Search

Related Music Theory Alchemy

The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

“Electric Feel” by MGMT is characterized by its repetitive, catchy chord progression and usage of both major and minor chords which create a unique, surreal atmosphere. The song includes elements of psychedelic pop, funk, and electronic music.

“The Sound Of Silence” by Simon & Garfunkel is written in the key of Am and follows the Verse-Chorus form common in pop and rock music. The progression consists of a beachfront of common and borrowed chords, showing the use of modal interchange and diatonic chords in creating a memorable and emotive sound.

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

“Today” by The Smashing Pumpkins is in E minor key. The song is from the album Siamese Dream, which most perfectly represents the band’s sound leaning heavily on crunchy guitars and raw power chords. Your requested verse only includes the chord progression ‘Em’, ‘G’, ‘B’ repeated 4 times.

MGMT – When You Die – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, Em, F#m, Bm, G, F#m, Bm, E, A

Chord Progression Analysis

G Major (I)
E Minor (vi)
F# Minor (ii♭)
B Minor (v)
G Major (I)
F# Minor (ii♭)
B Minor (v)
E Major (IV/vi)
A Major (VII)

“`F# Minor (ii♭) and A Major (VII) are borrowed chords from G Major’s parallel minor (G minor).“`

Similar Chord Progressions

1. Tame Impala – “Feels Like We Only Go Backwards”

D Major (I)
C# Minor (vii’♭)
B Minor (vi)
A Major (V/V)
G Major (IV)

2. Radiohead – “Paranoid Android”

G# Minor (i)
A Major (♭II)
E Major (V/v)
C# Minor (iv)

These examples share MGMT’s use of borrowed chords, secondary dominants, and unconventional harmonies, creating a similar air of intrigue and unpredictability. Note that both examples include the major VII chord like MGMT’s progression, further connecting them stylistically.

Musical Analysis

The verse starts in the key of G Major, with a standard I-vi progression. However, it quickly deviates from typical pop progressions by introducing the borrowed F# Minor chord, which adds dissonance and tension. The progression then moves to B Minor, the v chord in G Major, which further contributes to the emotional and moody quality of the verse.

The progression returns to G Major, but then reintroduces the borrowed F# Minor chord. This back-and-forth pattern adds interest and unpredictability to the music. The progression continues with another B Minor chord before moving to E Major. This E Major chord is the secondary dominant of the relative minor (vi), adding even more tension.

Finally, the progression resolves with an unexpected A Major chord, the borrowed VII from G minor. This resolution leaves listeners with a sense of satisfaction while maintaining a hint of unresolved tension, due to the A Major chord not being diatonic to G Major.

Overall Analysis

“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

Style Analysis

The style of this chord progression can be described as a fusion of rock, pop, and psychedelic music. Its use of borrowed chords, secondary dominants, and unconventional resolution contributes to a moody and intriguing atmosphere. This is reminiscent of the psychedelic rock of the late 1960s and early 1970s, which often incorporated unusual and unexpected harmonies.

Chords in the Verse 2 section of When You Die by MGMT are:

G, Em, F#m, Bm, G, F#m, Bm, E, A