MGMT – Kids – Instrumental
Kids < All Analyses
Chord Progression
A
Chord Progression Analysis
A major (I)
Similar Chord Progressions
1. New Order – “Bizarre Love Triangle” (Peak of the song):
D major (IV) – E major (V) – A major (I)
2. Depeche Mode – “Just Can’t Get Enough”:
C major (I) – G major (V)
3. OMD (Orchestral Manoeuvres In the Dark) – “Enola Gay”:
D major (IV) – G major (V) – Em (ii)
Note that while these chord progressions may not be identical to the one in MGMT’s “Kids”, they represent a similar style and approach to songwriting in the synth-pop genre, often focusing on simple, repetitive progressions to carry the melodies and rhythmic patterns.
Musical Analysis
This particular chord progression comprised of a single chord – A major – serves both as the root chord and the tonal center. The piece heavily relies on the rhythmic pattern, sound design, and memorable melody to create its distinctive sound.
Since there’s only one chord, no borrowed chords are present.
Overall Analysis
The chord progression in MGMT’s “Kids” is quite simple and based on a single chord throughout the instrumental sections, focusing mainly on creating a catchy melody and rhythm. The simplicity of the progression reflects the musical styles seen in synth-pop and electronic dance music genres.
Style Analysis
“Kids” by MGMT can be categorized under the genres of synth-pop, indie electronic, and psychedelic pop. The use of simple, repeated chord progressions is common amongst these styles, typically focusing on creating a driving and danceable rhythm, memorable hooks, and a strong sense of atmosphere with the instrumentation and sound design.
What are the chords in: MGMT – Kids – Instrumental?
A
