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Related Music Theory Alchemy

The Bridge 1 of “Stairway to Heaven” by Led Zeppelin is a beautiful and intriguing chord progression that combines diatonic chords, borrowed chords, and chromatic passing tones. This progression is part of a longer musical composition which has gained immense popularity since its release in 1971 as part of their fourth album, and has become one of the most iconic songs in rock music history.

The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

Led Zeppelin – Stairway To Heaven – Verse 2

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Chord Progression

C, D, Fmaj7, Am, C, D, Fmaj7, Am, Ammaj9, Am, D/F#, Fmaj7, G, Am

Chord Progression Analysis

“`
C (bIII) – D (IV) – Fmaj7 (bVI maj7) – Am (i) – C (bIII) – D (IV) – Fmaj7 (bVI maj7) – Am (i) – Ammaj9 (iMaj9) – Am (i) – D/F# (IV/VI) – Fmaj7 (bVI maj7) – G (VII) – Am (i)
“`

Similar Chord Progressions

1. “Hotel California” by The Eagles
“`
Bm (i) – F#7 (V7) – A (bVII) – E (IV) – G (bIII) – D (II) – Em (iii) – F#7 (V7)
“`
2. “Time of Your Life (Good Riddance)” by Green Day
“`
G (I) – C (IV) – D (V) – Em (vi) – G (I) – C (IV) – D (V)
“`

Both of these songs feature borrowed chords and chromatic alterations that create unique and memorable harmonic landscapes, similar to “Stairway to Heaven.”

Musical Analysis

This chord progression in A minor starts with a borrowed chord from the parallel major key, A major, C major (bIII). The progression then moves to D major (IV) and Fmaj7 (bVI maj7), both of which are also borrowed chords from the parallel major key, providing a sense of modal interchange. After that, it resolves to the tonic chord, Am (i). The pattern repeats itself once more before introducing Ammaj9 (iMaj9), a chromatic alteration adding a touch of tension and unexpected color to the progression.

The song then returns to Am (i) and moves to the D/F# chord (IV/VI), where F# is borrowed from A dorian mode. After that, it proceeds to Fmaj7 (bVI maj7) and finally reaches G major (VII), which leads back to the tonic chord, Am (i), for the next verse or section.

Overall Analysis

“Stairway to Heaven” by Led Zeppelin is a classic and iconic rock song released in 1971, as part of their fourth studio album, Led Zeppelin IV. The song is considered one of the greatest rock songs of all time, featuring an intricate chord progression, a memorable melody, and folk-inspired acoustic guitar work. The verse you provided is the second verse of the song, which shares a similar, but not identical chord progression to the other verses. The song is in the key of A minor, and the chord progression showcases a mix of diatonic and borrowed chords, along with a couple of chromatic alterations.

Style Analysis

This chord progression exhibits a unique combination of folk, rock, and classical music elements. The use of borrowed chords and chromatic alterations in these verses shows the influence of classical music on Led Zeppelin’s songwriting, while the acoustic guitar arpeggios have a strong folk music feel. The overall rock sound of “Stairway to Heaven” comes from its arrangement and production, with the song building up to an electrifying guitar solo and climax.

Chords in the Verse 2 section of Stairway To Heaven by Led Zeppelin are:

C, D, Fmaj7, Am, C, D, Fmaj7, Am, Ammaj9, Am, D/F#, Fmaj7, G, Am