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The chord progression in the intro of “After the Storm” by Kali Uchis showcases a mix of diatonic and chromatic movements, borrowing elements from jazz and R&B. The use of 7th chords and an augmented chord suggests a harmonically rich and colorful tonality, creating an intriguing atmosphere that captures the listener’s attention.

The given chord progression is the Pre-Chorus section of “After The Storm” by Kali Uchis. The chords in this progression are predominantly built on the 1st and 2nd degrees of the minor scale. The recurring use of the Eaug chord injects an interesting and stylish twist into the music.

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“Here Comes the Sun” written by The Beatles is a seminal work from the Beatles’ output in pop music. The piece is composed in a modified strophic form with a circular pattern augmented with a repetitive and distinct bridge that modulates in key. The use of major chords and open voicings gives the song a sunny and positive feel, hence its title. It’s also notable for its mixed use of diatonic and borrowed chords, contributing to its unique sound.

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“Miss You” by The Rolling Stones is in the key of A minor. The main chord progression in the song is quite consistent — Am, Dm, Am, Am, Dm, Am, Am, Dm — with some variations in the bridge. The song’s chord progression is bluesy in nature, given the usage of minor chords and the parallel movement. In particular, the usage of E, the V chord in A Minor, gives a resolution back to the root chord (Am), which gives the song a sense of tension and release.

“Dont Let Me Down” by The Beatles is a song that’s heavily grounded in the key of E Major, with some interesting use of borrowed chords for a richer, more emotional harmonic texture. The song is a fine example of The Beatles’ songwriting style, which often involves mixing diatonic chords with chromatic passing chords, borrowed chords, and secondary dominants.

Kali Uchis – After The Storm – Bridge

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Chord Progression

Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7

Chord Progression Analysis

“`
Amaj7 (I) – Dmaj7 (IV)
“`

Similar Chord Progressions

1. Amy Winehouse – “Stronger Than Me”
Chord progression:
“`Gmaj7 (I) – Cmaj7 (IV)“`

2. D’Angelo – “Brown Sugar”
Chord progression:
“`Cmaj7 (I) – Fmaj7 (IV)“`

These two songs, both influenced by the soul and R&B genres, employ the same I-IV alternation of major seventh chords within their respective keys as found in Kali Uchis’ “After The Storm.” This simple yet effective progression is particularly common in these genres and contributes to their characteristic smooth and mellow sound.

Musical Analysis

The use of Amaj7 and Dmaj7 chords, both of which are major seventh chords, creates a strong sense of tonality rooted in the key of A Major. The alternation between the tonic (I) and the subdominant (IV) functions to establish a relaxed and soothing vibe, as there is no tension brought on by a dominant or leading tone chord. The repetition of this two-chord progression adds to the serene and hypnotic atmosphere of the bridge, allowing the listener’s focus to be on the melodic and lyrical content.

Overall Analysis

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

Style Analysis

The style of “After The Storm” is heavily influenced by neo-soul and R&B genres. The use of major seventh chords is common in these genres, as they contribute to the lush and smooth sound often associated with soul and R&B music. Additionally, the simple, repeating pattern of the two chords in the bridge provides a stable backdrop for Kali Uchis’ vocal performance and creates a sense of continuity throughout the song.

Chords in the Bridge section of After The Storm by Kali Uchis are:

Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7