Music Theory Alchemy

Search

Related Music Theory Alchemy

“Electric Feel” by MGMT is characterized by its repetitive, catchy chord progression and usage of both major and minor chords which create a unique, surreal atmosphere. The song includes elements of psychedelic pop, funk, and electronic music.

The chord progression in the refrain of MGMT’s “Weekend Wars” is an intriguing combination of diatonic and borrowed chords. It primarily features chords from the key of A minor and C major, with some noticeable out-of-key chords that add color and tension to the progression.

“Wonderwall” is a song by Oasis, a British rock band. The song showcases the blend of rock and Britpop style. The chord progression in the verse reflects a strong pop feeling, primarily residing in the key of G major.

“Roads” by Portishead is set in the key of Am, also known as A minor. In the verse, there is an interesting use of the flat major 7 (Fmaj7) chord. This chord is not typically found within the natural minor key but is considered a borrowed chord from the A major key. Thus, this use of said borrowed chord and its resolution to the E7 dominants gives the song a unique feel, contributing to its mesmerizing and emotive ambience. Portishead tends to blend the use of A minor and A Dorian modality in their music, especially apparent in this composition.

“The Long and Winding Road” by The Beatles is an iconic pop ballad renowned for its rich harmonic content. It employs both modal interchange and secondary dominants, thus securing its place as an exemplary piece in pop music harmony. Its dominant tonality is D Major, however, it makes use of many borrowed chords.

MGMT – Electric Feel – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F

Chord Progression Analysis

Here is the analysis of the chord progression, including the full chord names and their Roman numerals:

Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI), Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI), Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI), Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI)

`Borrowed chord: None for this progression`

Similar Chord Progressions

1. “Breathe” by Pink Floyd
Verse: Em9 (v), A (IV), Em9 (v), A (IV), Em9 (v), A (IV), Em9 (v), A (IV)

2. “Can’t Stop” by Red Hot Chili Peppers
Verse: Em9 (i), D (VII), Am (iv), Fmaj7 (VI)

3. “Gravity” by John Mayer
Verse: G7 (VII7), Cmaj7 (I), Em7 (iii), D (II)

While these examples may not have the exact same chord progression as “Electric Feel,” they share similarities in cyclical progressions and atmospheric vibes. The blend of major and minor chords in these progressions creates emotional depth and helps evoke different moods within listeners.

Musical Analysis

The verse progression begins with the tonic minor, Am7 (i), which sets the overall minor tonality. The progression then moves to Em (v), acting as a minor dominant. The following chords, F (VI) and G (VII), represent a temporary shift away from the minor tonality to the relative major. This shift adds a sense of brightness to the verse. The repetition of this pattern creates a cyclic, hypnotic feel, with the chords continually building tension and releasing back to the tonic minor.

Overall Analysis

The chord progression for the verse of “Electric Feel” by MGMT is based in the key of C major. The progression mainly revolves around the use of i, v, VI, and VII chords. The song has a hypnotic, cyclic feel that is characteristic of the neo-psychedelic genre, with touches of funk and dance music elements.

Style Analysis

“Electric Feel” by MGMT showcases a blend of neo-psychedelic, funk, and dance music elements. The chord progression is rather simple, which highlights the groove and rhythm. The airiness of Am7’s sound and the alternate minor-major shift evoke a dreamy, kaleidoscopic atmosphere that is characteristic of the neo-psychedelic style.

Chords in the Verse 1 section of Electric Feel by MGMT are:

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F