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Related Music Theory Alchemy

“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

The chord progression in the verse of “Congratulations” by MGMT is an interesting blend of conventional pop and classical harmonies with some use of borrowed chords. The progression features mostly diatonic chords in the key of G major, but there are moments of modal interchange and suspensions that add color and tension to the progression.

The chord progression throughout this verse of Beck’s “Lost Cause” is predominantly in the key of F Major with some chords from its relative minor (D minor). The use of borrowed chords adds variety and color to the progression, and the alternation between F major and C major chords creates a strong sense of tonality and grounding in the key of F Major. The use of Am and E7 chords provides a brief tension and leaning toward the parallel key of F minor before resolving back to the original key. This adds interest and complexity to the otherwise straightforward progression.

The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

MGMT – Time To Pretend – Verse 1

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Chord Progression

D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D

Chord Progression Analysis

D Major (I) – G Major (IV) – D Major (I) – Dsus2

Implemented as:
“`
D Major (‘I’) – G Major (‘IV’) – D Major (‘I’) – Dsus2
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”
Chord Progression:
“`
C Major (‘I’) – G Major (‘IV’) – A Minor (‘vi’) – F Major (‘IV’)
“`

2. Oasis – “Wonderwall”
Chord Progression:
“`
E Minor (‘ii’) – G Major (‘IV’) – D Major (‘I’) – A Major (‘V’)
“`

3. David Bowie – “Heroes”
Chord Progression:
“`
D Major (‘I’) – G Major (‘IV’) – B Minor (‘vi’) – G Major (‘IV’)
“`

While these chord progressions are not exactly the same as “Time To Pretend,” they share some similarities with the use of the I-IV relationship, and they showcase examples of how this simple relationship can be used to create memorable songs in various genres.

Musical Analysis

The verse of “Time To Pretend” can be divided into four repetitions of the same chord progression. The D Major chord is the tonic chord in the key of D major, which provides a sense of stability and grounding. The G Major chord is the subdominant chord (IV), which adds some tension that is later resolved back to the tonic chord (D Major). The addition of Dsus2 serves to create a sense of intrigue or suspension due to the combination of two tones (D and E) that can be heard simultaneously, contributing to the dreamy quality of the song.

Overall Analysis

“Time To Pretend” features a simple and repetitive chord progression in the key of D major. The chord progression in the verse is characterized by a repeated pattern of D – G – D – Dsus2. The style of the song can be described as psychedelic synth-pop, with its electronic synth sounds and dream-like atmosphere. MGMT’s music often features catchy melodies and harmonies, which can also be heard in this song.

Style Analysis

As previously mentioned, “Time To Pretend” features a psychedelic synth-pop style. The song is characterized by rich synth layers, hypnotic melodies, and evocative lyrics that transport the listener into a dreamy, otherworldly state. The chord progression, while seemingly simple, provides the foundation for these stylistic elements to shine through.

Chords in the Verse 1 section of Time To Pretend by MGMT are:

D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D, D, G, D, Dsus2, D