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Related Music Theory Alchemy

“Somewhere Only We Know” composed by Keane, is a pop-ballad that is based in the key of A Minor. It makes use of both diatonic and borrowed chords in a modern pop style progression that creates an oscillating feel, with repetition for familiarity and simple melody drawn from the underlying chords.

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

“Sour Times” by Portishead is largely written in the key of C# minor, with elements of modal interchange and chromaticism that contribute to its haunting, dark sound. The song exhibits a remarkable amount of harmonic complexity and non-diatonic harmony, which is a defining characteristic of the trip-hop genre. The piece makes use of intricate inversions and chromatic voice leading, along with a frequent use of sevenths and diminished chords for added tension.

“All My Loving” by The Beatles is a mid-tempo pop song written in the key of E minor for the verse and D Major for the bridge and outro, featuring a distinct, upbeat walking bassline. The grey, almost mournful verses, along with the brighter, major-toned bridges and chorus, create a juxtaposition of feelings within the piece. The bridge also highlights The Beatles’ use of secondary dominants and chromaticism. Concluding in the tonic key of D Major, the song has an interesting interplay between Em and D Major throughout, which could be perceived as a Em: i, VI, III, II and D: vi, V7, I, vi, IV, ii, I progression.

The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

Keane – Somewhere Only We Know – Verse 2

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Chord Progression

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]

Chord Progression Analysis

The chord progression provided falls under the key of C Major and can be analyzed as follows:

C Major (I), C Major with B Bass (I with VII bass or I64), D Minor (ii), Gsus4 (Vsus4), G Major (V), and it repeats.

In other words:

“`C Major (I) -> C Major/B (I64) -> D Minor (ii) -> Gsus4 (Vsus4) -> G Major (V)“`

Each of these chords are diatonic to the key of C Major and there are no borrowed chords present.

Similar Chord Progressions

The chord progression of “Somewhere Only We Know” is quite common in pop music. For example, the verse of “Someone Like You” by Adele shares a similar progression:

“`A Major (I) -> A Major/G# (I64) -> B Minor (ii) -> E Major (IV) -> E Major (IV)“`

Another example is “Hey Jude” by The Beatles:

“`F Major (I) -> F Major/E (I64) -> G Minor (ii) -> C Major (V) -> C Major (IV)“`

These songs also feature the step-wise descending bass line and typical I to ii progression. The difference lies in the resolution; “Somewhere Only We Know” uses a Vsus4 to V resolution, whereas these examples don’t incorporate suspended chords.

Musical Analysis

The chord progression gives the song its signature feeling of movement and build-up, characteristic for pop ballads. The transition to the C/B introduces a step-wise descent in the bass line adding depth to the progression and the move to the Dm (a typical ii chord) further elaborates on the harmonic complexity. The delayed resolution created by the Gsus4 to the G major gives the song its emotional impact, as the listeners await the resolve of the suspension.

Overall Analysis

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

Style Analysis

The progression is typical of pop style, with the repetitive chord progression creating a predictable and approachable palette for listeners. The balance between major and minor chords, along with the suspension to resolution pattern, keeps the song intriguing while maintaining a sense of melodic familiarity.

Chords in the Verse 2 section of Somewhere Only We Know by Keane are:

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]