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“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.

“Kiss” by Prince is primarily a rock song that features pop elements. The song utilizes power chords which are common in rock music, having a stripped-down chord structure that highlights the root and the fifth notes of the chord. The defined chord progression listed for Verse 3 is: [‘A5’, ‘D5’, ‘A5’]. This progression lacks the richness of Major or Minor chords but provides a solid, driving rhythm backbone to the song, prioritizing rhythmic energy over harmonic complexity.

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The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

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The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

Led Zeppelin – Stairway To Heaven – Verse 3

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Chord Progression

C, G, Am, C, G, Fmaj7, Am, C, G, Am, C, G, Fmaj7, Am, C, G

Chord Progression Analysis

C Major (I)
G Major (V)
A minor (vi)
C Major (I)
G Major (V)
F Major 7 (IV^7)
A minor (vi)
C Major (I)
G Major (V)
A minor (vi)
C Major (I)
G Major (V)
F Major 7 (IV^7)
A minor (vi)
C Major (I)
G Major (V)

Borrowed chords: N/A (All chords in this progression are diatonic to the key of C major)

Similar Chord Progressions

1. The Beatles – Let It Be
C Major (I)
G Major (V)
A minor (vi)
F Major (IV)
C Major (I)
G Major (V)
F Major (IV)
C Major (I)

2. Elton John – Your Song
E flat major (I)
B flat major (IV)
E flat major (I)
A flat major (♭VII)
A flat major (♭VII)
E flat major (I)
B flat major (IV)
E flat major (I)

While these examples have their distinct elements, they share similarities with the progression from “Stairway to Heaven” in their use of diatonic chords, and the interplay between major and minor chords to create tension and resolution.

Musical Analysis

The verse begins with a classic I-V-vi progression, giving a sense of grounding and establishing the tonal center as C major. The repeated alternation between the I and V chords provides stability, while the use of the vi chord adds an emotional depth due to its relative minor quality. The introduction of the IV^7 chord adds tension, as the 7th note in the chord creates a stronger pull and desire for resolution, especially before returning to the vi chord. This progression helps guide the listener on a sonic journey, with the chords working together to build tension and release throughout the verse.

Overall Analysis

The chord progression for verse 3 of Led Zeppelin’s “Stairway to Heaven” utilizes multiple techniques to create a rich and emotive sound. These techniques include diatonic chords, borrowed chords, and extended harmony. The progression follows a general pattern, with a repeated structure that helps unify the verse.

Style Analysis

“Stairway to Heaven” is a prime example of progressive rock, with its complex and intricate use of harmony, melody, and texture. The chords in this progression are typical of the 1970s rock aesthetic, with an emphasis on atmospheric and emotional depth. The use of extended harmony underscores the sophistication of the composition, creating a sense of expansiveness and adding color to the overall sound.

Chords in the Verse 3 section of Stairway To Heaven by Led Zeppelin are:

C, G, Am, C, G, Fmaj7, Am, C, G, Am, C, G, Fmaj7, Am, C, G