Music Theory Alchemy

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“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

The outro of “Kashmir” by Led Zeppelin features a simple alternating chord progression between G major and A major, which creates tension by avoiding a resolution to the tonic or dominant chords. This makes the progression sound unstable, yet well defined as it repeats. The recurring ascending motion creates a sense of lift throughout the outro, while the lack of a true resolution maintains a feeling of unease. This progression is notable for its simplicity, as well as how it invokes a modal sound that is characteristic of the mixolydian mode often used in rock music.

The chord progression for Verse 3 of “Hey Joe” by Jimi Hendrix is a repeating pattern of C, G, D, A, E. The progression employs one borrowed chord and is loosely structured around the circle of fifths. The song features a blues-rock style, with a heavy emphasis on guitar playing and expressive solos.

“Love Of My Life” by Queen, especially Verse 3, showcases a mix of simple and complex harmony, with many secondary dominants, borrowed chords, and diminished chords contributing to varying and shifting tonal centres. This makes for an emotional and contextually appropriate progression that fits well with the song’s lyrical content.

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

Led Zeppelin – Stairway To Heaven – Verse 3

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Chord Progression

C, G, Am, C, G, Fmaj7, Am, C, G, Am, C, G, Fmaj7, Am, C, G

Chord Progression Analysis

C Major (I)
G Major (V)
A minor (vi)
C Major (I)
G Major (V)
F Major 7 (IV^7)
A minor (vi)
C Major (I)
G Major (V)
A minor (vi)
C Major (I)
G Major (V)
F Major 7 (IV^7)
A minor (vi)
C Major (I)
G Major (V)

Borrowed chords: N/A (All chords in this progression are diatonic to the key of C major)

Similar Chord Progressions

1. The Beatles – Let It Be
C Major (I)
G Major (V)
A minor (vi)
F Major (IV)
C Major (I)
G Major (V)
F Major (IV)
C Major (I)

2. Elton John – Your Song
E flat major (I)
B flat major (IV)
E flat major (I)
A flat major (♭VII)
A flat major (♭VII)
E flat major (I)
B flat major (IV)
E flat major (I)

While these examples have their distinct elements, they share similarities with the progression from “Stairway to Heaven” in their use of diatonic chords, and the interplay between major and minor chords to create tension and resolution.

Musical Analysis

The verse begins with a classic I-V-vi progression, giving a sense of grounding and establishing the tonal center as C major. The repeated alternation between the I and V chords provides stability, while the use of the vi chord adds an emotional depth due to its relative minor quality. The introduction of the IV^7 chord adds tension, as the 7th note in the chord creates a stronger pull and desire for resolution, especially before returning to the vi chord. This progression helps guide the listener on a sonic journey, with the chords working together to build tension and release throughout the verse.

Overall Analysis

The chord progression for verse 3 of Led Zeppelin’s “Stairway to Heaven” utilizes multiple techniques to create a rich and emotive sound. These techniques include diatonic chords, borrowed chords, and extended harmony. The progression follows a general pattern, with a repeated structure that helps unify the verse.

Style Analysis

“Stairway to Heaven” is a prime example of progressive rock, with its complex and intricate use of harmony, melody, and texture. The chords in this progression are typical of the 1970s rock aesthetic, with an emphasis on atmospheric and emotional depth. The use of extended harmony underscores the sophistication of the composition, creating a sense of expansiveness and adding color to the overall sound.

Chords in the Verse 3 section of Stairway To Heaven by Led Zeppelin are:

C, G, Am, C, G, Fmaj7, Am, C, G, Am, C, G, Fmaj7, Am, C, G