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Related Music Theory Alchemy

“Somewhere Only We Know” composed by Keane, is a pop-ballad that is based in the key of A Minor. It makes use of both diatonic and borrowed chords in a modern pop style progression that creates an oscillating feel, with repetition for familiarity and simple melody drawn from the underlying chords.

“Somewhere Only We Know” by Keane uses a handful of straightforward major and minor chords which contribute to a pop, atmospheric, and emotive sound indicative of the band’s alternative rock aesthetic. The chord progression of the pre-chorus is fairly common and creates a cyclical and slightly unsettled feel that fits well with the song’s lyrical themes of uncertainty and longing for return.

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

Keane – Somewhere Only We Know – Verse 2

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Chord Progression

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]

Chord Progression Analysis

The chord progression provided falls under the key of C Major and can be analyzed as follows:

C Major (I), C Major with B Bass (I with VII bass or I64), D Minor (ii), Gsus4 (Vsus4), G Major (V), and it repeats.

In other words:

“`C Major (I) -> C Major/B (I64) -> D Minor (ii) -> Gsus4 (Vsus4) -> G Major (V)“`

Each of these chords are diatonic to the key of C Major and there are no borrowed chords present.

Similar Chord Progressions

The chord progression of “Somewhere Only We Know” is quite common in pop music. For example, the verse of “Someone Like You” by Adele shares a similar progression:

“`A Major (I) -> A Major/G# (I64) -> B Minor (ii) -> E Major (IV) -> E Major (IV)“`

Another example is “Hey Jude” by The Beatles:

“`F Major (I) -> F Major/E (I64) -> G Minor (ii) -> C Major (V) -> C Major (IV)“`

These songs also feature the step-wise descending bass line and typical I to ii progression. The difference lies in the resolution; “Somewhere Only We Know” uses a Vsus4 to V resolution, whereas these examples don’t incorporate suspended chords.

Musical Analysis

The chord progression gives the song its signature feeling of movement and build-up, characteristic for pop ballads. The transition to the C/B introduces a step-wise descent in the bass line adding depth to the progression and the move to the Dm (a typical ii chord) further elaborates on the harmonic complexity. The delayed resolution created by the Gsus4 to the G major gives the song its emotional impact, as the listeners await the resolve of the suspension.

Overall Analysis

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

Style Analysis

The progression is typical of pop style, with the repetitive chord progression creating a predictable and approachable palette for listeners. The balance between major and minor chords, along with the suspension to resolution pattern, keeps the song intriguing while maintaining a sense of melodic familiarity.

Chords in the Verse 2 section of Somewhere Only We Know by Keane are:

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]