Search

Related Music Theory Alchemy

The chord progression for Verse 3 of “Hey Joe” by Jimi Hendrix is a repeating pattern of C, G, D, A, E. The progression employs one borrowed chord and is loosely structured around the circle of fifths. The song features a blues-rock style, with a heavy emphasis on guitar playing and expressive solos.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

The chord progression of “Because” by The Beatles demonstrates the band’s profound exploration of harmony. The song starts in the key of C# minor, revolves around this key, and includes various modulations and tonicizations to explore chords beyond the key. It heavily employs secondary dominants and borrowed chords, particularly the diminished 7th chords, which is not uncommon in Beatles’s songs. The chord progression has a dreamy and fluid flow due to these harmonic explorations.

The chord progression for the verse of “Electric Feel” by MGMT is based in the key of C major. The progression mainly revolves around the use of i, v, VI, and VII chords. The song has a hypnotic, cyclic feel that is characteristic of the neo-psychedelic genre, with touches of funk and dance music elements.

The chord progression in the verse 1 of “Whole Lotta Love” by Led Zeppelin features just two chords: D and E. This fairly simple progression, used repetitively throughout the verse, creates a strong and energetic foundation for the song. The style of the song reflects 1960s heavy rock, and the simplicity of the chord progression adds to the rawness and drive of the music.

Jimi Hendrix – Hey Joe – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E

Chord Progression Analysis

C Major (bVI) – G Major (bIII) – D Major (VII) – A Major (IV) – E Major (I) – E Major (I)

“`
C Major (bVI)
G Major (bIII)
D Major (VII)
A Major (IV)
E Major (I)
E Major (I)
“`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles:

`A minor (i) – A minor/G (i/♭VII) – A minor/F♯ (i/VI) – A minor/F (i/♭VI) – G (♭VII) – E major (V)`

2. “All Along the Watchtower” by Bob Dylan (popularly covered by Jimi Hendrix):

`C minor (i) – G♭ major (♭VI) – F♭ major (♭V) – B♭ major (V)`

These songs share similarities with “Hey Joe” in terms of incorporating borrowed chords from the parallel minor key and having a cyclic nature to their chord progressions.

Musical Analysis

“Hey Joe” employs the use of borrowed chords from the parallel minor key (E minor). The C Major (bVI) and G Major (bIII) chords are borrowed from the parallel minor, while the D Major (VII) chord is a secondary dominant in relation to the A Major (IV) chord. This combination of borrowed chords, along with the more traditional IV – I (A – E) progression, helps create the unique sound of the song.

Overall Analysis

“Hey Joe” by Jimi Hendrix is a classic rock song featuring a cyclic chord progression in the key of E major. The song is well-known for its distinctive and temporarily ambiguous harmonic structure, bluesy vocal melodies, and Jimi Hendrix’s influential guitar playing. The verse chord progression constantly circles back on itself, creating a hypnotic effect.

Style Analysis

Jimi Hendrix was known for incorporating various musical styles into his compositions, such as blues, jazz, and rock. “Hey Joe” features a mix of these influences, with the bluesy vocal melodies and the cyclic chord progression giving the song a psychedelic rock vibe. Additionally, Hendrix’s innovative use of guitar techniques, such as bending and vibrato, helped shape the sound of modern rock music.

Chords in the Verse 1 section of Hey Joe by Jimi Hendrix are:

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E