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Related Music Theory Alchemy

“Kashmir” is often regarded as one of Led Zeppelin’s greatest creations, featuring a unique chord progression, distinctive rhythmic patterns, and a fusion of Eastern and Western musical elements. Composed in DADGAD tuning, the song is in the key of D Mixolydian and reflects the band’s experimental approach to songwriting and genre-blending. Although the chord progression may be seen as unconventional in rock music, it is effective in establishing a hypnotic and evocative atmosphere.

“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

Led Zeppelin – Kashmir – Mid-section

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Chord Progression

G, A, G, A, G, A, G, A, G, A, A, A#, B, C, D, A, A#, B, C, D

Chord Progression Analysis

“`
G major (I), A major (bII), G major (I), A major (bII), G major (I), A major (bII), G major (I), A major (bII), G major (I), A major (bII), A major (bII), A# major (bIII), B major (IV), C major (V), D major (bVII), A major (bII), A# major (bIII), B major (IV), C major (V), D major (bVII)
“`

Similar Chord Progressions

1. “Helter Skelter” by The Beatles:
“`
E7#9 (I), A7 (IV), E7#9 (I), A7 (IV), E7#9 (I), A7 (IV)
“`

2. “Gimme Shelter” by The Rolling Stones:
“`
C# minor (i), B major (VII), A major (VI)
“`

3. “Time” by Pink Floyd
“`
F# minor (i), F major (bII), F# minor (i), E minor (vii), F# minor (i), F major (bII), F# minor (i), E major (V)
“`

Although the above examples may not feature the exact chord progression as “Kashmir,” they demonstrate the use of modal harmony and similar techniques used by Led Zeppelin, resulting in a similar sound or feeling.

Musical Analysis

The G and A alternation creates an exotic or modal sound, as well as tension and anticipation. Climbing the chromatically ascending chords (A, A#, B, C, D) adds dramatic effect, and the resolution back to the A major chord provides a sense of closure before repeating the mid-section or moving on to other sections.

Overall Analysis

This mid-section of “Kashmir” by Led Zeppelin features a mixolydian/modal feel, which is mostly characterized by the use of the bVII chord (D major). The chord progression primarily revolves around a simple G and A alternation, which manifests an ♭II chord (A Major) borrowed from the Phrygian mode. Following this alternation, the chord progression ascends through a series of major chords before resolving back to A Major.

Style Analysis

In “Kashmir” by Led Zeppelin, the frequent use of modal mixtures – particularly borrowing from the Phrygian mode – gives the song a distinctive and unique sound. The style can be characterized as Eastern-influenced rock, with elements of progressive rock and hard rock. The power of the chords and the driving rhythm contribute to the song’s overall epic and grandiose nature.

Chords in the Mid-section section of Kashmir by Led Zeppelin are:

G, A, G, A, G, A, G, A, G, A, A, A#, B, C, D, A, A#, B, C, D