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The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

Jimi Hendrix’s “Castles Made of Sand” is an interesting and unique composition with an innovative chord progression. The song is in the key of G major and is characterized by an engaging and complex harmonic structure that showcases Hendrix’s skill as a songwriter and performer. The chord progression, though relatively simple, creates a sense of depth and movement uncommon during that time period.

“The Long And Winding Road” is in the key of D major. The chords are quite typical of pop music, however, The Beatles use of extensions and suspensions provide a unique complexity to the progression. The song dabbles in modal interchange as it borrows chords from parallel minor, a popular Beatles technique.

“Something” written by George Harrison from The Beatles majorly follows the key of C major and includes a few borrowed chords. There is a usage of secondary dominants and seventh chords which lend a harmonic complexity to the song. During the course of the song, the chords shift from the major scale to the parallel minor scale.

The song “Penny Lane” written by the Beatles is in the key of A major. The structure of Verse 4, specifically, has a very effective use of both diatonic (belonging naturally to the key) and borrowed chords (taken from a different key or mode). They have incorporated secondary dominants, pivot modulation, and modal interchange which reflect their knowledge of musical theory and compositional skills.

Jimi Hendrix – The Wind Cries Mary – Verse 4

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Chord Progression

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A

Chord Progression Analysis

C (‘IV’), B (‘♮III’), B♭ (‘II’), F (‘I’), C (‘IV’), B (‘♮III’), B♭ (‘II’), F (‘I’), C (‘IV’), B (‘♮III’), B♭ (‘II’), F (‘I’), G (‘♯II’), B♭ (‘II’), E♭ (‘♭VII’), E (‘♮VII’), F (‘I’), G (‘♯II’), B♭ (‘II’), E♭ (‘♭VII’), E (‘♮VII’), F (‘I’), E♭/G (‘♭VII6’), E/G♯ (‘♮VII6’), F/A (‘I6’)

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Borrowed Chords: ♮III, ♯II, ♭VII
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Similar Chord Progressions

1. While My Guitar Gently Weeps by The Beatles:
Am (‘i’), G (‘♭VII’), Am (‘i’), Am/G (‘i6’), Am/F♯ (‘i♭6’), Am/F (‘i6♭’), Am (‘i’), C (‘♭III’), G (‘♭VII’), Am (‘i’)

2. Hey Joe by Jimi Hendrix:
C (‘IV’), G (‘♮VII’), D (‘♭II’), A (‘V’), E (‘I’)

3. Hotel California by Eagles:
Bm (‘i’), F♯ (‘V’), A (‘♭VII’), E (‘IV’), G (‘♭VI’), D (‘♭III’), Em (‘iv’), F♯ (‘V’)

Musical Analysis

The chord progression used in The Wind Cries Mary showcases Hendrix’s penchant for incorporating various musical influences into his songwriting. The use of borrowed chords and chromatic lines add harmonic interest and create moments of tension and resolution that engage the listener. The stepwise descending chromatic progression from IV (C) to ♮III (B) to II (B♭) gives an emotional cascading effect, while the use of ♭VII (E♭) and ♮VII (E) chords right before returning to the tonic (F) lend majesty and strong resolution.

Overall Analysis

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

Style Analysis

This piece represents the blending of various styles and genres into a distinctive Hendrix sound. It combines the ethereal quality of psychedelic rock, the emotive chord progressions found in blues-rock, and the innovative harmonies of early progressive rock. The Verse 4 progression showcases Hendrix’s genius in manipulating both diatonic and borrowed chords to create an emotive journey through harmony and melody.

Chords in the Verse 4 section of The Wind Cries Mary by Jimi Hendrix are:

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A