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Related Music Theory Alchemy

“Just the Two of Us” by Grover Washington Jr. is a sample gold mine for those interested in jazz, soul, and RnB influenced chord progressions. This song, co-written with Bill Withers, perfectly illustrates the fusion of jazz and pop music. The song is primarily in C Major key but it makes significant use of secondary dominant chords, and borrowed chords from parallel keys which are typical characteristics of jazz-inflected pop.

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

“Say It Ain’t So” by Weezer is an alternative rock song with a sense of melancholy in the verse and a catchy, anthemic chorus. The verse chords, which you provided, create a strong sense of movement and harmonic interest by using borrowed chords and a combination of diatonic and chromatic chord progressions.

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

Grover Washington Jr. – Just The Two Of Us – Verse 2

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Chord Progression

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]

Chord Progression Analysis

Here’s the Verse 2 chord progression with full chord names and roman numerals:

“`
C Major Seventh (♭VI)
B Dominant Seventh (V)
E Minor Seventh (i)
D Minor Seventh (♭VII)
G Dominant Seventh (♭III)
C Major Seventh (♭VI)
B Dominant Seventh (V)
E Minor Seventh (i)
C Major Seventh (♭VI)
B Dominant Seventh (V)
E Minor Seventh (i)
D Minor Seventh (♭VII)
G Dominant Seventh (♭III)
C Major Seventh (♭VI)
B Dominant Seventh (V)
E Minor Seventh (i)
“`
In this context, the chords C Major Seventh and D Minor Seventh can be considered borrowed chords.

Similar Chord Progressions

While it’s difficult to find an exact match, some songs carry similar chords or themes including “My Cherie Amour” by Stevie Wonder, which contains a vi V ii progression in its chorus similar to the “Just The Two Of Us” verse progression, and “At Last” by Etta James follows a similar harmonic pattern with the I-VI-II-V progression in its key verse sections. Stevie Wonder’s song “Isn’t She Lovely” also has a similar jazz-inflected sound, panache, and switch from minor to major chords.

Musical Analysis

This chord progression contributes tremendously to the song’s soulful and slightly melancholic flavor. The transition from the B Dominant Seventh to E Minor Seventh forms a classic V-i harmonic progression, which creates the strong sense of resolution familiar to all genres of western music. However, the frequent employment of borrowed chords from the parallel major (particularly C Major Seventh and D Minor Seventh) brings bright color, which further enriches the harmonic texture.

Overall Analysis

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

Style Analysis

Given its elegant mixture of soul, R&B, and jazz elements, the song has a very unique yet universal appeal. The jazzy vibe is unmistakable, especially due to the frequent use of 7th chords and chord extensions, adding sophistication and complexity to the music. The song’s stripped-down instrumentation allows listeners to focus on the rich harmonic and melodic content instead.

Chords in the Verse 2 section of Just The Two Of Us by Grover Washington Jr. are:

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]