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Related Music Theory Alchemy

“Hey Joe” is a famous song by Jimi Hendrix, which features a simple yet very effective chord progression throughout its verses. It has a five-chord progression, which is C, G, D, A, and E. This progression creates a strong and recognizable flow, thus contributing to the song’s iconic status.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique chord progression and distinctive guitar techniques that were ahead of its time. The song was released in 1967 on the album “Axis: Bold as Love” and showcases Hendrix’s innovative approach to guitar playing and songwriting.

The song “I Will” by The Beatles is an example of their unique and sophisticated approach to pop songwriting, demonstrating their comprehensive mastery of harmony within the pop idiom. The majority of the harmonies used in the song are diatonic to the key of C major, however there are several instances of borrowed chords that add color and complexity to the song’s overall harmonic structure.

The chord progression throughout this verse of Beck’s “Lost Cause” is predominantly in the key of F Major with some chords from its relative minor (D minor). The use of borrowed chords adds variety and color to the progression, and the alternation between F major and C major chords creates a strong sense of tonality and grounding in the key of F Major. The use of Am and E7 chords provides a brief tension and leaning toward the parallel key of F minor before resolving back to the original key. This adds interest and complexity to the otherwise straightforward progression.

This iconic Britpop song predominantly features the use of traditional tonal harmony found in pop songs throughout the late 20th century, and the verse specifically recalls the harmonic patterns utilized in the 1950s and 60s. The defining feature of this song (as is the case with many Oasis tunes) is the use of returning, resounding repetitions of simple chord sequences.

Jimi Hendrix – Hey Joe – Verse 1

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Chord Progression

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E

Chord Progression Analysis

C Major (bVI) – G Major (bIII) – D Major (VII) – A Major (IV) – E Major (I) – E Major (I)

“`
C Major (bVI)
G Major (bIII)
D Major (VII)
A Major (IV)
E Major (I)
E Major (I)
“`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles:

`A minor (i) – A minor/G (i/♭VII) – A minor/F♯ (i/VI) – A minor/F (i/♭VI) – G (♭VII) – E major (V)`

2. “All Along the Watchtower” by Bob Dylan (popularly covered by Jimi Hendrix):

`C minor (i) – G♭ major (♭VI) – F♭ major (♭V) – B♭ major (V)`

These songs share similarities with “Hey Joe” in terms of incorporating borrowed chords from the parallel minor key and having a cyclic nature to their chord progressions.

Musical Analysis

“Hey Joe” employs the use of borrowed chords from the parallel minor key (E minor). The C Major (bVI) and G Major (bIII) chords are borrowed from the parallel minor, while the D Major (VII) chord is a secondary dominant in relation to the A Major (IV) chord. This combination of borrowed chords, along with the more traditional IV – I (A – E) progression, helps create the unique sound of the song.

Overall Analysis

“Hey Joe” by Jimi Hendrix is a classic rock song featuring a cyclic chord progression in the key of E major. The song is well-known for its distinctive and temporarily ambiguous harmonic structure, bluesy vocal melodies, and Jimi Hendrix’s influential guitar playing. The verse chord progression constantly circles back on itself, creating a hypnotic effect.

Style Analysis

Jimi Hendrix was known for incorporating various musical styles into his compositions, such as blues, jazz, and rock. “Hey Joe” features a mix of these influences, with the bluesy vocal melodies and the cyclic chord progression giving the song a psychedelic rock vibe. Additionally, Hendrix’s innovative use of guitar techniques, such as bending and vibrato, helped shape the sound of modern rock music.

Chords in the Verse 1 section of Hey Joe by Jimi Hendrix are:

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E