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Related Music Theory Alchemy

The chord progression in the intro of “After the Storm” by Kali Uchis showcases a mix of diatonic and chromatic movements, borrowing elements from jazz and R&B. The use of 7th chords and an augmented chord suggests a harmonically rich and colorful tonality, creating an intriguing atmosphere that captures the listener’s attention.

The chord progression in Kali Uchis’ “Loner” features a mix of major, minor, and augmented chords, which contributes to the song’s unique sound and emotional depth. The progression has an unconventional and intriguing quality, while still maintaining a sense of harmonic coherence.

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“Cant Buy Me Love” by The Beatles is a pure example of their early rock-and-roll style influenced by blues. It uses common chord progressions in rock and blues, such as the I-IV-V progression and the use of dominant 7th chords. The song is set in C major, and makes repeated use of the I-IV (C-F) progression. A significant feature in the song is the use of the dominant 7th chords (C7 and F7), which adds some bluesy quality to the song and also serves as a transition chord to the next chord in the progression.

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“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

Kali Uchis – After The Storm – Verse 2

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Chord Progression

G#m7, A#m7, D#aug, G#m7, A#m7, D#aug, G#m7, A#m7, D#aug, G#m, A#m7, D#aug

Chord Progression Analysis

“`
– G#m7 (i7)
– A#m7 (ii7)
– D#aug (V+)
– G#m7 (i7)
– A#m7 (ii7)
– D#aug (V+)
– G#m7 (i7)
– A#m7 (ii7)
– D#aug (V+)
– G#m (i)
– A#m7 (ii7)
– D#aug (V+)
“`

Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”, Chord Progression:
“`
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
“`
2. Erykah Badu – “On & On”, Chord Progression:
“`
– Bbm9 (i9)
– Db9 (IV9)
– Bbm9 (i9)
– C7#9 (bIII7#9)
“`
3. Jill Scott – “Golden”, Chord Progression:
“`
– Fmaj7 (I7)
– Gm7 (ii7)
– G#maj7(#5) (VImaj7+5)
– Gm7 (ii7)
“`

Musical Analysis

The progression follows a consistent pattern throughout. With multiple repetitions of i7-ii7-V+, the progression resolves back to the i chord again, resulting in a sense of stability. The use of the i7-ii7 chords (G#m7 and A#m7) adds more color and tension to the harmony than using simple triads would, and the D#aug chord creates an unexpected shift, adding interest to the overall progression. In the second half of the verse, the G#m chord is used instead of G#m7, which reduces the harmonic tension slightly.

Overall Analysis

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

Style Analysis

Kali Uchis’s “After The Storm” can be classified as a blend of R&B and neo-soul. The chord progression, along with her soothing vocals and the use of lush keyboards, creates a laid-back atmosphere as commonly heard in these styles of music. The choice of utilizing more complex chords like 7ths and augmented chords is a signature characteristic of R&B and neo-soul, which emphasizes a more sophisticated harmonic landscape in their songs.

Chords in the Verse 2 section of After The Storm by Kali Uchis are:

G#m7, A#m7, D#aug, G#m7, A#m7, D#aug, G#m7, A#m7, D#aug, G#m, A#m7, D#aug