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“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

The chord progression in MGMT’s “Congratulations” contains a mix of diatonic and non-diatonic chords, which provide a combination of stability and tension throughout the progression. The harmonic rhythm is slow, and the progression is mostly driven by bass line movement and voice leading. The mixture of borrowed chords, inversions, and suspended chords contributes to the overall unique character of the piece.

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

“California Kids” by Weezer is a pop rock song with influences from alternative and power pop. The chord progression in Verse 2 shows a blend of diatonic and borrowed chords, which contributes to a slight sense of tension and resolution throughout the progression. The chords in the verse also exhibit movement by step (C to C/B) and a mixture of major and minor tonalities.

“The Sound Of Silence” by Simon & Garfunkel is written in the key of Am and follows the Verse-Chorus form common in pop and rock music. The progression consists of a beachfront of common and borrowed chords, showing the use of modal interchange and diatonic chords in creating a memorable and emotive sound.

MGMT – Time To Pretend – Verse 2

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Chord Progression

D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D

Chord Progression Analysis

D Major (I) – G Major (IV) – D Major (I) – Dsus2 (Isus2) – D Major (I) x 5

“`[No borrowed chords are present]“`

Similar Chord Progressions

1. Coldplay – “The Scientist”: D Major (I) – B minor (vi) – G Major (IV) – A Major (V)
2. Oasis – “Wonderwall”: D Major (I) – Dsus4 (Isus4) – A Major (V) – G Major (IV) – E minor (ii)
3. The Lumineers – “Ho Hey”: D Major (I) – B minor (vi) – G Major (IV)

In summary, the chord progression in the verse of MGMT’s “Time To Pretend” is simple and repetitive, featuring triads and suspensions. The use of the Dsus2 chord adds an element of tension and release, making the progression more engaging. The song’s style can be classified as electronic psychedelic rock and neo-psychedelia, and similar chord progressions can be found in songs by Coldplay, Oasis, and The Lumineers.

Musical Analysis

The verse in “Time To Pretend” contains a four-chord progression that is repeated five times. The chords used are not complex, nor are they particularly rich in texture. They are triads and simple suspensions, which contribute to a straightforward harmonic foundation. The use of the Dsus2 chord adds an element of tension and release within the progression, which is resolved by returning to the D Major chord.

It’s important to note that even though the progression is harmonically simple, MGMT successfully builds atmosphere and interest through their use of production, instrumentation, and melody. The repetition of the chord progression contributes to the hypnotic and meditative quality of the song.

Overall Analysis

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

Style Analysis

MGMT’s “Time To Pretend” can be classified as a blend of electronic psychedelic rock and neo-psychedelia. The chord progression is representative of the song’s overall structure: simple but effective. The use of the Dsus2 chord reflects the band’s inclination to experiment with harmony, albeit cautiously.

Chords in the Verse 2 section of Time To Pretend by MGMT are:

D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D