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Related Music Theory Alchemy

The chord progression of MGMT’s “Electric Feel” outro is in E Minor, and it features a combination of diatonic chords and a borrowed chord from the parallel major key. The progression creates a sense of tension and resolution, giving the outro a captivating and memorable quality. The song itself is a psychedelic, funk-infused electro-pop track, which enhances the trippy, mesmerizing vibe of the progression.

The chord progression in the refrain of MGMT’s “Weekend Wars” is an intriguing combination of diatonic and borrowed chords. It primarily features chords from the key of A minor and C major, with some noticeable out-of-key chords that add color and tension to the progression.

“All My Loving” by the Beatles is a great example of their early ’60s pop style. This song’s verse chord progression is in the key of D Major with a mix of minor chords and 7th chords that add to the emotional intensity of the song. The composition blends pop simplicity with complex harmony, encapsulating the Beatles’ innovative songwriting.

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

“Bullet With Butterfly Wings” by The Smashing Pumpkins features a chord progression that uses a lot of power chords (fifth chords) which demonstrates its grungy, rock oriented style. It also incorporates major, minor, and suspended second chords, making it an interesting combination of simplicity and complexity.

MGMT – Electric Feel – Verse 1

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Chord Progression

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F

Chord Progression Analysis

Here is the analysis of the chord progression, including the full chord names and their Roman numerals:

Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI), Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI), Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI), Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI)

`Borrowed chord: None for this progression`

Similar Chord Progressions

1. “Breathe” by Pink Floyd
Verse: Em9 (v), A (IV), Em9 (v), A (IV), Em9 (v), A (IV), Em9 (v), A (IV)

2. “Can’t Stop” by Red Hot Chili Peppers
Verse: Em9 (i), D (VII), Am (iv), Fmaj7 (VI)

3. “Gravity” by John Mayer
Verse: G7 (VII7), Cmaj7 (I), Em7 (iii), D (II)

While these examples may not have the exact same chord progression as “Electric Feel,” they share similarities in cyclical progressions and atmospheric vibes. The blend of major and minor chords in these progressions creates emotional depth and helps evoke different moods within listeners.

Musical Analysis

The verse progression begins with the tonic minor, Am7 (i), which sets the overall minor tonality. The progression then moves to Em (v), acting as a minor dominant. The following chords, F (VI) and G (VII), represent a temporary shift away from the minor tonality to the relative major. This shift adds a sense of brightness to the verse. The repetition of this pattern creates a cyclic, hypnotic feel, with the chords continually building tension and releasing back to the tonic minor.

Overall Analysis

The chord progression for the verse of “Electric Feel” by MGMT is based in the key of C major. The progression mainly revolves around the use of i, v, VI, and VII chords. The song has a hypnotic, cyclic feel that is characteristic of the neo-psychedelic genre, with touches of funk and dance music elements.

Style Analysis

“Electric Feel” by MGMT showcases a blend of neo-psychedelic, funk, and dance music elements. The chord progression is rather simple, which highlights the groove and rhythm. The airiness of Am7’s sound and the alternate minor-major shift evoke a dreamy, kaleidoscopic atmosphere that is characteristic of the neo-psychedelic style.

Chords in the Verse 1 section of Electric Feel by MGMT are:

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F