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Related Music Theory Alchemy

“Just the Two of Us” by Grover Washington Jr. is a sample gold mine for those interested in jazz, soul, and RnB influenced chord progressions. This song, co-written with Bill Withers, perfectly illustrates the fusion of jazz and pop music. The song is primarily in C Major key but it makes significant use of secondary dominant chords, and borrowed chords from parallel keys which are typical characteristics of jazz-inflected pop.

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

“Kiss” by Prince is a well-loved song known for its catchy tune and funky, upbeat style. The song is composed in the key of A major. However, it lacks typical diatonic major harmonies because Prince used power chords (fifth chords) instead of full major or minor chords. The progression is largely built around the ‘A5’ and ‘D5’ power chords, with the occasional ‘E5’ and ‘E9sus4’ worked in to add some variation.

“Somewhere Only We Know” composed by Keane, is a pop-ballad that is based in the key of A Minor. It makes use of both diatonic and borrowed chords in a modern pop style progression that creates an oscillating feel, with repetition for familiarity and simple melody drawn from the underlying chords.

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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Grover Washington Jr. – Just The Two Of Us – Verse 1

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Chord Progression

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]

Chord Progression Analysis

The song is in C Major. Here are the full chord names along with their Roman numeral analysis:

“`
C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), D minor 7 (‘iim7’), G7 (‘VMaj7’), C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), D minor 7 (‘iim7’), G7 (‘VMaj7’), C Major 7(‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’)
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The dominant B7 chord is borrowed from the parallel minor key (C minor), hence a borrowed chord.

Similar Chord Progressions

A similar progression can be found in “Isn’t She Lovely” by Stevie Wonder, which likewise uses dominant 7th and minor 7th chords, primarily for a jazzy, soulful aesthetic.

The progression is as follows:

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E Major 7 (‘IMaj7’), A7 (‘IV7’), D Major 7 (‘VIIMaj7’), G#m7 (‘iiim7’), C#m7 (‘iiim7’), C7 (‘bVIIMaj7’ – borrowed chord), F#m7 (‘iim7’), B7 (‘VMaj7’), E Major 7 (‘IMaj7’), A7 (‘IV7’), D Major 7 (‘VIIMaj7’)
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Musical Analysis

The chord progression utilizes an interesting mix of diatonic and chromatic movements. The transition between a Cmaj7 and a B7 uses chromatic motion, dropping the chord by a half step, while the movement from B7 to Em7 is a common dominant-tonic relationship in minor keys.

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Overall Analysis

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

Style Analysis

This smooth progression is characteristic of the R&B and jazz influences present in Grover Washington Jr.’s music. The use of 7th chords and chromaticism creates an intricate, mellow sound, giving the song its relaxed and easy-going vibe.

Chords in the Verse 1 section of Just The Two Of Us by Grover Washington Jr. are:

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]