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“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

“Just the Two of Us” by Grover Washington Jr. is a sample gold mine for those interested in jazz, soul, and RnB influenced chord progressions. This song, co-written with Bill Withers, perfectly illustrates the fusion of jazz and pop music. The song is primarily in C Major key but it makes significant use of secondary dominant chords, and borrowed chords from parallel keys which are typical characteristics of jazz-inflected pop.

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

“Wonderwall” is a song by Oasis, a British rock band. The song showcases the blend of rock and Britpop style. The chord progression in the verse reflects a strong pop feeling, primarily residing in the key of G major.

The song in question, “Endlessly” by Muse, is a reflective and emotional piece, featuring a fairly unique chord progression. The verse’s chord progression is not commonly heard in popular music, giving it a distinct sound that sets it apart from other songs. The use of suspended chords, the shift from Am to Bm, and the resolution to the E7 chord give the piece a floating, ethereal feel.

Grover Washington Jr. – Just The Two Of Us – Verse 1

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Chord Progression

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]

Chord Progression Analysis

The song is in C Major. Here are the full chord names along with their Roman numeral analysis:

“`
C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), D minor 7 (‘iim7’), G7 (‘VMaj7’), C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), D minor 7 (‘iim7’), G7 (‘VMaj7’), C Major 7(‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’)
“`
The dominant B7 chord is borrowed from the parallel minor key (C minor), hence a borrowed chord.

Similar Chord Progressions

A similar progression can be found in “Isn’t She Lovely” by Stevie Wonder, which likewise uses dominant 7th and minor 7th chords, primarily for a jazzy, soulful aesthetic.

The progression is as follows:

“`
E Major 7 (‘IMaj7’), A7 (‘IV7’), D Major 7 (‘VIIMaj7’), G#m7 (‘iiim7’), C#m7 (‘iiim7’), C7 (‘bVIIMaj7’ – borrowed chord), F#m7 (‘iim7’), B7 (‘VMaj7’), E Major 7 (‘IMaj7’), A7 (‘IV7’), D Major 7 (‘VIIMaj7’)
“`

Musical Analysis

The chord progression utilizes an interesting mix of diatonic and chromatic movements. The transition between a Cmaj7 and a B7 uses chromatic motion, dropping the chord by a half step, while the movement from B7 to Em7 is a common dominant-tonic relationship in minor keys.

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Overall Analysis

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

Style Analysis

This smooth progression is characteristic of the R&B and jazz influences present in Grover Washington Jr.’s music. The use of 7th chords and chromaticism creates an intricate, mellow sound, giving the song its relaxed and easy-going vibe.

Chords in the Verse 1 section of Just The Two Of Us by Grover Washington Jr. are:

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]