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“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

“Somewhere Only We Know” by Keane uses a handful of straightforward major and minor chords which contribute to a pop, atmospheric, and emotive sound indicative of the band’s alternative rock aesthetic. The chord progression of the pre-chorus is fairly common and creates a cyclical and slightly unsettled feel that fits well with the song’s lyrical themes of uncertainty and longing for return.

The chord progression in Muse’s “Feeling Good” is in the key of G minor and showcases an interesting and creative use of borrowed chords and inversions. The progression follows a cyclical pattern that creates tension and release throughout the verse. The style is reminiscent of soul and jazz influences with a hint of rock elements, which is a common characteristic in Muse’s music.

Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.

The chord progression in “Closer” by Nine Inch Nails is primarily centered around the Cm7 chord throughout the verses and pre-choruses, with the chorus briefly moving to the F major chord before returning back to Cm7. The song is in the key of C minor, and the chords used are mostly diatonic to the key, creating a dark and somewhat haunting atmosphere. The progression is simplistic but effective, establishing a strong sense of forward motion and tension that is fitting for the industrial rock style of the song.

Keane – Somewhere Only We Know – Verse 1

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Chord Progression

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]

Chord Progression Analysis

Here is the analysis of the chord progression taken from Verse 1:
C Major (I),
C/B (I/II),
Dm (ii),
Gsus4 (V),
G (V),
C Major (I),
C/B (I/II),
Dm (ii),
Gsus4 (V),
G (V)

“`
Borrowed chords: None
“`

There are no borrowed chords in this particular progression as all chords are diatonic to C Major/A minor key (C Major and A Minor share the same key signature).

Similar Chord Progressions

A similar chord progression can be seen in Coldplay’s “Yellow,” which also employs the frequent use of I, ii and V chords:

D (I), Bm7 (vi), F#m7 (iii), G (IV), D (I), Asus4 (V), G (I)

Another similar chord progression is John Mayer’s “Your Body is A Wonderland,” especially in the use of the I, ii, and V chords:

G Major (I), D Major (V),
Em7 (vi), Cadd9 (IV),
G Major (I), D Major (V),
Em7 (vi), Cadd9 (IV)

It should be noted that while these progressions have a similar outline to that of Keane’s verse progression, there are nuanced differences in each that may alter the mood or feeling of each song.

Musical Analysis

The chord progression mainly functions around the I-ii-V progression, which is a common progression in both classical and popular music. This verse is strongly anchored by the changes between C major and D minor, a dynamic relationship that creates a pull towards resolution. Interestingly, they used a Gsus4 before moving to G, adding a nice color to the progress before resolution.

Overall Analysis

“Somewhere Only We Know” composed by Keane, is a pop-ballad that is based in the key of A Minor. It makes use of both diatonic and borrowed chords in a modern pop style progression that creates an oscillating feel, with repetition for familiarity and simple melody drawn from the underlying chords.

Style Analysis

Keane’s “Somewhere Only We Know” chord progression follows a classic pop-ballad style, with use of the I-ii-V progression that is commonly heard in many popular music genres such as pop, rock, and jazz. It also includes a suspended chord (Gsus4), which is a common technique used in pop music to create tension and release.

Chords in the Verse 1 section of Somewhere Only We Know by Keane are:

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]