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Related Music Theory Alchemy

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

The chord progression in the intro of “After the Storm” by Kali Uchis showcases a mix of diatonic and chromatic movements, borrowing elements from jazz and R&B. The use of 7th chords and an augmented chord suggests a harmonically rich and colorful tonality, creating an intriguing atmosphere that captures the listener’s attention.

This pre-chorus from Weezer’s “Buddy Holly” features an eight-chord progression in the key of A major. It includes a borrowed chord (Dm) from the parallel minor key (A minor). The harmonic movement consists of alternating D major and C# minor chords, followed by F# minor chords, before returning to the D major root and finally resolving with the borrowed Dm chord. This progression contributes to the energetic, catchy, and upbeat style of the song.

The song “The Outsider” by A Perfect Circle has a main key signature of E major, as indicated by the repeated occurrences of the chords B, A, and E. The overall structure is tonal, using chords common in Western music. Some elements of modality are observable though, with the use of the C chord, which in traditional music theory would be considered a borrowed chord from the parallel E minor scale. A sense of tension and release is created through the use of these non-diatonic chords, which ultimately helps to maintain the listener’s interest.

“Closer” by Nine Inch Nails, released in 1994, is a well-known song distinguished by its catchy synth lines, explosive percussion, and provocative lyricism. Hinged on a distinct, repeating synth bassline, the song employs a fundamental chord progression epitomizing the alternative rock and industrial genres. Its tonal centre revolves around the key of C# minor.

Kali Uchis – After The Storm – Pre-Chorus

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Chord Progression

Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug

Chord Progression Analysis

“`
A minor 7 (i7)
B minor 7 (ii7)
E augmented (V+)
A minor 7 (i7)
B minor 7 (ii7)
E augmented (V+)
A minor 7 (i7)
B minor 7 (ii7)
E augmented (V+)
A minor 7 (i7)
B minor 7 (ii7)
E augmented (V+)
“`

Similar Chord Progressions

1. “Kiss of Life” by Sade:
“`
Am7 (i7)
Bm7 (ii7)
CMaj7 (IIIΔ7)
D9sus4 (IV9sus4)
“`
2. “Seaweed” by Mount Eerie:
“`
Am7 (i7)
Bm7 (ii7)
Dmaj7 (IVΔ7)
Gmaj7 (VIIΔ7)
“`

These examples from other artists both feature the use of Am7 and Bm7 chords, suggesting a shared influence with Kali Uchis’ chord progression in “After The Storm.” However, these other artists choose to resolve the tension created by these chords differently than Kali Uchis, incorporating different chords in their progressions to create a unique sound.

Musical Analysis

The Am7 and Bm7 chords suggest a typical i7-ii7 progression in the minor key. However, the use of the Ea(Raised fifth) chord adds an unexpected and more complex harmonic feel to the music. It can be heard as a V+ chord (dominant augmented), which creates tension and resolves back to the i7 chord, giving the progression a sense of continuous movement and anticipation.

Overall Analysis

The given chord progression is the Pre-Chorus section of “After The Storm” by Kali Uchis. The chords in this progression are predominantly built on the 1st and 2nd degrees of the minor scale. The recurring use of the Eaug chord injects an interesting and stylish twist into the music.

Style Analysis

Kali Uchis’ use of the Eaug chord demonstrates her inclination towards experimenting with harmony and employing non-diatonic chords in her music. Furthermore, the repetition of this distinctive sequence gives the pre-chorus a strong sense of identity within the context of the overall song.

Chords in the Pre-chorus section of After The Storm by Kali Uchis are:

Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug