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Verse 2 of Grizzly Bear’s “Yet Again” presents a straightforward harmonic progression that is common in pop and indie rock music. This series of chords is mainly built around the key of A minor, and uses diatonic chords (those that naturally occur within the key) of this key. The recurring sequence (Am, G, C, F, F, Em, C, Dm) indicates a strong sense of familiarity and predictability, characteristic of many pop/rock anthologies.

“Two Weeks” by Grizzly Bear exhibits a common pop chord progression and harmonic rhythm. The chords are primarily in root position, which contributes to the song’s straightforward and accessible sound. Stylistically, the track shows the band’s indie-rock influences and features a prominent piano part that drives the harmony.

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

Grizzly Bear – Yet Again – VERSE 3

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Chord Progression

[‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’]

Chord Progression Analysis

This is the chord progression for Verse 3:
“`
– A minor (‘i’)
– G major (‘VII’)
– C major (‘III’)
– F major (‘VI’)
– F major (‘VI’)
– E minor (‘v’)
– A minor (‘i’)
– D minor (‘iv’)
– A minor (‘i’)
– G major (‘VII’)
– C major (‘III’)
– F major (‘VI’)
– F major (‘VI’)
– E minor (‘v’)
– A minor (‘i’)
– D minor (‘iv’)
– A minor (‘i’)
– G major (‘VII’)
– C major (‘III’)
– F major (‘VI’)
– F major (‘VI’)
– E minor (‘v’)
– A minor (‘i’)
– D minor (‘iv’)
“`
Borrowed chord:
“` D minor (‘iv’) is a borrowed chord from the parallel key (A minor) “`

Similar Chord Progressions

1. Radiohead – Paranoid Android [“Em, G, D, Am”]
“`
– E minor (‘i’)
– G major (‘III’)
– D major (‘VII’)
– A minor (‘iv’)
“`

2. Smashing Pumpkins – 1979 [“G, D, C, C”]
“`
– G major (‘I’)
– D major (‘V’)
– C major (‘IV’)
– C major (‘IV’)
“`

These songs show similar use of the minor i chord, and also employ sequences of III, VII, and IV chords. They share a similar exploratory, haunting quality with “Yet Again”.

Musical Analysis

In A minor, the primary chords are Am, Dm, Em (i, iv, V). Here, we see those primary chords present, along with chords borrowed from the parallel major (A major)—those chords being C, F, G which are III, VI, and VII respectively. The presence of ‘VII’ (G major) and ‘VI’ (F major) chords add a mixolydian flavor to the song. The repeating sequence of ‘III-VI-VI-V’ contributes to the haunting feeling of the progression.

Overall Analysis

“Yet Again” by Grizzly Bear uses a repetitive verse structure that has a fairly common, major-oriented progression, but develops interest by alternating the exact sequence of chords that it employs. This gives the song a haunting but familiar atmosphere. The mixture of minor and major chords, along with the presence of a borrowed chord, creates tension and release within each verse.

Style Analysis

Grizzly Bear’s style is often characterized by complex harmonic structures and detailed arrangements. Their use of dynamics and layering in “Yet Again” is typical of their oeuvre and creates a sense of space, depth, and emotional resonance. The progression and construction of the song reflect influences from both classic rock and progressive pop, marrying simplicity in song structure with a complex and emotionally charged harmonic language.

Chords in the Verse 3 section of Yet Again by Grizzly Bear are:

[‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’]