Music Theory Alchemy

Search

Related Music Theory Alchemy

The chord progression found in “Kashmir” by Led Zeppelin is a typical example of their unique approach to harmonic movement and compositional ideas. It features a blend of chords from different keys, creating a sense of tonal ambiguity which is a recurring theme in the band’s music. The piece also incorporates elements of Eastern and Western sounds, adding to the distinctiveness of their music.

The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.

Led Zeppelin – Kashmir – Mid-section

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, A, G, A, G, A, G, A, G, A, A, A#, B, C, D, A, A#, B, C, D

Chord Progression Analysis

“`
G major (I), A major (bII), G major (I), A major (bII), G major (I), A major (bII), G major (I), A major (bII), G major (I), A major (bII), A major (bII), A# major (bIII), B major (IV), C major (V), D major (bVII), A major (bII), A# major (bIII), B major (IV), C major (V), D major (bVII)
“`

Similar Chord Progressions

1. “Helter Skelter” by The Beatles:
“`
E7#9 (I), A7 (IV), E7#9 (I), A7 (IV), E7#9 (I), A7 (IV)
“`

2. “Gimme Shelter” by The Rolling Stones:
“`
C# minor (i), B major (VII), A major (VI)
“`

3. “Time” by Pink Floyd
“`
F# minor (i), F major (bII), F# minor (i), E minor (vii), F# minor (i), F major (bII), F# minor (i), E major (V)
“`

Although the above examples may not feature the exact chord progression as “Kashmir,” they demonstrate the use of modal harmony and similar techniques used by Led Zeppelin, resulting in a similar sound or feeling.

Musical Analysis

The G and A alternation creates an exotic or modal sound, as well as tension and anticipation. Climbing the chromatically ascending chords (A, A#, B, C, D) adds dramatic effect, and the resolution back to the A major chord provides a sense of closure before repeating the mid-section or moving on to other sections.

Overall Analysis

This mid-section of “Kashmir” by Led Zeppelin features a mixolydian/modal feel, which is mostly characterized by the use of the bVII chord (D major). The chord progression primarily revolves around a simple G and A alternation, which manifests an ♭II chord (A Major) borrowed from the Phrygian mode. Following this alternation, the chord progression ascends through a series of major chords before resolving back to A Major.

Style Analysis

In “Kashmir” by Led Zeppelin, the frequent use of modal mixtures – particularly borrowing from the Phrygian mode – gives the song a distinctive and unique sound. The style can be characterized as Eastern-influenced rock, with elements of progressive rock and hard rock. The power of the chords and the driving rhythm contribute to the song’s overall epic and grandiose nature.

Chords in the Mid-section section of Kashmir by Led Zeppelin are:

G, A, G, A, G, A, G, A, G, A, A, A#, B, C, D, A, A#, B, C, D