Search

Related Music Theory Alchemy

“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

The chord progression for the verse of “Kids” by MGMT is a simple and diatonic progression in the key of A major, following the vi-IV-I-V pattern. It is common in pop music and creates a sense of tension and release throughout the progression. The chords are played using predominantly major and minor triads, with an inversion in the V chord (E/G#).

The Sound Of Silence by Simon & Garfunkel, released in 1964, is a solid example of folk rock genre transitioning into what we now know as classic rock. The chord progression is straightforward yet powerful, and it perfectly complements the beautifully written lyrics and evocative vocal harmonies. Furthermore, the song is written in A minor, a key that is often associated with sadness, which enhances the melancholic and introspective feelings conveyed by the lyrics.

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

MGMT – Time To Pretend – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D

Chord Progression Analysis

D Major (I) – G Major (IV) – D Major (I) – Dsus2

Implemented as:
“`
D Major (‘I’) – G Major (‘IV’) – D Major (‘I’) – Dsus2
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”
Chord Progression:
“`
C Major (‘I’) – G Major (‘IV’) – A Minor (‘vi’) – F Major (‘IV’)
“`

2. Oasis – “Wonderwall”
Chord Progression:
“`
E Minor (‘ii’) – G Major (‘IV’) – D Major (‘I’) – A Major (‘V’)
“`

3. David Bowie – “Heroes”
Chord Progression:
“`
D Major (‘I’) – G Major (‘IV’) – B Minor (‘vi’) – G Major (‘IV’)
“`

While these chord progressions are not exactly the same as “Time To Pretend,” they share some similarities with the use of the I-IV relationship, and they showcase examples of how this simple relationship can be used to create memorable songs in various genres.

Musical Analysis

The verse of “Time To Pretend” can be divided into four repetitions of the same chord progression. The D Major chord is the tonic chord in the key of D major, which provides a sense of stability and grounding. The G Major chord is the subdominant chord (IV), which adds some tension that is later resolved back to the tonic chord (D Major). The addition of Dsus2 serves to create a sense of intrigue or suspension due to the combination of two tones (D and E) that can be heard simultaneously, contributing to the dreamy quality of the song.

Overall Analysis

“Time To Pretend” features a simple and repetitive chord progression in the key of D major. The chord progression in the verse is characterized by a repeated pattern of D – G – D – Dsus2. The style of the song can be described as psychedelic synth-pop, with its electronic synth sounds and dream-like atmosphere. MGMT’s music often features catchy melodies and harmonies, which can also be heard in this song.

Style Analysis

As previously mentioned, “Time To Pretend” features a psychedelic synth-pop style. The song is characterized by rich synth layers, hypnotic melodies, and evocative lyrics that transport the listener into a dreamy, otherworldly state. The chord progression, while seemingly simple, provides the foundation for these stylistic elements to shine through.

Chords in the Verse 1 section of Time To Pretend by MGMT are:

D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D