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Related Music Theory Alchemy

The chord progression for Verse 3 of “Hey Joe” by Jimi Hendrix is a repeating pattern of C, G, D, A, E. The progression employs one borrowed chord and is loosely structured around the circle of fifths. The song features a blues-rock style, with a heavy emphasis on guitar playing and expressive solos.

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

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“Wild Horses” by the Rolling Stones is a song in the key of G Major with a chord progression marked by the use of common chords and a few borrowed chords from other keys. The usage of minor and major chords conjures a variety of emotions synonymous with the mood of the song. The repetitive nature of the sequence creates a cyclical feeling that gives a strong sense of the song’s emotional journey.

“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

The song in question, “Endlessly” by Muse, is a reflective and emotional piece, featuring a fairly unique chord progression. The verse’s chord progression is not commonly heard in popular music, giving it a distinct sound that sets it apart from other songs. The use of suspended chords, the shift from Am to Bm, and the resolution to the E7 chord give the piece a floating, ethereal feel.

Jimi Hendrix – Hey Joe – Verse 1

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Chord Progression

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E

Chord Progression Analysis

C Major (bVI) – G Major (bIII) – D Major (VII) – A Major (IV) – E Major (I) – E Major (I)

“`
C Major (bVI)
G Major (bIII)
D Major (VII)
A Major (IV)
E Major (I)
E Major (I)
“`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles:

`A minor (i) – A minor/G (i/♭VII) – A minor/F♯ (i/VI) – A minor/F (i/♭VI) – G (♭VII) – E major (V)`

2. “All Along the Watchtower” by Bob Dylan (popularly covered by Jimi Hendrix):

`C minor (i) – G♭ major (♭VI) – F♭ major (♭V) – B♭ major (V)`

These songs share similarities with “Hey Joe” in terms of incorporating borrowed chords from the parallel minor key and having a cyclic nature to their chord progressions.

Musical Analysis

“Hey Joe” employs the use of borrowed chords from the parallel minor key (E minor). The C Major (bVI) and G Major (bIII) chords are borrowed from the parallel minor, while the D Major (VII) chord is a secondary dominant in relation to the A Major (IV) chord. This combination of borrowed chords, along with the more traditional IV – I (A – E) progression, helps create the unique sound of the song.

Overall Analysis

“Hey Joe” by Jimi Hendrix is a classic rock song featuring a cyclic chord progression in the key of E major. The song is well-known for its distinctive and temporarily ambiguous harmonic structure, bluesy vocal melodies, and Jimi Hendrix’s influential guitar playing. The verse chord progression constantly circles back on itself, creating a hypnotic effect.

Style Analysis

Jimi Hendrix was known for incorporating various musical styles into his compositions, such as blues, jazz, and rock. “Hey Joe” features a mix of these influences, with the bluesy vocal melodies and the cyclic chord progression giving the song a psychedelic rock vibe. Additionally, Hendrix’s innovative use of guitar techniques, such as bending and vibrato, helped shape the sound of modern rock music.

Chords in the Verse 1 section of Hey Joe by Jimi Hendrix are:

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E