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“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

The chord progression in “Closer” by Nine Inch Nails is primarily centered around the Cm7 chord throughout the verses and pre-choruses, with the chorus briefly moving to the F major chord before returning back to Cm7. The song is in the key of C minor, and the chords used are mostly diatonic to the key, creating a dark and somewhat haunting atmosphere. The progression is simplistic but effective, establishing a strong sense of forward motion and tension that is fitting for the industrial rock style of the song.

The song “The Outsider” by A Perfect Circle frequently uses the chord progression [‘B’, ‘B’, ‘A’, ‘E’] in the key of E major. When viewing the chords through the lens of E major we can identify the chord progression as ii, ii, V, I. Furthermore, It shows some interesting harmonic decisions throughout. Most notably, the band makes use of borrowed chords which are chords taken from the parallel minor (in this case E minor). Here, the borrowed chords include A major and C major.

Keane – Somewhere Only We Know – Verse 1

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Chord Progression

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]

Chord Progression Analysis

Here is the analysis of the chord progression taken from Verse 1:
C Major (I),
C/B (I/II),
Dm (ii),
Gsus4 (V),
G (V),
C Major (I),
C/B (I/II),
Dm (ii),
Gsus4 (V),
G (V)

“`
Borrowed chords: None
“`

There are no borrowed chords in this particular progression as all chords are diatonic to C Major/A minor key (C Major and A Minor share the same key signature).

Similar Chord Progressions

A similar chord progression can be seen in Coldplay’s “Yellow,” which also employs the frequent use of I, ii and V chords:

D (I), Bm7 (vi), F#m7 (iii), G (IV), D (I), Asus4 (V), G (I)

Another similar chord progression is John Mayer’s “Your Body is A Wonderland,” especially in the use of the I, ii, and V chords:

G Major (I), D Major (V),
Em7 (vi), Cadd9 (IV),
G Major (I), D Major (V),
Em7 (vi), Cadd9 (IV)

It should be noted that while these progressions have a similar outline to that of Keane’s verse progression, there are nuanced differences in each that may alter the mood or feeling of each song.

Musical Analysis

The chord progression mainly functions around the I-ii-V progression, which is a common progression in both classical and popular music. This verse is strongly anchored by the changes between C major and D minor, a dynamic relationship that creates a pull towards resolution. Interestingly, they used a Gsus4 before moving to G, adding a nice color to the progress before resolution.

Overall Analysis

“Somewhere Only We Know” composed by Keane, is a pop-ballad that is based in the key of A Minor. It makes use of both diatonic and borrowed chords in a modern pop style progression that creates an oscillating feel, with repetition for familiarity and simple melody drawn from the underlying chords.

Style Analysis

Keane’s “Somewhere Only We Know” chord progression follows a classic pop-ballad style, with use of the I-ii-V progression that is commonly heard in many popular music genres such as pop, rock, and jazz. It also includes a suspended chord (Gsus4), which is a common technique used in pop music to create tension and release.

Chords in the Verse 1 section of Somewhere Only We Know by Keane are:

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]