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Related Music Theory Alchemy

The chord progression in the chorus of Kali Uchis’ “After The Storm” features a repeating progression of Am7, Bm7, and Eaug that occurs three times, with slight variations in harmony and tonality. It is a unique and interesting progression that creates tension through the use of both minor 7th and augmented chords. The overall style evokes a dreamy, jazzy atmosphere with elements of R&B and soul.

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

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“Today” by The Smashing Pumpkins is in E minor key. The song is from the album Siamese Dream, which most perfectly represents the band’s sound leaning heavily on crunchy guitars and raw power chords. Your requested verse only includes the chord progression ‘Em’, ‘G’, ‘B’ repeated 4 times.

Kali Uchis – After The Storm – Verse 2

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Chord Progression

G#m7, A#m7, D#aug, G#m7, A#m7, D#aug, G#m7, A#m7, D#aug, G#m, A#m7, D#aug

Chord Progression Analysis

“`
– G#m7 (i7)
– A#m7 (ii7)
– D#aug (V+)
– G#m7 (i7)
– A#m7 (ii7)
– D#aug (V+)
– G#m7 (i7)
– A#m7 (ii7)
– D#aug (V+)
– G#m (i)
– A#m7 (ii7)
– D#aug (V+)
“`

Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”, Chord Progression:
“`
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
“`
2. Erykah Badu – “On & On”, Chord Progression:
“`
– Bbm9 (i9)
– Db9 (IV9)
– Bbm9 (i9)
– C7#9 (bIII7#9)
“`
3. Jill Scott – “Golden”, Chord Progression:
“`
– Fmaj7 (I7)
– Gm7 (ii7)
– G#maj7(#5) (VImaj7+5)
– Gm7 (ii7)
“`

Musical Analysis

The progression follows a consistent pattern throughout. With multiple repetitions of i7-ii7-V+, the progression resolves back to the i chord again, resulting in a sense of stability. The use of the i7-ii7 chords (G#m7 and A#m7) adds more color and tension to the harmony than using simple triads would, and the D#aug chord creates an unexpected shift, adding interest to the overall progression. In the second half of the verse, the G#m chord is used instead of G#m7, which reduces the harmonic tension slightly.

Overall Analysis

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

Style Analysis

Kali Uchis’s “After The Storm” can be classified as a blend of R&B and neo-soul. The chord progression, along with her soothing vocals and the use of lush keyboards, creates a laid-back atmosphere as commonly heard in these styles of music. The choice of utilizing more complex chords like 7ths and augmented chords is a signature characteristic of R&B and neo-soul, which emphasizes a more sophisticated harmonic landscape in their songs.

Chords in the Verse 2 section of After The Storm by Kali Uchis are:

G#m7, A#m7, D#aug, G#m7, A#m7, D#aug, G#m7, A#m7, D#aug, G#m, A#m7, D#aug