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Related Music Theory Alchemy

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

The outro of “Hey Joe” by Jimi Hendrix uses a descending circle of fifths chord progression, which is a very common progression in many styles of music, particularly in the Baroque period and in blues-based rock music. The progression features a steady descent through the Circle of Fifths that creates a strong sense of harmony and resolution. In this context, Jimi Hendrix uses the progression to create tension and momentum, which is appropriate for an outro section.

“Closer” by Nine Inch Nails works within a minimalist musical framework, where a few shiftless chords and tension-filled pentatonic melodies define the song. It inculcates a dark atmospheric mood through its instrumentation and harmony. The repetitive and consistent use of the Cm7 chord creates a haunting, pulsating groove that add to the atmospheric layer of the song.

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

Jimi Hendrix – Castles Made Of Sand – Verse 1

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Chord Progression

F, Am, Em7, F, C, G, F, Am, Em7, F, C, G

Chord Progression Analysis

F Fmaj (‘I’), Am Amin (‘vi’), Em7 Emin7 (‘iii7’), F Fmaj (‘I’), C Cmaj (‘IV’), G Gmaj (‘V’), F Fmaj (‘I’), Am Amin (‘vi’), Em7 Emin7 (‘iii7’), F Fmaj (‘I’), C Cmaj (‘IV’), G Gmaj (‘V’)

Similar Chord Progressions

1. The Beatles – “In My Life”
Verse: A A maj (‘I’), E E maj (‘V’), F#m F#min (‘vi’), A A maj (‘I’), G G maj (‘IV’), A A maj (‘I’), C#m C# min (‘iii’), F#m F# min (‘vi’), Bm B min (‘ii’), E E maj (‘V’), A A maj (‘I’)

2. Radiohead – “Subterranean Homesick Alien”
Verse: C Cmaj (‘I’), Fmaj7 Fmaj7 (‘IVmaj7’), G Gmaj (‘V’), Amin7 Amin7 (‘vi7’), Dm Dmin (‘ii’), C#dim C#dim (‘#ividim’), Bdim Bdim (‘#iiidim’), C Cmaj (‘I’)

These examples demonstrate the use of similar harmonic movements and the incorporation of borrowed chords to create complexity and depth in the chord progressions.

Musical Analysis

The chord progression in the verse of “Castles Made Of Sand” begins with a I-vi-iii7-I movement, which is common in pop music and creates a sense of tension and release. The following progression (IV-V) provides a sense of resolution through the use of the dominant chord (G), helping to establish the key of F major. It is interesting to note that the iii7 (Em7) chord is borrowed from a minor key, adding to the song’s emotion and complexity.

Overall Analysis

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

Style Analysis

Jimi Hendrix’s style is characterized by his innovative and expressive guitar playing, incorporating various techniques such as hammer-ons, pull-offs, and slides in his chord progressions and melodies. “Castles Made Of Sand” is an example of his use of intricate chord progressions and lush harmonies to create a sense of depth and emotion in his music. The song is also notable for its poetic lyrics, which tell a story of fleeting dreams and the impermanence of life.

Chords in the Verse 1 section of Castles Made Of Sand by Jimi Hendrix are:

F, Am, Em7, F, C, G, F, Am, Em7, F, C, G