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Verse 2 of Grizzly Bear’s “Yet Again” presents a straightforward harmonic progression that is common in pop and indie rock music. This series of chords is mainly built around the key of A minor, and uses diatonic chords (those that naturally occur within the key) of this key. The recurring sequence (Am, G, C, F, F, Em, C, Dm) indicates a strong sense of familiarity and predictability, characteristic of many pop/rock anthologies.

“Two Weeks” by Grizzly Bear exhibits a common pop chord progression and harmonic rhythm. The chords are primarily in root position, which contributes to the song’s straightforward and accessible sound. Stylistically, the track shows the band’s indie-rock influences and features a prominent piano part that drives the harmony.

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

“Whole Lotta Love” by Led Zeppelin is a hard rock song that was released in 1969. The song features a famous guitar riff with a simple, blues-influenced chord progression. That guitar riff is based on the D and E chords and can be heard throughout the main part of the song. The verse consists of the same primary chords as the riff, with slight variations in the E chord during the iconic “You need cooling” vocal part. The overall harmonic structure of the song with its repeating chords D and E gives it a strong I-V dynamic while staying in the D Mixolydian mode. Additionally, the guitar riff borrows elements of other blues progressions, creating a distinguished sound.

“Penny Lane” by The Beatles is an eclectic and elegant piece of music evident in its rhythm, harmony, melody, and lyrics. It is predominantly in the key of A Major, but it has several key changes and introduces chords that are non-diatonic, giving it a progressive and unexpected feel.

Grizzly Bear – Yet Again – VERSE 3

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Chord Progression

[‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’]

Chord Progression Analysis

This is the chord progression for Verse 3:
“`
– A minor (‘i’)
– G major (‘VII’)
– C major (‘III’)
– F major (‘VI’)
– F major (‘VI’)
– E minor (‘v’)
– A minor (‘i’)
– D minor (‘iv’)
– A minor (‘i’)
– G major (‘VII’)
– C major (‘III’)
– F major (‘VI’)
– F major (‘VI’)
– E minor (‘v’)
– A minor (‘i’)
– D minor (‘iv’)
– A minor (‘i’)
– G major (‘VII’)
– C major (‘III’)
– F major (‘VI’)
– F major (‘VI’)
– E minor (‘v’)
– A minor (‘i’)
– D minor (‘iv’)
“`
Borrowed chord:
“` D minor (‘iv’) is a borrowed chord from the parallel key (A minor) “`

Similar Chord Progressions

1. Radiohead – Paranoid Android [“Em, G, D, Am”]
“`
– E minor (‘i’)
– G major (‘III’)
– D major (‘VII’)
– A minor (‘iv’)
“`

2. Smashing Pumpkins – 1979 [“G, D, C, C”]
“`
– G major (‘I’)
– D major (‘V’)
– C major (‘IV’)
– C major (‘IV’)
“`

These songs show similar use of the minor i chord, and also employ sequences of III, VII, and IV chords. They share a similar exploratory, haunting quality with “Yet Again”.

Musical Analysis

In A minor, the primary chords are Am, Dm, Em (i, iv, V). Here, we see those primary chords present, along with chords borrowed from the parallel major (A major)—those chords being C, F, G which are III, VI, and VII respectively. The presence of ‘VII’ (G major) and ‘VI’ (F major) chords add a mixolydian flavor to the song. The repeating sequence of ‘III-VI-VI-V’ contributes to the haunting feeling of the progression.

Overall Analysis

“Yet Again” by Grizzly Bear uses a repetitive verse structure that has a fairly common, major-oriented progression, but develops interest by alternating the exact sequence of chords that it employs. This gives the song a haunting but familiar atmosphere. The mixture of minor and major chords, along with the presence of a borrowed chord, creates tension and release within each verse.

Style Analysis

Grizzly Bear’s style is often characterized by complex harmonic structures and detailed arrangements. Their use of dynamics and layering in “Yet Again” is typical of their oeuvre and creates a sense of space, depth, and emotional resonance. The progression and construction of the song reflect influences from both classic rock and progressive pop, marrying simplicity in song structure with a complex and emotionally charged harmonic language.

Chords in the Verse 3 section of Yet Again by Grizzly Bear are:

[‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’]