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Related Music Theory Alchemy

The chord progression in MGMT’s “Congratulations” contains a mix of diatonic and non-diatonic chords, which provide a combination of stability and tension throughout the progression. The harmonic rhythm is slow, and the progression is mostly driven by bass line movement and voice leading. The mixture of borrowed chords, inversions, and suspended chords contributes to the overall unique character of the piece.

The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

“The Long and Winding Road” by The Beatles is an iconic pop ballad renowned for its rich harmonic content. It employs both modal interchange and secondary dominants, thus securing its place as an exemplary piece in pop music harmony. Its dominant tonality is D Major, however, it makes use of many borrowed chords.

MGMT – Congratulations – Verse 1

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Chord Progression

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4

Chord Progression Analysis

G (I) – G/F# (I/ii) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/vi) – Am (ii) – Asus2 (ii2)
Am (ii) – G (I) – G/F# (I/ii) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/vi) – Am (ii) – Asus2 (ii2)
Am (ii) – G (I) – G/F# (I/ii) – Em (vi) – Em7 (vi7) – C (IV) – D (V) – Dsus4 (Vsus4)

Similar Chord Progressions

1. The Beatles – “Norwegian Wood”
[‘D’, ‘Dmaj7’, ‘Dsus2’, ‘Dmaj7’]

2. Radiohead – “Paranoid Android”
[‘G’, ‘Bm’, ‘Em’, ‘C’, ‘G’, ‘D’, ‘C’, ‘Bm’]

3. Pink Floyd – “Breathe”
[‘Em9’, ‘A’, ‘Am7’, ‘G6’, ‘Dsus2/F#’, ‘Em9’, ‘A’]

These chord progressions contain similar elements found in “Congratulations,” such as diatonic chord movements, smooth voice leading through inversions, use of suspensions, and occasional moments of modal interchange.

Musical Analysis

The verse begins with a standard I – vi progression (G – Em), followed by a IV – ii (C – Am) progression, which is a common pop and classical progression. The chords with the inverted bass notes, G/F# and C/B, provide smooth voice leading and a descending bass line. The use of the Em7 and Asus2 chords provides additional tension and color. The Vsus4 (Dsus4) at the end of the progression creates tension that is resolved in the next section or repeats of the verse.

Overall Analysis

The chord progression in the verse of “Congratulations” by MGMT is an interesting blend of conventional pop and classical harmonies with some use of borrowed chords. The progression features mostly diatonic chords in the key of G major, but there are moments of modal interchange and suspensions that add color and tension to the progression.

Style Analysis

“Congratulations” features a neo-psychedelic sound, which can be heard in the mix of conventional pop harmonies with unexpected chords and suspensions. The modal interchange elements and the way that the chords are voiced give the song a vintage, nostalgic quality, reminiscent of 1960s and 1970s psychedelic rock and pop.

Chords in the Verse 1 section of Congratulations by MGMT are:

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4