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Related Music Theory Alchemy

“Stairway to Heaven” by Led Zeppelin is recognized for its use of modal interchange, specifically borrowing chords from the parallel minor, and its distinct way of blending rock and folk music elements. This piece is in the key of A minor and the chord progression in Verse 5 is simple but quite effective.

“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

“Let It Be” by The Beatles uses some of the most common chords in the key of C Major, which is the tonic of the song. It also contains few instances of chord extensions, inversions, and secondary dominants, which are widely used in pop music composition.

Led Zeppelin – Stairway To Heaven – Verse 2

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Chord Progression

C, D, Fmaj7, Am, C, D, Fmaj7, Am, Ammaj9, Am, D/F#, Fmaj7, G, Am

Chord Progression Analysis

“`
C (bIII) – D (IV) – Fmaj7 (bVI maj7) – Am (i) – C (bIII) – D (IV) – Fmaj7 (bVI maj7) – Am (i) – Ammaj9 (iMaj9) – Am (i) – D/F# (IV/VI) – Fmaj7 (bVI maj7) – G (VII) – Am (i)
“`

Similar Chord Progressions

1. “Hotel California” by The Eagles
“`
Bm (i) – F#7 (V7) – A (bVII) – E (IV) – G (bIII) – D (II) – Em (iii) – F#7 (V7)
“`
2. “Time of Your Life (Good Riddance)” by Green Day
“`
G (I) – C (IV) – D (V) – Em (vi) – G (I) – C (IV) – D (V)
“`

Both of these songs feature borrowed chords and chromatic alterations that create unique and memorable harmonic landscapes, similar to “Stairway to Heaven.”

Musical Analysis

This chord progression in A minor starts with a borrowed chord from the parallel major key, A major, C major (bIII). The progression then moves to D major (IV) and Fmaj7 (bVI maj7), both of which are also borrowed chords from the parallel major key, providing a sense of modal interchange. After that, it resolves to the tonic chord, Am (i). The pattern repeats itself once more before introducing Ammaj9 (iMaj9), a chromatic alteration adding a touch of tension and unexpected color to the progression.

The song then returns to Am (i) and moves to the D/F# chord (IV/VI), where F# is borrowed from A dorian mode. After that, it proceeds to Fmaj7 (bVI maj7) and finally reaches G major (VII), which leads back to the tonic chord, Am (i), for the next verse or section.

Overall Analysis

“Stairway to Heaven” by Led Zeppelin is a classic and iconic rock song released in 1971, as part of their fourth studio album, Led Zeppelin IV. The song is considered one of the greatest rock songs of all time, featuring an intricate chord progression, a memorable melody, and folk-inspired acoustic guitar work. The verse you provided is the second verse of the song, which shares a similar, but not identical chord progression to the other verses. The song is in the key of A minor, and the chord progression showcases a mix of diatonic and borrowed chords, along with a couple of chromatic alterations.

Style Analysis

This chord progression exhibits a unique combination of folk, rock, and classical music elements. The use of borrowed chords and chromatic alterations in these verses shows the influence of classical music on Led Zeppelin’s songwriting, while the acoustic guitar arpeggios have a strong folk music feel. The overall rock sound of “Stairway to Heaven” comes from its arrangement and production, with the song building up to an electrifying guitar solo and climax.

Chords in the Verse 2 section of Stairway To Heaven by Led Zeppelin are:

C, D, Fmaj7, Am, C, D, Fmaj7, Am, Ammaj9, Am, D/F#, Fmaj7, G, Am