1. Tame Impala – “Feels Like We Only Go Backwards”

D Major (I)
C# Minor (vii’♭)
B Minor (vi)
A Major (V/V)
G Major (IV)

2. Radiohead – “Paranoid Android”

G# Minor (i)
A Major (♭II)
E Major (V/v)
C# Minor (iv)

These examples share MGMT’s use of borrowed chords, secondary dominants, and unconventional harmonies, creating a similar air of intrigue and unpredictability. Note that both examples include the major VII chord like MGMT’s progression, further connecting them stylistically.

Musical Analysis

The verse starts in the key of G Major, with a standard I-vi progression. However, it quickly deviates from typical pop progressions by introducing the borrowed F# Minor chord, which adds dissonance and tension. The progression then moves to B Minor, the v chord in G Major, which further contributes to the emotional and moody quality of the verse.

The progression returns to G Major, but then reintroduces the borrowed F# Minor chord. This back-and-forth pattern adds interest and unpredictability to the music. The progression continues with another B Minor chord before moving to E Major. This E Major chord is the secondary dominant of the relative minor (vi), adding even more tension.

Finally, the progression resolves with an unexpected A Major chord, the borrowed VII from G minor. This resolution leaves listeners with a sense of satisfaction while maintaining a hint of unresolved tension, due to the A Major chord not being diatonic to G Major.

Overall Analysis

“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

Style Analysis

The style of this chord progression can be described as a fusion of rock, pop, and psychedelic music. Its use of borrowed chords, secondary dominants, and unconventional resolution contributes to a moody and intriguing atmosphere. This is reminiscent of the psychedelic rock of the late 1960s and early 1970s, which often incorporated unusual and unexpected harmonies.

Chords in the Verse 2 section of When You Die by MGMT are:

G, Em, F#m, Bm, G, F#m, Bm, E, A