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Related Music Theory Alchemy

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

The “Like Clockwork” track by Queens of the Stone Age showcases a wide range of harmonic complexity. The track is in the key of F# minor and it is characterized by non-traditional chord progressions. From the range of chords used within the song, it’s clear that the song deviates from strict diatonic harmony, and freely borrows chords from parallel keys (modal mixture).

Radiohead’s “Fake Plastic Trees” is an alternative rock ballad from their 1995 album, “The Bends.” The moody and atmospheric track is characterized by its emotive vocal delivery, contrasting dynamics, rich arrangement, and engaging chord progression. This progression, in particular, features an interesting mixture of diatonic and borrowed chords that create a sense of tension and resolution throughout the piece.

The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.

Jimi Hendrix – Castles Made Of Sand – Chorus 2

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Chord Progression

G, D, F, C

Chord Progression Analysis

G Major (I), D Major (V), F Major (bVII), C Major (IV)

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Borrowed Chord: F Major (bVII)
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Similar Chord Progressions

1) The Beatles – “While My Guitar Gently Weeps”
Chord Progression: Am (i), G (VII), Am/G (i), Am/F# (i), Am/F (i), G (VII), C (III), E (V)

2) Radiohead – “Karma Police”
Chord Progression: Am (vi), D (IV), G (I), Em (ii), G (I), F#m (ii°), F (bVII), C (IV)

Both of these examples share similarities with Hendrix’s progression, particularly through the use of non-diatonic chords and the incorporation of tension and resolution via borrowed chords or secondary dominants.

Musical Analysis

The primary chords of the progression can be traced to G major, with the exception of F Major which is a borrowed chord from the parallel minor (G minor). This borrowed bVII chord functions as a way to introduce greater variety and freshness to the harmony, and adds tension before resolving back to the tonic, G Major. This also foreshadows the use of the Mixolydian mode in the progression, as the F major chord is a common component in Mixolydian progressions.

A unique aspect of the progression is that it doesn’t follow a traditional harmonic structure like most songs of that time. Instead of using the classic IV-V-I progression, Hendrix cleverly avoids resolution to the I chord for a more intriguing sequence.

Overall Analysis

Jimi Hendrix’s “Castles Made of Sand” is an interesting and unique composition with an innovative chord progression. The song is in the key of G major and is characterized by an engaging and complex harmonic structure that showcases Hendrix’s skill as a songwriter and performer. The chord progression, though relatively simple, creates a sense of depth and movement uncommon during that time period.

Style Analysis

Jimi Hendrix is known for his innovative and groundbreaking approach to guitar playing and songwriting. His incorporation of unusual and fresh harmonic structures such as within “Castles Made of Sand” expanded the boundaries of popular music during the late 1960s. This song, in particular, highlights Hendrix’s distinctive ability to fuse rock, blues, and psychedelic music styles, creating a unique and mesmerizing sound.

Chords in the Chorus 2 section of Castles Made Of Sand by Jimi Hendrix are:

G, D, F, C