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“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

“As Tears Go By” by The Rolling Stones is a popular song from the mid-60s that features a mix of major and minor chords along with modulations between closely related keys. The overall harmonic structure shares similarities with other rock and pop songs of that era, including The Beatles and Bob Dylan.

Base Key and

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

MGMT – Time To Pretend – Verse 2

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Chord Progression

D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D

Chord Progression Analysis

D Major (I) – G Major (IV) – D Major (I) – Dsus2 (Isus2) – D Major (I) x 5

“`[No borrowed chords are present]“`

Similar Chord Progressions

1. Coldplay – “The Scientist”: D Major (I) – B minor (vi) – G Major (IV) – A Major (V)
2. Oasis – “Wonderwall”: D Major (I) – Dsus4 (Isus4) – A Major (V) – G Major (IV) – E minor (ii)
3. The Lumineers – “Ho Hey”: D Major (I) – B minor (vi) – G Major (IV)

In summary, the chord progression in the verse of MGMT’s “Time To Pretend” is simple and repetitive, featuring triads and suspensions. The use of the Dsus2 chord adds an element of tension and release, making the progression more engaging. The song’s style can be classified as electronic psychedelic rock and neo-psychedelia, and similar chord progressions can be found in songs by Coldplay, Oasis, and The Lumineers.

Musical Analysis

The verse in “Time To Pretend” contains a four-chord progression that is repeated five times. The chords used are not complex, nor are they particularly rich in texture. They are triads and simple suspensions, which contribute to a straightforward harmonic foundation. The use of the Dsus2 chord adds an element of tension and release within the progression, which is resolved by returning to the D Major chord.

It’s important to note that even though the progression is harmonically simple, MGMT successfully builds atmosphere and interest through their use of production, instrumentation, and melody. The repetition of the chord progression contributes to the hypnotic and meditative quality of the song.

Overall Analysis

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

Style Analysis

MGMT’s “Time To Pretend” can be classified as a blend of electronic psychedelic rock and neo-psychedelia. The chord progression is representative of the song’s overall structure: simple but effective. The use of the Dsus2 chord reflects the band’s inclination to experiment with harmony, albeit cautiously.

Chords in the Verse 2 section of Time To Pretend by MGMT are:

D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D