Music Theory Alchemy

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“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

Verse 2 of Grizzly Bear’s “Yet Again” presents a straightforward harmonic progression that is common in pop and indie rock music. This series of chords is mainly built around the key of A minor, and uses diatonic chords (those that naturally occur within the key) of this key. The recurring sequence (Am, G, C, F, F, Em, C, Dm) indicates a strong sense of familiarity and predictability, characteristic of many pop/rock anthologies.

The song “Every Day Is Exactly The Same” by Nine Inch Nails has a dark and moody atmosphere, characterized by the repetitive chord progression that sets the gloomy tone. This prolific use of chords throughout snippets of the song creates a musical portrait of monotony and disillusion which is reflective of the song’s title and lyrics. Looking at the chords provided from the second verse, this mood is accomplished through the consistent use of minor tonalities and alternation between two power chords – E and C.

Jimi Hendrix – Purple Haze – Verse 2

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Chord Progression

E7#9, G, A, E

Chord Progression Analysis

The E7#9 chord, often referred to as the “Hendrix Chord,” is a dominant 7th chord with a raised 9th. This chord creates a strong sense of tension, which is released when the progression moves to the G chord. The G chord, as a borrowed bIII chord from the parallel minor key, adds a sense of modal mixture and contributes to the psychedelic and bluesy feel of the song. The progression then moves to an A chord, the IV chord in the key of E Major, before resolving back to the tonic E chord. This circular and nontraditional progression adds excitement and unpredictability to the song.

Similar Chord Progressions

Musical Analysis

The use of the E7#9 chord is characteristic of Hendrix’s style, reflecting his affinity for blending blues elements into his rock compositions. The integration of modal mixture (borrowed chords), as seen in the G chord, is evocative of the psychedelic aesthetic that was prevalent during the late 1960s. The irregular chord progression also lends a unique, exploratory feel to the piece, which mirrors the adventurous spirit of the time period.

Overall Analysis

“Purple Haze” by Jimi Hendrix is a classic example of psychedelic rock and blues-infused music from the late 1960s. This particular chord progression, found in Verse 2, demonstrates Hendrix’s innovative approach to harmony and showcases his integration of blues and rock influences.

Chord Progression Analysis (Roman Numerals):
E7#9 (I), G (bIII), A (IV), E (I)

Borrowed Chord:
`G (bIII)` – This chord is borrowed from the parallel minor key of E minor.

Style Analysis

1. Cream – “Sunshine of Your Love”
Chord progression: D (I), G (IV), A (V), C (bVII), G (IV), A (V)

2. The Beatles – “While My Guitar Gently Weeps”
Chord progression: A (I), C#m (iii), F#m (vi), C (bIII), G (bVII), A (I)

3. Led Zeppelin – “Hey Hey What Can I Do”
Chord progression: G (I), C (IV), D (V), F (bIII), D (V)

Chords in the Verse 2 section of Purple Haze by Jimi Hendrix are:

E7#9, G, A, E