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The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

“Time To Pretend” features a simple and repetitive chord progression in the key of D major. The chord progression in the verse is characterized by a repeated pattern of D – G – D – Dsus2. The style of the song can be described as psychedelic synth-pop, with its electronic synth sounds and dream-like atmosphere. MGMT’s music often features catchy melodies and harmonies, which can also be heard in this song.

This iconic Britpop song predominantly features the use of traditional tonal harmony found in pop songs throughout the late 20th century, and the verse specifically recalls the harmonic patterns utilized in the 1950s and 60s. The defining feature of this song (as is the case with many Oasis tunes) is the use of returning, resounding repetitions of simple chord sequences.

“Since I’ve Been Loving You” by Led Zeppelin is a slow-tempo blues-rock song featuring a sophisticated and expressive chord progression that falls predominantly within the C minor key, standing out from the more traditional blues structures. The chords in the verse display a creative use of borrowed chords and chromaticism, contributing to the song’s moody and emotionally-evocative atmosphere. The progression is less common in rock music, which is what makes it characteristic of Led Zeppelin’s innovative musical explorations.

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“With a Little Help from My Friends” is a song by the Beatles from their 1967 album ‘Sgt. Pepper’s Lonely Hearts Club Band’. It features Ringo Starr who sings the song in the role of ‘Billy Shears’, a fictional character from the ‘Sgt. Pepper’ album. It was composed by Paul McCartney and John Lennon.

The full chord sequence you provided represents the verse. The song itself is predominantly in E Major, but contains several borrowed chords and modal exchanges. As was common with Beatles’s compositions, they often incorporated intricate chord progressions and did not strictly adhere to traditional key signatures.

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MGMT – Congratulations – Verse 1

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Chord Progression

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4

Chord Progression Analysis

G (I) – G/F# (I/ii) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/vi) – Am (ii) – Asus2 (ii2)
Am (ii) – G (I) – G/F# (I/ii) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/vi) – Am (ii) – Asus2 (ii2)
Am (ii) – G (I) – G/F# (I/ii) – Em (vi) – Em7 (vi7) – C (IV) – D (V) – Dsus4 (Vsus4)

Similar Chord Progressions

1. The Beatles – “Norwegian Wood”
[‘D’, ‘Dmaj7’, ‘Dsus2’, ‘Dmaj7’]

2. Radiohead – “Paranoid Android”
[‘G’, ‘Bm’, ‘Em’, ‘C’, ‘G’, ‘D’, ‘C’, ‘Bm’]

3. Pink Floyd – “Breathe”
[‘Em9’, ‘A’, ‘Am7’, ‘G6’, ‘Dsus2/F#’, ‘Em9’, ‘A’]

These chord progressions contain similar elements found in “Congratulations,” such as diatonic chord movements, smooth voice leading through inversions, use of suspensions, and occasional moments of modal interchange.

Musical Analysis

The verse begins with a standard I – vi progression (G – Em), followed by a IV – ii (C – Am) progression, which is a common pop and classical progression. The chords with the inverted bass notes, G/F# and C/B, provide smooth voice leading and a descending bass line. The use of the Em7 and Asus2 chords provides additional tension and color. The Vsus4 (Dsus4) at the end of the progression creates tension that is resolved in the next section or repeats of the verse.

Overall Analysis

The chord progression in the verse of “Congratulations” by MGMT is an interesting blend of conventional pop and classical harmonies with some use of borrowed chords. The progression features mostly diatonic chords in the key of G major, but there are moments of modal interchange and suspensions that add color and tension to the progression.

Style Analysis

“Congratulations” features a neo-psychedelic sound, which can be heard in the mix of conventional pop harmonies with unexpected chords and suspensions. The modal interchange elements and the way that the chords are voiced give the song a vintage, nostalgic quality, reminiscent of 1960s and 1970s psychedelic rock and pop.

Chords in the Verse 1 section of Congratulations by MGMT are:

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4