Search

Related Music Theory Alchemy

**
“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

**

The chord progression for Verse 3 of “Hey Joe” by Jimi Hendrix is a repeating pattern of C, G, D, A, E. The progression employs one borrowed chord and is loosely structured around the circle of fifths. The song features a blues-rock style, with a heavy emphasis on guitar playing and expressive solos.

The chorus of the Pink Floyd song “Breathe” features a mixture of diatonic and non-diatonic chords and creates a dreamy, spaced-out mood. The combination of major and minor seventh chords, as well as dominant 7th chords with altered 9ths, contributes to this atmospheric quality.

“Hurt” is a song written and composed by Trent Reznor, best known for its version covered by Johnny Cash in C major. The song employs a commonly used pop/rock chord progression (vi- IV- I- V), that aids the conveyance of the theme of regret and redemption. The use of the minor vi chord (Am) as the starting point of the progression provides a very melancholy feel that aligns with the overall tone of regret in the lyrics. The progression then moves to a major IV (F), suggestive of a brief glimpse of hope or relief, before settling into the home key of C. The progression rounds off with a V chord (G), propelling the sequence back to the beginning again, giving a cyclic, repeating, and enduring feel to the music.

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
“`
E major (V/vi)
“`

Jimi Hendrix – Castles Made Of Sand – Chorus 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, D, F, C

Chord Progression Analysis

G Major (I), D Major (V), F Major (bVII), C Major (IV)

“`
Borrowed Chord: F Major (bVII)
“`

Similar Chord Progressions

1) The Beatles – “While My Guitar Gently Weeps”
Chord Progression: Am (i), G (VII), Am/G (i), Am/F# (i), Am/F (i), G (VII), C (III), E (V)

2) Radiohead – “Karma Police”
Chord Progression: Am (vi), D (IV), G (I), Em (ii), G (I), F#m (ii°), F (bVII), C (IV)

Both of these examples share similarities with Hendrix’s progression, particularly through the use of non-diatonic chords and the incorporation of tension and resolution via borrowed chords or secondary dominants.

Musical Analysis

The primary chords of the progression can be traced to G major, with the exception of F Major which is a borrowed chord from the parallel minor (G minor). This borrowed bVII chord functions as a way to introduce greater variety and freshness to the harmony, and adds tension before resolving back to the tonic, G Major. This also foreshadows the use of the Mixolydian mode in the progression, as the F major chord is a common component in Mixolydian progressions.

A unique aspect of the progression is that it doesn’t follow a traditional harmonic structure like most songs of that time. Instead of using the classic IV-V-I progression, Hendrix cleverly avoids resolution to the I chord for a more intriguing sequence.

Overall Analysis

Jimi Hendrix’s “Castles Made of Sand” is an interesting and unique composition with an innovative chord progression. The song is in the key of G major and is characterized by an engaging and complex harmonic structure that showcases Hendrix’s skill as a songwriter and performer. The chord progression, though relatively simple, creates a sense of depth and movement uncommon during that time period.

Style Analysis

Jimi Hendrix is known for his innovative and groundbreaking approach to guitar playing and songwriting. His incorporation of unusual and fresh harmonic structures such as within “Castles Made of Sand” expanded the boundaries of popular music during the late 1960s. This song, in particular, highlights Hendrix’s distinctive ability to fuse rock, blues, and psychedelic music styles, creating a unique and mesmerizing sound.

Chords in the Chorus 2 section of Castles Made Of Sand by Jimi Hendrix are:

G, D, F, C