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“Just the Two of Us” by Grover Washington Jr. is a sample gold mine for those interested in jazz, soul, and RnB influenced chord progressions. This song, co-written with Bill Withers, perfectly illustrates the fusion of jazz and pop music. The song is primarily in C Major key but it makes significant use of secondary dominant chords, and borrowed chords from parallel keys which are typical characteristics of jazz-inflected pop.

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

Grover Washington Jr. – Just The Two Of Us – Verse 2

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Chord Progression

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]

Chord Progression Analysis

Here’s the Verse 2 chord progression with full chord names and roman numerals:

“`
C Major Seventh (♭VI)
B Dominant Seventh (V)
E Minor Seventh (i)
D Minor Seventh (♭VII)
G Dominant Seventh (♭III)
C Major Seventh (♭VI)
B Dominant Seventh (V)
E Minor Seventh (i)
C Major Seventh (♭VI)
B Dominant Seventh (V)
E Minor Seventh (i)
D Minor Seventh (♭VII)
G Dominant Seventh (♭III)
C Major Seventh (♭VI)
B Dominant Seventh (V)
E Minor Seventh (i)
“`
In this context, the chords C Major Seventh and D Minor Seventh can be considered borrowed chords.

Similar Chord Progressions

While it’s difficult to find an exact match, some songs carry similar chords or themes including “My Cherie Amour” by Stevie Wonder, which contains a vi V ii progression in its chorus similar to the “Just The Two Of Us” verse progression, and “At Last” by Etta James follows a similar harmonic pattern with the I-VI-II-V progression in its key verse sections. Stevie Wonder’s song “Isn’t She Lovely” also has a similar jazz-inflected sound, panache, and switch from minor to major chords.

Musical Analysis

This chord progression contributes tremendously to the song’s soulful and slightly melancholic flavor. The transition from the B Dominant Seventh to E Minor Seventh forms a classic V-i harmonic progression, which creates the strong sense of resolution familiar to all genres of western music. However, the frequent employment of borrowed chords from the parallel major (particularly C Major Seventh and D Minor Seventh) brings bright color, which further enriches the harmonic texture.

Overall Analysis

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

Style Analysis

Given its elegant mixture of soul, R&B, and jazz elements, the song has a very unique yet universal appeal. The jazzy vibe is unmistakable, especially due to the frequent use of 7th chords and chord extensions, adding sophistication and complexity to the music. The song’s stripped-down instrumentation allows listeners to focus on the rich harmonic and melodic content instead.

Chords in the Verse 2 section of Just The Two Of Us by Grover Washington Jr. are:

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]