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“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

The chord progression in the verse 2 of Megalomania by Muse is predominantly in the key of E minor, with several chromatic and borrowed chords that give the progression a unique character. This progression consists of 16 chords and features an interesting mix of diatonic chords, secondary dominants, and borrowed chords that contribute to the dramatic and dark atmosphere of the piece.

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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Jimi Hendrix – Purple Haze – Verse 2

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Chord Progression

E7#9, G, A, E

Chord Progression Analysis

The E7#9 chord, often referred to as the “Hendrix Chord,” is a dominant 7th chord with a raised 9th. This chord creates a strong sense of tension, which is released when the progression moves to the G chord. The G chord, as a borrowed bIII chord from the parallel minor key, adds a sense of modal mixture and contributes to the psychedelic and bluesy feel of the song. The progression then moves to an A chord, the IV chord in the key of E Major, before resolving back to the tonic E chord. This circular and nontraditional progression adds excitement and unpredictability to the song.

Similar Chord Progressions

Musical Analysis

The use of the E7#9 chord is characteristic of Hendrix’s style, reflecting his affinity for blending blues elements into his rock compositions. The integration of modal mixture (borrowed chords), as seen in the G chord, is evocative of the psychedelic aesthetic that was prevalent during the late 1960s. The irregular chord progression also lends a unique, exploratory feel to the piece, which mirrors the adventurous spirit of the time period.

Overall Analysis

“Purple Haze” by Jimi Hendrix is a classic example of psychedelic rock and blues-infused music from the late 1960s. This particular chord progression, found in Verse 2, demonstrates Hendrix’s innovative approach to harmony and showcases his integration of blues and rock influences.

Chord Progression Analysis (Roman Numerals):
E7#9 (I), G (bIII), A (IV), E (I)

Borrowed Chord:
`G (bIII)` – This chord is borrowed from the parallel minor key of E minor.

Style Analysis

1. Cream – “Sunshine of Your Love”
Chord progression: D (I), G (IV), A (V), C (bVII), G (IV), A (V)

2. The Beatles – “While My Guitar Gently Weeps”
Chord progression: A (I), C#m (iii), F#m (vi), C (bIII), G (bVII), A (I)

3. Led Zeppelin – “Hey Hey What Can I Do”
Chord progression: G (I), C (IV), D (V), F (bIII), D (V)

Chords in the Verse 2 section of Purple Haze by Jimi Hendrix are:

E7#9, G, A, E