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Related Music Theory Alchemy

The chord progression in MGMT’s “Congratulations” contains a mix of diatonic and non-diatonic chords, which provide a combination of stability and tension throughout the progression. The harmonic rhythm is slow, and the progression is mostly driven by bass line movement and voice leading. The mixture of borrowed chords, inversions, and suspended chords contributes to the overall unique character of the piece.

“Weekend Wars” by MGMT features a distinctive and slightly unconventional chord progression. The verse is in D minor and consists of 22 chords, providing a unique and somewhat complex harmonic landscape. The majority of the chords used are diatonic, but there are also borrowed chords and other non-diatonic chords which contribute to the song’s unique character.

Chord Progression:
Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III), Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III)

Dm – D minor
C – C major
G – G major (borrowed chord)
F – F major
Am – A minor

“Honky Tonk Women” by The Rolling Stones is a classic rock song heavily influenced by country and blues. The song is characterized by both major and minor chords, primarily G, C, A, and D. The song is in the key of G major from the verse 1 progression you provided, and it has elements of both I-IV-V and I-V-vi-IV.

Verse 1

The song “Purple Rain” by Prince is a classic and showcases some interesting use of chord progressions. The key of the song is G major. The classic, popular music formula is present in the use of common chords like I, ii, IV, V which are all diatonic within the key. Noticeably, this song opts for a more simplistic, cyclical chord progression structure that emphasizes repetition of strong melodic lines.

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

MGMT – Congratulations – Verse 1

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Chord Progression

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4

Chord Progression Analysis

G (I) – G/F# (I/ii) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/vi) – Am (ii) – Asus2 (ii2)
Am (ii) – G (I) – G/F# (I/ii) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/vi) – Am (ii) – Asus2 (ii2)
Am (ii) – G (I) – G/F# (I/ii) – Em (vi) – Em7 (vi7) – C (IV) – D (V) – Dsus4 (Vsus4)

Similar Chord Progressions

1. The Beatles – “Norwegian Wood”
[‘D’, ‘Dmaj7’, ‘Dsus2’, ‘Dmaj7’]

2. Radiohead – “Paranoid Android”
[‘G’, ‘Bm’, ‘Em’, ‘C’, ‘G’, ‘D’, ‘C’, ‘Bm’]

3. Pink Floyd – “Breathe”
[‘Em9’, ‘A’, ‘Am7’, ‘G6’, ‘Dsus2/F#’, ‘Em9’, ‘A’]

These chord progressions contain similar elements found in “Congratulations,” such as diatonic chord movements, smooth voice leading through inversions, use of suspensions, and occasional moments of modal interchange.

Musical Analysis

The verse begins with a standard I – vi progression (G – Em), followed by a IV – ii (C – Am) progression, which is a common pop and classical progression. The chords with the inverted bass notes, G/F# and C/B, provide smooth voice leading and a descending bass line. The use of the Em7 and Asus2 chords provides additional tension and color. The Vsus4 (Dsus4) at the end of the progression creates tension that is resolved in the next section or repeats of the verse.

Overall Analysis

The chord progression in the verse of “Congratulations” by MGMT is an interesting blend of conventional pop and classical harmonies with some use of borrowed chords. The progression features mostly diatonic chords in the key of G major, but there are moments of modal interchange and suspensions that add color and tension to the progression.

Style Analysis

“Congratulations” features a neo-psychedelic sound, which can be heard in the mix of conventional pop harmonies with unexpected chords and suspensions. The modal interchange elements and the way that the chords are voiced give the song a vintage, nostalgic quality, reminiscent of 1960s and 1970s psychedelic rock and pop.

Chords in the Verse 1 section of Congratulations by MGMT are:

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4