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Related Music Theory Alchemy

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.

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“The Long And Winding Road” by The Beatles presents us with a classic example of their innovative approach to harmony and composition. Drawing from various sources of influence, the song incorporates elements of traditional pop ballad form with a hint of the Baroque harmonic palette. This song is an excellent study in complex harmony and modulation within a pop music context, a trait that underpins much of The Beatles’ later work.

“Dont Let Me Down” by The Beatles is a song that’s heavily grounded in the key of E Major, with some interesting use of borrowed chords for a richer, more emotional harmonic texture. The song is a fine example of The Beatles’ songwriting style, which often involves mixing diatonic chords with chromatic passing chords, borrowed chords, and secondary dominants.

Kali Uchis – After The Storm – Bridge

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Chord Progression

Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7

Chord Progression Analysis

“`
Amaj7 (I) – Dmaj7 (IV)
“`

Similar Chord Progressions

1. Amy Winehouse – “Stronger Than Me”
Chord progression:
“`Gmaj7 (I) – Cmaj7 (IV)“`

2. D’Angelo – “Brown Sugar”
Chord progression:
“`Cmaj7 (I) – Fmaj7 (IV)“`

These two songs, both influenced by the soul and R&B genres, employ the same I-IV alternation of major seventh chords within their respective keys as found in Kali Uchis’ “After The Storm.” This simple yet effective progression is particularly common in these genres and contributes to their characteristic smooth and mellow sound.

Musical Analysis

The use of Amaj7 and Dmaj7 chords, both of which are major seventh chords, creates a strong sense of tonality rooted in the key of A Major. The alternation between the tonic (I) and the subdominant (IV) functions to establish a relaxed and soothing vibe, as there is no tension brought on by a dominant or leading tone chord. The repetition of this two-chord progression adds to the serene and hypnotic atmosphere of the bridge, allowing the listener’s focus to be on the melodic and lyrical content.

Overall Analysis

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

Style Analysis

The style of “After The Storm” is heavily influenced by neo-soul and R&B genres. The use of major seventh chords is common in these genres, as they contribute to the lush and smooth sound often associated with soul and R&B music. Additionally, the simple, repeating pattern of the two chords in the bridge provides a stable backdrop for Kali Uchis’ vocal performance and creates a sense of continuity throughout the song.

Chords in the Bridge section of After The Storm by Kali Uchis are:

Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7